308 Best Film & TV Releases Translated Into Burmese (Page 8)

For most people contemplating going to see She Said, the screen adaptation of the 2019 best-seller by New York Times reporters Jodi Kantor and Megan Twohey chronicling their ground-breaking investigation of Harvey Weinstein, three questions may come to mind. How graphic is the film going to be regarding the crimes he perpetuated over the years against hundreds of women unfortunate enough to cross his path? How will it handle the representation of the well-known personalities who were critical elements of the story, ranging from Weinstein himself to the famous actresses who were among his victims? Finally, as films chronicling journalists as they break hugely important stories go, how does it stack up against the likes of All the President’s Men, still the gold standard of the genre, or more recent examples like Spotlight or The Post? Continue Reading →

When we talk about thankless jobs, we think teacher, or nurse, jobs that society cannot function without, but which are consistently undervalued and unappreciated. But what about the humble parole officer? They get it from both sides, in which they’re treated with hostility by the clients they’re tasked with monitoring, and suspicion from polite society who believes they’re at least partially responsible for whatever said clients do going forward. If the practical challenges of being a parole officer weren’t hard enough, sometimes they’re faced with the supernatural as well, as seen in Lynne Davison’s Mandrake, which efficiently checks off all the folk horror boxes, but not much else. Continue Reading →

It’s rare to watch a film adaptation of Charles Dickens’ classic A Christmas Carol that turns you into a Scrooge by the end of it. Apple TV+ pulls it off with their modern, social media-age take on the holiday standard with a bloated musical comedy that features zero memorable musical numbers or laugh-out-loud moments.  Continue Reading →

In pop culture, The Mafia is as intertwined with New York as it is with Italian heritage. As a result, the idea of having a show about the Mafia taking place outside of the East Coast is novel. That’s especially if it takes place in an explicitly un-NYC location like Tulsa. Unfortunately, the premise of having a Mafioso in Oklahoma is the only original thing about Taylor Sheridan’s (Yellowstone) latest crime drama, Tulsa King.  Continue Reading →

At this moment, combining Lindsay Lohan and Christmas movies sounds like a gift to viewers. It worked for Vanessa Hudgens with The Princess Switch. Her fellow Mean Girls co-star Lacey Chabert has cornered the market. Now Lohan returns from a 3-year acting hiatus after various setbacks to take on the holiday season in the direct-to-Netflix fluff Falling for Christmas. It seems a sure thing for loyal Netflix and chill folks. Unfortunately, the film fails to capture any true romance, landing flat on its face.   Continue Reading →

How do we move on from a devastating loss? A close friend, a family member, a spouse -- or, in the case of Wakanda Forever, the twin losses of both Chadwick Boseman (who died unexpectedly in 2020 of colon cancer) and the character of T'Challa, King of Wakanda and the reigning Black Panther. But rather than recast T'Challa for the sequel (a movement that has itself garnered quite a lot of attention leading up to this), writer/director Ryan Coogler chose the harder, more innately interesting path: Follow a world, a people, a family without the nucleus around which they orbited. See what the world of Black Panther does without its central figure, and watch the mighty ensemble of Black women around him scramble to pick up the pieces of their lives and figure out what to do next. Continue Reading →

“Out there, back then…” That’s when The English takes place. “And in between…I wanted to kill a man for the murder of my child. You wanted back your land, stolen from you.” That is what The English is about. Continue Reading →

There is something delightfully ghastly about Netflix fictionalizing the existence of that last Blockbuster location on Earth. It’s the streaming equivalent of you or I parading the carcasses of our slain enemies through the town square. Alas, this “really rubbing salt in the wound” touchdown dance of a move is about the only thing unique about the sitcom. Continue Reading →

If Satan’s Slaves: Communion wants to be a local PSA for better management of high-rises instead of a second wringer for the Suwono family to go through, it can. There’s an elevator in the film’s setting that is home to a horrific banquet of images and sounds. There are happenings inside, outside of, and even underneath it that will get the one in your building more regular inspections and stricter compliance with the “maximum capacity” notice. Per the film, poorly maintained and overloaded lifts won’t just be an eventual Final Destination moment, it’s also how hell gets to be on Earth. Continue Reading →

Remember when conspiracy theories used to be fun? Well, maybe “fun” isn’t the right word, but entertaining? Once, they were limited to harmless weirdos who would gladly give a presentation on chemtrails or how many different assassins were actually at Dealey Plaza when JFK passed by, but could also at least maintain some veneer of normalcy. Then the internet made it easier for people to spend most (instead of just some) of their time discussing their favorite conspiracies, without anyone telling them that they were getting obsessed, or that what they were saying sounded insane. And then, of course, QAnon turned conspiracy theories into a kind of religion, one in which its followers were willing to kill to prove their belief. It stopped being entertaining a long time ago, and now, like a lot of things about the world in its current state, it’s just bleak and terrifying. Continue Reading →

We’re all living in the looming shadows of our past. The actions or mistakes we undertake today shape our tomorrow. It’s as true for the poorest pauper as it is for the mightiest king, and Causeway protagonist Lynsey (Jennifer Lawrence) is no exception. Formerly deployed to the Middle East as a soldier, she’s come home to New Orleans after suffering a brain injury. The ensuing movie’s emphasis on coping with the long-term effects of trauma is quietly established through Causeway beginning not with a grisly accident overseas, but rather with a shell-shocked Lynsey waiting for a taxi in America. Continue Reading →

As we lurch our way through the sixth or seventh wave of the COVID-19 pandemic, we’ve only just begun to see how much billion dollar companies (and billionaires themselves) profited from the chaos, while smaller businesses and individuals took devastating financial hits. A class war has erupted, if not in real life (yet) then certainly on social media, marked by endless heated debates over privilege, the victims and villains of capitalism, and who the “elite” really are. Ruben Östlund’s Triangle of Sadness satirizes this very unsettling period in time, putting a cheeky spin on class rage, but with an acidic undertaste that lingers long after it’s over. Continue Reading →

Armageddon Time, writer/director James Gray’s eighth feature film, follows a young boy named Paul Graff (Banks Repeta), a stand-in for Gray. He’s an unknowing, bratty, artsy kid. He breaks rules, makes fun of his teachers, won’t eat his mother’s cooking. He’s a regular, if not annoying, teenager. Paul’s family is Jewish and living in Queens in the 1980s. They send him to public school while his brother attends private school. They’re constantly hoping to get a leg up for their family amongst a sea of other discriminated families.   Continue Reading →

North Carolina, 2032. Flynne Fisher (Chloë Grace Moretz) is a skilled gamer. Pro gaming (usually helping some rich schmucks win victories they couldn't on their own) is a viable way for her and her cyborg'd-former-Marine brother Burton (Jack Reynor) to earn extra cash. They live with their ailing mother Ella (Melinda Page Hamilton) a half-step ahead of financial ruin in a town more or less run by spiritual-cousin-to-Road-House-villain-Brad-Wesley Corbell Pickett (Louis Herthum, Westworld). Continue Reading →

(This review is part of our coverage of the 2022 Chicago International Film Festival) Continue Reading →

Park Chan-wook fans can rest assured that the director who gave us the twisty, blood-soaked passions of Oldboy, Stoker, and The Handmaiden has returned with another romantic crime-fueled drama. His latest, Decision to Leave, is high-grade neo-noir, the newest installment in Park’s ongoing exploration of the genre.   Continue Reading →

We’re officially in the third decade of Dwayne “The Rock” Johnson being a movie star. The former WWE legend made his cinema debut in the forgettable sequel to The Mummy, where he’s introduced as the dreaded Scorpion King, one of the most infamous early CGI debacles. Special effects have since improved, along with Johnson’s abilities as an actor and charismatic leading man. However, it feels like now we’ve come full circle with DC’s Black Adam.  Continue Reading →

I didn’t realize watching Wendell and Wild how much I’d missed Keegan Michael-Key and Jordan Peele bouncing off one another. Though restricted to just voice-over performances here, their incredible chemistry remains intact. The moment their demonic characters started exchanging dialogue, I felt like I was right back in 2014, watching sketches like “Gremlins 2 brainstorm” or “Fronthand Backhand” on YouTube, in awe of the witty rapport these performers shared. Continue Reading →

For the brave trick-or-treaters who venture to the front door of the old abandoned MCU Manor, a spooky treat awaits. All courtesy of one of Marvel’s more obscure characters—Werewolf by Night. Continue Reading →

Where do we even begin? Continue Reading →

After fifteen seasons, ever-escalating seasonal arcs, and literally thousands of trips to the afterlife for both Winchester brothers, Supernatural closed its final chapter. Once you’ve killed God, Lucifer, and Death, is there anywhere else to go? The CW, faced with the prospect of losing it’s biggest moneymaker, was already laying the groundwork with Jensen Ackles (who played older brother Dean) for a new spin-off/prequel focusing on John and Mary, the ill-fated parents of the Winchesters. A bold move, considering the story of Mary and John was well-trod ground in Supernatural, even featuring the boys time traveling back to the days of their parents' courtship. Bold, too, because who would want to watch a show about two of the most reviled characters in the show’s history? Supernatural historians will tell you that John was neglectful, with some heavily implied physical abuse. Mary, only getting to know her children as adults, was distant and cold, not the sainted paragon of motherhood she’d been painted as. Continue Reading →