545 Best Releases From the Genre Comedy (Page 17)

Did you know that the earliest hair extensions on record are over five thousand years old? Doesn’t that just snatch your wig? That’s just one of the many facts you’ll learn by tuning into the latest arm of the Jonathan Van Ness empire, their new Netflix series Getting Curious. And it’s produced by World of Wonder – aka the company that makes the juggernaut that is RuPaul’s Drag Race.  Continue Reading →

Before the Chicago improv theater, iO, closed from the pandemic in the summer of 2020, they used to play a game called “The Dream” during shows. An audience volunteer (usually tipsy) would walk on stage and an interviewer would ask them about their day in detail. The cast of the show, listening intently from downstage, would then recreate their day, beat by beat, with heightened physicality and bits. Most nights it was barely watchable, but if anyone saw it and thought, “This should be a TV show,” then Peacock's got the show for them. Continue Reading →

Into every generation, a teen horror drama is born: one series in all the media landscape; a chosen show. It alone will wield the quips and metaphors needed to fight the supernatural villains, social pressures, and other various youthful troubles. To stop the spread of standard high school melodramas and the swell of their number. It is...the newest supernatural young adult T.V. series. Continue Reading →

While there are a lot of autistic characters in pop culture, there’s very little variety to be found. The eclectic personalities, genders, ambitions, and every other trait imaginable that exists in actual clusters of autistic individuals is absent in general pop culture. Instead, we’re either super-geniuses who function more like X-Men or childlike figures who need a neurotypical person to rescue them. If you were to go by mainstream media, autistic people were like M&Ms circa 1964: we only come in two flavors.  Continue Reading →

(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →

Hulu’s new series How I Met Your Father attempts to recreate the magic of the - wait for it! - legendary status of the original series How I Met Your Mother (HIMYM for short). This update proves a nostalgic ride for fans of the original series and an enjoyable journey for newcomers, even if it lacks some of the fresh qualities of its predecessor.   Continue Reading →

In 1996, a peaceful time of American prosperity between the Cold War and Twitter, music’s biggest things were imports. One was Canadian Queen Celine Dion, with her classic “It’s All Coming Back To Me Now” playing from car radios on constant rotation. The other was Irishman Michael Flatley who came to our shores with the step dancing phenomenon Riverdance.  Continue Reading →

It seems like every TV show is set in Manhattan. Be it Friends, Sex & the City, or Seinfeld, Manhattan is the de facto environs for our favorite television. Somebody Somewhere, HBO’s latest series from Hannah Bos (High Maintenance) and Paul Thureen, keeps the Manhattan setting, but swaps out the Hudson and East Rivers for the Kansas and Big Blue Rivers.  And just like the Little Apple seems like an inverse of the Big, this new show is a slice of lives drastically different from the hip and connected characters of Girls or And Just Like That....  Continue Reading →

The Hotel Transylvania series is a surprising juggernaut amongst contemporary family entertainment. Who would have guessed that a movie about a hotel for monsters would create a franchise where every sequel grows in both box office and critical success? With no signs of slowing down, it made sense for Sony to greenlight a fourth film. How could another sequel not be a hit at the box office? Well, I think we know how.   Continue Reading →

Search Party, the TBS-turned-HBO Max comedy from co-creators Sarah-Violet Bliss, Charles Rogers, and Michael Showalter, has never been afraid of reinventing itself. While it started off as a satire of New York millennials trying (and failing) to find their own identities, the show kept evolving and playing with so many genres — from whodunit to legal drama to abduction thriller — throughout its run. The fifth and final season is no different, except this time, the story has higher stakes and doubles down even more on what makes the show so fearless and wildly entertaining in the first place. Continue Reading →

When Cobra Kai first premiered on YouTube Red, it seemed just like a fun tribute to The Karate Kid, but it soon revealed itself to be impressively complex. In its first two seasons, Cobra Kai reflected on the dichotomy of good vs. evil. Then, in season three, it became a story about how nostalgia can curdle into something toxic. While Cobra Kai’s fourth season continues to explore these topics while remaining funny and badass, the show’s seams are beginning to show, and its scripts are starting to run out of new ideas. Continue Reading →

Full disclosure: I was going to start this review with a Peloton joke given show creator Darren Star’s recent track record. Then out of nowhere, there was an actual Peloton knock-off storyline in this season of Emily in Paris. So my joke told itself. Points to you, Emily in Paris. Continue Reading →

NFL Hall of Famer Kurt Warner started as an undrafted, unwanted quarterback bagging groceries and wound up leading The Greatest Show on Turf with the St. Louis Rams. It’s a true story so improbable that it shouldn’t be believable as a movie. But, now that it’s a real movie in the form of American Underdog, a faith-based biopic, it does seem unbelievable. That’s not because of the inspirational tale; it’s because it’s such a mediocre sports film.  Continue Reading →

KinoKultur is a thematic exploration of the queer, camp, weird, and radical releases Kino Lorber has to offer. Beneath the great Kino Lorber distribution partner family tree, there are a few classic presents worth opening this holiday season. Below is a brief guide to four films that offer interesting things to contemplate during this time of year, films that—in the spirit of the season, invite the audience to consider charity, capital, and country as they were when these pictures were new and today. Kino Lorber Pocketful of Miracles Continue Reading →

In the age of streaming, any movie, short of maybe Sky Captain and the World of Tomorrow, can become a TV show. It doesn’t matter if your original film was a box office turkey, these channels just want “content” and any previously established brand name will do. Through this phenomenon comes MacGruber, a continuation of a Saturday Night Live character and the star of a 2010 movie that crashed and burned financially. But when Peacock desperately needed something, anything, to release over the holidays, MacGruber rose from the aches like a conceited phoenix. Continue Reading →

Aadrman's original 1989 Creature Comforts did something unique. Director Nick Park took interviews with everyday Britain residents and then put those vocals into the mouths of stop-motion animated zoo animals. The result was fascinating, as two disparate elements combined to tap into the daily woes which inform our lives. Whether you’re a lion trapped in an exhibit, or a man just yearning for the space of your original home country, melancholy emotions are universal.  Continue Reading →

When someone tells you they never lie to their romantic partner, don’t believe them. They may not tell real whoppers, like what they really did with the money that was supposed to go towards bills, but little white lies, and especially lies of omission, are fair game. Total honesty means having to hurt the people we love, and so we obfuscate, hide things, to protect their feelings. Benjamin Cleary’s Swan Song (not to be confused with the Todd Stephens film of the same name) tells the story of a husband and father who takes a lie of omission to eerie, heart-wrenching lengths. Continue Reading →

Early in the King's Man, Orlando Oxford (Ralph Fiennes) reads a newspaper chronicling the human cost of the then-nascent World War I. The headline for all this carnage reads "When will this misery end?" It’s fitting since I found myself constantly asking myself the same question as The King's Man dragged on and on. For some reason, a franchise that’s previously leaned heavily on anal sex jokes and Elton John beating up evil henchmen wants to get serious in the most superficial way possible. Continue Reading →

The network sitcom, much like the American auto industry, is a dying breed in fields looking to modernize and capitalize on newer, flashier models. NBC’s new American Auto sadly won’t revitalize either one. It's a two-dimensional sitcom that follows an inept CEO (Ana Gasteyer) as she attempts to shake up a Detriot auto manufacturer Payne motors. Continue Reading →

On December 14th, 1977, Paramount released Saturday Night Fever. Bolstered by critical acclaim and a bestselling soundtrack, the story of a working-class Brooklynite blazing through discotheques eventually grossed over $94,000,000 worldwide and brought disco to Middle America.   Continue Reading →