Stephen King adapts one of his most personal novels in a lavish, well-acted production that maybe should have been six episodes instead of eight.
jennifer jason leigh
Brandon Cronenberg’s second feature is a po-faced collection of genre tropes that wastes its cast and a modest sense of style.
Kathy Bates brought depth, strength, and an unsettling, unknowable presence to two of the best Stephen King adaptations.
The otherwise-spotty Hateful Eight still contains one of Tarantino’s greatest sequences.