Paramount tried to jazz up the Friday the 13th franchise by plopping Jason in the City That Never Sleeps, but the results nearly killed the series.
TRIGGER’s debut feature boasts a bevy of color palettes and visual styles that come to life in the new home release from Shout! Factory.
The last entry in the Trip series provides more insults and impressions, but it isn’t so much about the jokes this time.
Shudder’s latest is a synthwave sci-fi opera is thinly plotted and unapologetically lurid, but packed with gorgeous grindhouse visuals.
Michael Showalter’s latest comedy suffers from a hackneyed script that forces its otherwise-likable stars to do all the heavy lifting.
The three part documentary offers an affectionate, occasionally uneven look at cult films.
Craig Fairbrass’ textured mug can’t save this low-budget crime flick that tumbles headfirst into cliche.
The Friday the 13th series chugs along with a straightforward but functional slasher with a hint of metahumor.
Jason (and the franchise) comes back from an ostensible conclusion to keep up the blood-splattering mayhem.
Alan Parker’s gritty, all too realistic musical drama turns 40 & still asks a difficult question: is talent enough?
Benedict Andrews’ retelling of FBI’s pursuit of the French New Wave star under the Hoover administration relies far too heavily on broad stokes.
George Miller’s post-apocalyptic series is just as much about learning to communicate as it is learning to survive in the desert wastes.
Shudder brings us a gory, goofy mix of Crouching Tiger, Hidden Dragon and Tremors.
Hanna-Barbera gives Scooby-Doo a superpowered reboot and loses most of its charm along the way.
A spirited turn from Lauren Lapkus can’t quite save the Sandler crew’s newest misfire.
Frank Mancuso, Jr. and Paramount tried to give Jason Voorhees a killer sendoff, but the franchise didn’t stay dead.
Nicholas Hytner’s coming-of-age dance picture still holds a special place in the hearts of Milennial women twenty years on.
Josh Trank’s comeback stars Tom Hardy in a balls to the wall performance that’s wasted on a weak, derivative script.