Michael Cristofer’s first movie since 2001 is a low-key thriller that respects its characters, even if its setup isn’t too original.
Disney continues to shuffle off Fox’s remaining output with this limp, awkward adaptation of the Jack London novel.
The iconic video game franchise gets a prickly, unoriginal adaptation that piles on the contrivances and dated references.
Kitty Green’s latest incisively explores the systems that protect predators, resulting in something more than a simple Weinstein allegory.
The most expensive porn film of all time turns 40 this year & remains a body fluid splattered tribute to hubris & incompetence.
Aardman is back with another charming children’s romp in the Shaun the Sheep series.
Jonathan Demme directed Michelle Pfeiffer in a winning performance in a feminist take on screwball comedy.
Jonathan Demme hit an Oscar home run with a gripping thriller & iconic performances from Anthony Hopkins & Jodie Foster.
Jeff Wadlow’s adaptation of the late-’70s TV show is a thrill-free getaway that only entertains when it goes from generic to incoherent.
Nat Faxon & Jim Rash’s remake of Ruben Östlund’s 2014 dramedy is a dragged-out rehash that oversimplifies its point—and then loses it.
A look at some of our favorite movie & TV characters who used body & brains to get what they want — even if it killed someone.
Issa Rae and Lakeith Stanfield look at their romance through the lens of the past in Stella Meghie’s sumptuous drama.
Grizzled veterans go up against a drug dealer’s zombie-like henchmen in Joe Begos’ gory, fast paced action-horror film.
Alexandre O. Phillippe sits down for a long, insightful chat with the legendary filmmaker.
Netflix’s sequel to To All the Boys I’ve Loved Before keeps the charm but loses some of its edge.
In detailing Pepe the Frog’s journey from meme to monster, Arthur Jones charts the corrosive nature of creative ownership.
John Carpenter’s tribute to campfire tales, initially a critical flop, is now a gold standard of tightly paced, bone-chilling horror.
Jonathan Demme’s Talking Heads doc is beautifully chaotic in construction, but most of it comes from David Byrne’s performance.