31 Best Releases From HBO Network (Page 2)

Eddie Martin's documentary gives voice to the cast of young actors in Larry Clark's seminal Kids -- and the traumas that came from the experience. This review is part of our coverage of the 2021 Tribeca Film Festival. “You couldn’t possibly make that film today” is a phrase that often turns up these days when the conversation turns to older movies that have even a whiff of controversial content about them. In some cases, that’s little more than hyperbole. But in the case of Kids, it somehow comes across as an understatement.  Continue Reading →

Season one of HBO’s skateboard ensemble comedy/drama Betty was a sparkling slice of life, a rare female-led show where the main characters were flawed and brilliant and terrible in turns. The series (created and directed by Crystal Moselle, based on her movie Skate Kitchen) falters a bit in its sophomore season as it pulls the core girl gang apart into individual stories, to the detriment of the whole.  Continue Reading →

At The Spool, generally, we try to keep the work front and center. We try to center the work, not ourselves. I say all of that here as a preface because I am both a therapist and a therapy client. I’m reviewing In Treatment as a fictional dramatic work, but I’m also honest enough to acknowledge that framing and guiding some of my opinions will be my own experiences and, while I hesitate to use the term, expertise. Continue Reading →

A running joke in early episodes of The Simpsons was McBain, an action hero parody. In one scene, a group of rich people celebrate their new product SWANK (a product 10 times more addictive than marijuana), and end with a toast: “To human misery!” After watching Alex Gibney’s two-part documentary, The Crime of the Century, it’s hard to not think this scene was based on Purdue Pharmaceutical’s owners, the Sackler family, toasting the creation of OxyContin. Continue Reading →

A Black Lady Sketch Show is the first half-hour sketch comedy show which is written, directed by, and starring Black women, its first season was also nominated for three Emmys. Coming off the back of all those expectations, and with a few new cast members, the second season finds a consistent rhythm of light-hearted entertainment in which these Black women can show how hilarious they are. Continue Reading →

Mare of Easttown may at times feel like it’s kicking a dead horse. It’s a grammatically perfect post-Cardinal Bernard Law, cold-case-comes-alive thriller with rich performances by its entire cast. Yet for a story about a maverick detective purporting to be about more than crime, it follows surprisingly predictable beats, leaving little room for illuminating nuance.  Continue Reading →

In a lot of ways, I feel a bit sorry for The Nevers. A show created and conceptualized by Joss Whedon, former pop-culture wunderkind now revealed to be an abusive terror behind the scenes of some of his most high-profile works, it's already weighed down by the lodestone of its controversial creator even before it airs. Whedon left the show's production in November (presumably as a result of these allegations coming forward), the current showrunner position shifting to Philippa Goslett. Time will tell if Goslett will have the time or the opportunity to make the show her own and drag it out from the shadow of its provenance. But if the first four episodes provided to critics are any indicator, she'll have an uphill battle, as every bit of its worldbuilding and thematic concerns scream the kind of quippy, fly-by-night faux-progressivism for which Whedon's output is known. Continue Reading →

Following on from his work on I Am Not Your Negro, Raoul Peck takes a holistic look at imperialism, the construction of whiteness, and how we form narratives about the violence of the past in HBO's four-part documentary series Exterminate All The Brutes. In doing so, Peck covers a lot of ground, moving from genocides to scientific racism to colonization and more, explicating the links between them all. He does a lot of brilliant work here, but the series doesn’t quite have the precision or focus to make it great.  Continue Reading →

The first thing you need to know about Painting With John is that you won’t come away from it learning how to paint. Host John Lurie admits in the second episode that, because most of his art is intuitive, he doesn’t know how to teach it, nor does he think just anyone can paint. You won’t learn anything about the history of painting, or the process, or even what supplies one needs to pick up painting as a hobby. This show is strictly about vibing, and somehow, it works. Continue Reading →

David Simon and Ed Burns' adaptation of the Philip Roth novel paints a harrowing picture of an alternate America that feels all too prescient. HBO’s latest miniseries imagines a world where renowned pilot, isolationist, and anti-Semite Charles Lindbergh runs for president and defeats FDR in 1940. What follows is a rise in anti-Semitic hate and fascism throughout America. And as you watch the series, you’d be forgiven for thinking this a pretty in-your-face way to address the Trump administration. That might be true, but the series is based on the Philip Roth novel of the same name which was released more than 15 years ago in 2004. If anything, Roth’s The Plot Against America has been frustratingly, dishearteningly prescient. It’s no wonder showrunners David Simon and Ed Burns (The Wire) were drawn to it. The show follows the Levin family (originally the Roths in the novel) as they deal with the shifting political tide and how it strains their family bonds. Father Herman (Morgan Spector) is an outspoken liberal who finds Lindbergh distasteful and disgusting. Wife Bess (Zoe Kazan) frets constantly for the safety of her family, remembering all too well how isolating it was to be the only Jewish girl in her class growing up.  Michele K. Short/HBO Cousin Alvin shares Herman’s political leanings, but is determined to act, eventually signing up for the Canadian army in order to “kill Nazis.” Meanwhile, impressionable young Sandy (Caleb Malis) grapples with his hero Lindbergh’s politics while his little brother Phillip (Azhy Robertson) tries to make sense of it all. Things are only further complicated when Bess’s sister Evelyn (Winona Ryder) falls for Rabbi Bengelsdorf (John Turturro), a staunch Lindbergh supporter.  Continue Reading →