84 Best TV Shows Similar to The Simpsons (Page 3)

Everyone’s had that “wedding season” experience. You meet a stranger at the start of the summer and have a great time flirting—perhaps more—with them by the bar and on the dance floor. It feels like a fun one-time thing, but then you keep running into each other at every other reception over the next few months. Before you know it, you’re having a full-fledged affair and running from the police because you’re both suspected of murdering an entire wedding party. You know, standard mid-20s wedding season fun. Continue Reading →

There’s been a recent boom in the television sphere of hybrid comedy/documentary series, ranging from altered talk shows (The Eric Andre Show) to pranks with the pals (Jackass) and cringe “reality” series (The Rehearsal). Looking to join the ranks is Netflix’s new show Chad and JT Go Deep, a comedic mockumentary series that flirts with cringe comedy, advocates for important causes, and aims to make us all members of “stokenation.” Continue Reading →

No one mistakes HBO’s Winning Time: The Rise of the Los Angeles Lakers for a 30 For 30 documentary. So why does that series feel more authentic to the Golden Era of professional basketball, and the team that helped elevate the NBA into an American pastime, than a ten-hour documentary about the Lakers? Continue Reading →

Amazon’s new A League of Their Own series, based on the popular 1992 film of the same name, arrives at a time when many of us are starting to feel serious reboot fatigue. Luckily, the eight-episode version of League starts on the right foot with a clever choice. Instead of directly transposing the story from movie to series, co-creators Abbi Jacobson (Broad City) and Will Graham (Mozart in the Jungle) decided to create new characters instead.  Continue Reading →

Remember the early days of the pandemic? The times in March 2020 when the world was in denial of the catastrophe heading our way? That’s the setting of Alone Together, Katie Holmes’s newest film, which she wrote and directed in addition to starring in. It’s a strong second directorial feature from Holmes, even if her script leans on some overused rom-com tropes.   Continue Reading →

“Time is a flat circle.” So said Rust Cohle, one of the icons of modern prestige television. Our pasts and our presents bleed into each other like paints colliding on a canvas. At its best, the new Apple TV+ program Now & Then recognizes and reflects this truth through memorable, bombastic visuals. Unfortunately, too much of Now & Then is weighed down by lackluster storytelling and filmmaking, both of which will lead your mind to wander away from the show you’re watching in the present. Continue Reading →

Angelyne, the enigmatic blonde bombshell whose likeness once dominated over 200 billboards all across Los Angeles in the 1980s, has only ever been promoting one thing: herself. With a mountain of platinum locks atop her head and a chest of truly unearthly proportions, she had the entire city asking who is Angelyne? But creator Nancy Oliver (True Blood, Six Feet Under) and showrunner Allison Miller's (Brave New World) new miniseries argues that that’s the wrong question entirely. Instead, the real question is, what is Angelyne? What does she represent to herself, the city, and celebrity culture in general?  Continue Reading →

Armageddon was never just a movie. Beginning with its much-coveted Fourth of July Weekend opening, to its (now typically) Bayhem-infused Super Bowl commercial, through its screening of fifty minutes at Cannes and bizarre feud with Roland Emmerich’s Godzilla (literalized in the film) over which movie would be the biggest of summer 1998, Armageddon positioned itself as nothing less than a pop-cultural event. It was the most expensive movie Disney had ever produced, starred Bruce Willis in his prime, backed him with a suddenly white-hot Ben Affleck, and was directed by blockbuster wunderkind Michael Bay. Add to all that the escalating success of 1997’s Lost World, Men in Black, and Titanic, and there was the sense that this would be a movie for the ages. Which it was. Kind of.  Continue Reading →

Motherhood, particularly new motherhood, is a lonely time. No matter how much help you have, there are still long, hard hours where you’re left with a tiny life, one for which you are wholly responsible, often after putting your body through a massive ordeal. Throw in a lack of sleep, a lack of meals, then add society’s pressures (are you feeding the baby properly?), familial pressures (your cousin never did things that way), and the all-too pressing personal pressures (is this it? Is this the thing that will mess up my child for life?) and it’s a miracle the human race has ever chosen to propagate. As I wrote this review, a banner ad invited me to buy (in my child’s stead) a personalized book called The World’s Bestest Mommy, because there’s nothing like the pressure of a gift to remind you what you have to live up to. Now, imagine that on top of all of this, your child has the supernatural ability to kill those around him and you have The Baby.   Continue Reading →

Things aren’t looking good for us right now, am I right, ladies? States are passing a historic number of anti-abortion laws, and the needle has barely moved in reaching income equality with men, particularly for Black and Latinx women. The time may not be right for a whimsical take on what it’s like to be a woman in the 21st century, but Apple TV+’s anthology Roar has enough of an edge on it to make it entertaining without being condescending or out of touch. Though it suffers from the typical unevenness of an anthology series, even its weaker entries are still solid, and their blessedly short half-hour runtime makes it all go down smooth. Continue Reading →

The thing about The Thing About Pam is that there’s no thing there. Tonally run amuck, the limited series is a whimsical take on a deadly serious story that can’t come to grips with its darkness. There are moments to enjoy, but overall the series does little to prove itself necessary. There’s a lot of play happening, but little of it is constructive. Continue Reading →

Did you know that the earliest hair extensions on record are over five thousand years old? Doesn’t that just snatch your wig? That’s just one of the many facts you’ll learn by tuning into the latest arm of the Jonathan Van Ness empire, their new Netflix series Getting Curious. And it’s produced by World of Wonder – aka the company that makes the juggernaut that is RuPaul’s Drag Race.  Continue Reading →

Into every generation, a teen horror drama is born: one series in all the media landscape; a chosen show. It alone will wield the quips and metaphors needed to fight the supernatural villains, social pressures, and other various youthful troubles. To stop the spread of standard high school melodramas and the swell of their number. It is...the newest supernatural young adult T.V. series. Continue Reading →

While there are a lot of autistic characters in pop culture, there’s very little variety to be found. The eclectic personalities, genders, ambitions, and every other trait imaginable that exists in actual clusters of autistic individuals is absent in general pop culture. Instead, we’re either super-geniuses who function more like X-Men or childlike figures who need a neurotypical person to rescue them. If you were to go by mainstream media, autistic people were like M&Ms circa 1964: we only come in two flavors.  Continue Reading →

Say what you will about Apple TV’s Servant, but give it credit for its audacity. We’re three seasons in, and the series, executive produced by M. Night Shyamalan, remains as clear as mud as to both what’s happening, and to where it’s all going to lead. Not since Twin Peaks has a TV show been so dedicated to being completely incomprehensible. Watching it is like being led down one path, only to be violently jerked toward another. “No, it’s not about that, you silly goose,” it says. “It’s about this.” Until it becomes about something else. Season 3 throws less things at the wall to see what sticks, but things remain frustratingly opaque. Continue Reading →

It’s baffling to me that Apple TV+ is still making kids-centered programming. In the streamer’s two years of existence, none of their family-friendly shows, whether they be Helpsters or Doug Unplugged, have left any kind of footprint. You’d think they’d realize Disney+ and Netflix have got this market cornered and would instead pursue programming the bigger streamers aren’t making by the truckload. Instead, Apple TV+ keeps on raging, raging against the dying interest in their kid’s programming, with shows like the new animated take on Harriet the Spy.  Continue Reading →

When Star Trek: Deep Space Nine debuted in 1993, it was different. No longer were our heroes aboard Starfleet’s flagship. No longer did they hail exclusively from the Federation. No longer would they harmoniously explore the galaxy with a different destination every week. Instead, they were stationed on a backwater alien refinery. The show’s major players were a mix of Starfleet officers, local veterans, and civilian operators. The station was the destination, and the stories came from the various visitors passing through. Continue Reading →

Kin, AMC+’s new crime drama, follows in the footsteps of those underworld sagas that came before it. Set in Dublin, mostly in the homes of members of the Kinsella family, Kin focuses on warring Irish families deep in the drug trade. While its story rarely exceeds expectations for subject matter, brutality, or surprise, its performances are excellent, thanks to a team of veteran actors who have numerous scenes full of ample, chewy dialogue to showcase their talents. Continue Reading →

Dr. Death borrows its tantalizing title from the Wondery podcast, which similarly breaks down a harrowing true story about a neurosurgeon who — for whatever reason — keeps killing or permanently harming his patients on the operating table. Continue Reading →

HBO’s six-part docuseries Catch and Kill: The Podcast Tapes doesn’t have any shocking new revelations or unheard evidence. Some might ask what was the point of rehashing a story that broke in The New Yorker, which then became a book, which then became a podcast. Fenton Bailey and Randy Barbato’s take on Ronan Farrow’s already well-trod ground is clearly just for those folks who prefer visual media over books and podcasts (hey, no judgments) or for those obsessed with the investigation into Hollywood monster Harvey Weinstein.  Continue Reading →

Within the opening scene of The White Lotus, it’s revealed that someone will die at some point during the show. But the question of who that someone is and how will they die isn’t really the central plot, as the six-part miniseries is much more interested in the characters and their fascinating dynamics than the mysteries and all the events leading up to the impending death. Continue Reading →