There’s a lot to like in Amazon’s new animated series, but the R-rated superhero antics have a tough time translating from page to screen.
Benedict Andrews’ retelling of FBI’s pursuit of the French New Wave star under the Hoover administration relies far too heavily on broad stokes.
Edson Oda’s debut feature about a group of souls looking to be born into the real world is a great premise with pretty good execution.
Todd Phillips’ seedy, 3edgy5me imagining of the Clown Prince of Crime is as artfully made as it is disturbingly retrograde.
The Tarell Alvin McRaney-penned basketball drama highlights the commodification of young black men both on and off the court.
New thrillers from Jennifer Kent and Babak Anvari highlight Day 3 of our Sundance coverage.
The Merc With a Mouth is back in a sequel with more slicing, dicing and R-rated quips – […]