William Greaves’ avant-garde meta-doc, David Cronenberg’s work of grand theft autoerotica, and Innaritu’s dizzying debut mark this month’s Criterion entries.
rodrigo prieto
A riveting portraint of post-9/11 New York City, Spike Lee’s scintillating crime drama is one of his most intriguing explorations.
Martin Scorsese returns with another long, sumptuous opus, whose crackling performances and scintillating script are held up by some wonky de-aging tech and a leaden runtime.