Robin Williams receives a heartfelt ode, wrapped in a PSA about the disease that led to his unique struggles.
Perry Mason’s season finale gives us the answers we need, but still feels a bit empty.
The former Great British Bake-Off hosts retool themselves as witty assassins in a cute, if scattershot, series of vignettes.
The show barrels toward its finale and finally starts to pick up steam, as Perry finds his lawyerly footing.
Perry Mason finally heads to the courtroom and starts picking up the pace.
Perry finally puts on his legal hat more than halfway through the season in another episode struggling through filler.
The first half of the first season comes with a reckoning for E.B. and Perry building a wild theory for the death of George Gannon.
Perry Mason crams a whole lot of story into Chapter Three, almost to its detriment.
HBO’s gritty new gumshoe is already being eclipsed by his more interesting supporting players in episode two.
Matthew Rhys steps into the gumshoes of the famed private investigator for a shaky but sumptuous first episode.
Far from good but definitely not boring, Frank Marshall’s adaptation of Michael Crichton’s novel is a sick day viewing that deserves its due.
A French-Canadian export weathers the challenges of girlhood with remarkable alacrity.
A strong central performance and a clear sense of authorship elevate this Lifetime Original Movie into more than the sum of its parts.
The Friday the 13th series chugs along with a straightforward but functional slasher with a hint of metahumor.
Nicholas Hytner’s coming-of-age dance picture still holds a special place in the hearts of Milennial women twenty years on.
Lara Jean Gallagher’s fractured tale of female friendship stumbles once it falls into thriller territory.
Mindy Kaling’s new coming-of-age teen dramedy for Netflix is a lovely look at the complexities of adolescent life.
Thomas Middleditch and Ben Schwartz bluff their way through a trio of uproarious specials that teeter on the edge of chaos, like long-form improv should.