One of Miyazaki’s most enduring classics, Princess Mononoke addresses the concepts of violence and hatred in a way young viewers can understand.
The latest film from the French master is a piercing look at the state of publishing and mass media wrapped up in relationship drama.
Remembering the cult hit that combined timeless themes of love and vengeance with grungy goth style.
Porco Rosso is yet another swashbuckling adventure in the grand tradition of Hayao Miyazaki, a high-flying caper about a flying pig who’s also a sea pirate.
The latest entry in this unlikely franchise about an endlessly reincarnating dog is as treacly as it is exhausting.
Kenneth Branagh furthers his adoration for William Shakespeare by directing and starring in this free-wheeling biopic of the Bard’s final years.
The Nine-Nine thwarts their latest administrative antagonist with the help of three previous ones in the season six finale.
We speak to the director and writer/star of Chicago Critics Film Festival’s opening night film about the disturbing timeliness of their Chicago-set drama.
Multi hyphenate Phoebe Waller-Bridge closes out her series on an emotional high.
Ed Zwick’s death-row drama is a familiar, but effective throwback to old-fashioned issue dramas. It’s hard to think […]
As the first generation of Marvel superheroes hangs up their claws and helmets, we wonder just how long pop culture will actually let them stay dead.
Whether on the cinema of New York, Wes Anderson, or creatures of the night, the venerable film magazine has you covered.
The Mad Queen rears her fire-breathing head in a visually stunning, but narratively baffling penultimate episode.
More than just its gimmicky 59-minute 3D long shot, Bi Gan’s dreamlike drama is a delightfully challenging, exhilarating work of cinema.
Miyazaki’s animated classic effortlessly blends magical realism with a relatable coming-of-age story about building community.
In 1988, Hayao Miyazaki found a bright, adorable way to explore the freedom and exuberance of childhood, and invites adults to see it anew.
Amy Poehler’s directorial debut is filled with hilarious women, but this attempt at a female Sideways doesn’t quite hit the right notes.
Ralph Fiennes’ tale of real-life Russian dancer and defector Rudolph Nureyev is stylish enough but fails to slip deeply into its’ characters ballet flats.