Tina Fey’s latest is a well-intentioned, but only occasionally diverting, COVID-set political sitcom with more good intentions than good jokes.
William Greaves’ avant-garde meta-doc, David Cronenberg’s work of grand theft autoerotica, and Innaritu’s dizzying debut mark this month’s Criterion entries.
A shockingly-timely Succession lets all manner of narrative chickens come to roost.
A trip to Logan’s childhood home threatens to fracture the family even further, as Rhea continues to squeeze her way into the Roy’s inner circle.
The Cruises bomb finally drops at the most inconvenient moment for the Roys on another acid-tongued episode. How […]
The Roys make their first moves toward securing Pierce in a tense family-on-family meeting.
Brad Bird’s 2018 sequel offers more of the same superhero fun as the original, but brings along some […]