William Greaves' avant-garde meta-doc, David Cronenberg's work of grand theft autoerotica, and Innaritu's dizzying debut mark this month's Criterion entries.
NYFF 57: “The Irishman” Is Scorsese’s Most Ambitious, Indulgent Film Yet
Martin Scorsese returns with another long, sumptuous opus, whose crackling performances and scintillating script are held up by some wonky de-aging tech and a leaden runtime.
Begin typing your search above and press return to search. Press Esc to cancel.
