19 Best Documentary Releases on Max

Confession time. I’m a New York Giants fan. And a third-generation one at that. So when I heard that they’d be the team featured in Hard Knocks: Offseason, I did not find myself especially enthusiastic. Even casual fans of the now 23-year-old series can tell you that many, if not most, teams don’t exactly cover themselves in glory. And for an organization like the Giants, traditionally one of the most buttoned-up of the NFL franchises, it seemed an especially odd fit. However, I’m a lifelong Giants fan, so as they go, so do I. What’s immediately apparent in the two episodes screened for critics is the addendum of Offseason at the end of the series title is not merely cosmetic. While the show has traditionally focused its lens on the sidelines and field during preseason, Hard Knocks: Offseason posts itself in the hallways and at the desks of the front office. Yes, viewers glimpse the occasional player or prospect. Indeed, the coach, in this case Brian Daboll, remains an important part of the story. However, the “star” of the proceedings is General Manager Joe Schoen as he and his team attempt to build a squad that will erase the sting of going 6 and 11 in the 2023-24 season. As a central figure, Schoen is a fairly laid-back focal point. His stories do reveal an intense dedication to work and frugality. A tale of driving for hours after accepting the Giants job with nothing but two peanut butter sandwiches for sustenance is particularly informative. However, at least so far, all external signs of excess seem sublimated beneath a loose, laconic management style. There’s no mutiny visible or afoot, so he seems to command respect. He just doesn’t do it by bloviating about the building or thundering in the face of his staff. Continue Reading →

It's been four long years since Conan O'Brien has graced our television screens, ever since his late-night TBS show, Conan, ended in 2021. Since then, he's kept busy, of course, with podcasts like Conan O'Brien Needs a Friend and guest spots on shows like Murderville. But the late-night legend couldn't possibly keep away from the limelight for long; even at the ripe age of sixty, the guy is still the same spry, lanky chaos demon he always was, a tall column of Irish awkwardness more than willing to play the fool for a laugh. That's most acutely felt in his remote travel segments, like Conan Without Borders, where he travels everywhere from Finland to Ireland to suss out the sights, tastes, and people of Earth. Think of him like Anthony Bourdain, with absolutely zero shame or culinary knowledge. For those who missed those segments, rest easy, as Max has gifted us with four episodes of full-length travelogue mayhem in the form of Conan O'Brien Must Go. Each installment, funny enough, spins off from an episode of his podcast, Conan O'Brien Needs a Fan: He speaks to an interesting new guy or gal from a foreign country, then flies out to meet them and take in the surrounding environs. Of course, he does this the only way he knows how: By making a complete spectacle of himself. Conan O'Brien Must Go (Max) In the show's opening minutes, a deceptively Werner Herzog-ian voice purrs to us that to appreciate the grandeur of our mother Earth, you must sometimes defile it. Cut to Conan: "Behold the defiler." That's the tack Must Go takes in its exploration of countries as exotic and beautiful as Norway, Argentina, Thailand, and Ireland: Let Conan loose in these nations, sometimes (but not always) with a game companion or fan along the way, and witness the devastation. One week, he'll make a Norwegian hip-hop song with an enthusiastic fan; the next, he'll try to help another fan get his podcast from four listeners to a whopping five -- all through the power of aggressive ad reads for yerba mate. Continue Reading →

“The Big Aristotle.” “The Diesel.” “Shaq Daddy.” Shaquille O’Neal goes by many names, but above all these, he’s simply “Shaq.” Making Shaq a household name wasn’t a given at first. Of course, being 7’1” helps. That alone doesn’t make becoming a giant among the biggest names in basketball an easy task though. Shaq covers the career of the mammoth basketball legend in a four-part documentary, complete with in-depth coverage of the man’s personal and professional life, while handled with an up-close, in-your-face approach. That’s the Shaquille O’Neal way.  Continue Reading →

Most people won’t recognize George Anthony Morton’s name. The subject of Rosa Ruth Boesten’s new documentary, Master of Light, will be an unfamiliar face for many. Importantly, most people haven’t seen his work. They haven’t seen him hold a brush. They haven’t seen him examine the light. They haven’t seen his paintings, which are, in every sense of the word, magnificent. Continue Reading →

In the unforgettable Looney Tunes cartoon Duck Amuck, director Chuck Jones posits a question to the viewer. What is Daffy Duck? Are his qualities recognizable even if he was in a different body? Entirely invisible? The various visual manifestations of this fowl, complete with a consistent personality emanating from the character’s voicework and body language, make it clear that Daffy Duck is more than just one physical vessel. He transcends form. Continue Reading →

It's fitting, really, that this year's Sundance Film Festival -- one originally planned as a hybrid festival only to go fully online due to rising COVID numbers -- was the venue by which Joe Hunting's documentary We Met in Virtual Reality premiered. After all, it's a slice-of-life doc created (and filmed) entirely online, capturing the lives, joys, and heartaches of an inviting cross-section of people who live much of their social lives on the virtual reality platform VRChat. Continue Reading →

This review is also a story about my father. Please indulge me for a moment. Continue Reading →

If you’re not a skateboarding fan, you’ll likely only be aware that Tony Hawk exists, rather than anything specific about his life or accomplishments. Maybe you’ll know there’s a bunch of video games named for him, or that he appeared in a Police Academy movie. But the fact that you’ve heard of him, even if you wouldn’t know a quad deck from a cheese sandwich, speaks volumes about both his impact, and his role in bringing mainstream respect to a sport once dismissed as a pastime for bored kids and delinquents. Continue Reading →

The @OnePerfectShot Twitter account, bought in 2016 by Film School Rejects, has over 680,000 followers. It has become synonymous with Film Twitter, a subset of the app’s users that are dedicated, for better and worse, to the cinema of past and present, along with all of the awards and critical consensus in-between. I’m one of those 680,000 followers, and a big fan of the account for its dedication to spotlighting both obscure and blockbuster films, known and unknown directors, while highlighting unhonored cinematographers, editors, and production designers.  Continue Reading →

One marker of a great documentary is a tangible and infectious passion for its central subject matter—an underlying commitment to a topic or idea that drives the very existence of the project. It’s hard to figure out what’s motivating Icahn: The Restless Billionaire, beyond a not-so-faint sense of people wanting to defend why they like an ultra-wealthy capitalist. Though the word restless creeps into the title, the lack of vibrancy in this documentary’s filmmaking indicates that lifeless should’ve been used instead.  Continue Reading →

Alison Klayman's chronicle of the Canadian singer's rise to fame centers around her seminal 1995 album, and the trail it blazed for female artists. (This review is part of our coverage of the 2021 Toronto International Film Festival.) This year’s edition of the Toronto International Film Festival finally got a hint of scandal—albeit of the most well-mannered variety imaginable—when it was announced that rock star Alanis Morissette, the focus of the new documentary Jagged, would not be attending the film’s gala world premiere, reportedly due to what the Washington Post dubbed “unspecified issues with the finished product.” Continue Reading →

Penny Lane's profile on the smooth jazz superstar can't quite muster up enough energy to make its explorations of his notoriety (good and bad) sing. (This review is part of our coverage of the 2021 Toronto International Film Festival.) If you learn nothing else from watching the documentary Listening to Kenny G, you will at least come away from it with the knowledge that the saxophone player who essentially serves as the living embodiment of “smooth jazz” is the best-selling instrumentalist of all time. You will know this because it is a fact that is invoked repeatedly throughout the film by his fans and supporters, generally when pressed as to what it is that they like about him. Continue Reading →

When someone chooses to end their life, even if they’re open about their mental health struggles, it’s still often a shock to their friends and loved ones, who will then wrack their brains and agonize over whether they missed a sign that it was coming. The question always arises: how could they do that? They had so much to live for. They had so many people who cared about them. We’ve learned some pretty harsh lessons in the past decade about “what kind of person” commits suicide, first with Robin Williams in 2014, and then someone else who truly seemed to know how to grab life by the balls, Anthony Bourdain, in 2018. Morgan Neville’s Roadrunner is a moving film about Bourdain, arguably the most important modern travel documentarian, and his internal conflict over having a life most people only dream of, while feeling like he didn’t really deserve it. Continue Reading →

HBO’s six-part docuseries Catch and Kill: The Podcast Tapes doesn’t have any shocking new revelations or unheard evidence. Some might ask what was the point of rehashing a story that broke in The New Yorker, which then became a book, which then became a podcast. Fenton Bailey and Randy Barbato’s take on Ronan Farrow’s already well-trod ground is clearly just for those folks who prefer visual media over books and podcasts (hey, no judgments) or for those obsessed with the investigation into Hollywood monster Harvey Weinstein.  Continue Reading →

Nearly a year after the series aired on HBO, there is a new episode of I’ll Be Gone In The Dark, a docuseries based on Michelle McNamara’s book of same name. This time around, the epilogue serves as a coda, bringing the story of The Golden State Killer (and the root McNamara’s obsession) full circle.  Continue Reading →

While it occupies an almost fetishistic place in the American mythos as the country’s heart and soul, the small town seems to be another casualty in a globalized world. Plenty of books have been written about the rural and cultural decline of the places that exist between the coasts and major metropolitan areas.  Continue Reading →

Following on from his work on I Am Not Your Negro, Raoul Peck takes a holistic look at imperialism, the construction of whiteness, and how we form narratives about the violence of the past in HBO's four-part documentary series Exterminate All The Brutes. In doing so, Peck covers a lot of ground, moving from genocides to scientific racism to colonization and more, explicating the links between them all. He does a lot of brilliant work here, but the series doesn’t quite have the precision or focus to make it great.  Continue Reading →

The first feature-length documentary dedicated to Tina Turner leaves out too much to be truly engaging. “This film, and the musical, are a kind of closure” says executive producer Erwin Bach, who's also partner to Tina Turner for over three decades. The music icon has, in many ways, been asked to tell the same story over and over again. Even when Turner attempted to silence the nagging questions by “journalists” about the abuse in her past by writing a biography (the now infamous I, Tina), the story of her life remained outside of her control.  Directors Daniel Lindsay and T.J Martin attempt to bring an end to the unceasing cycle of questions with their new documentary, Tina. Featuring new private interviews with Turner and those closest to her, along with a stunning array of archival footage, this is the definitive documentary on the pop and soul legend. Most of her, anyway. Continue Reading →

The first thing you need to know about Painting With John is that you won’t come away from it learning how to paint. Host John Lurie admits in the second episode that, because most of his art is intuitive, he doesn’t know how to teach it, nor does he think just anyone can paint. You won’t learn anything about the history of painting, or the process, or even what supplies one needs to pick up painting as a hobby. This show is strictly about vibing, and somehow, it works. Continue Reading →