212 Best Releases Rated PG-13 (Page 4)
Searching
No recent film has understood the Internet quite like Searching. Aneesh Chaganty’s 2018 thriller follows John Cho as David, a father desperately searching for his missing daughter. The film is formatted entirely on screens, a new form of visual storytelling called Screenlife. We see David’s investigation through video calls, websites, and digital files. But at the heart of the story is a deep understanding of the way people, especially young people, can take on new lives through technology. Continue Reading →
Spoiler Alert
SimilarBrubaker (1980), Freedom Writers (2007), Mississippi Burning (1988), Rope (1948),
While they say that love is eternal, eventually, even the greatest of love stories come to an end. Marriage vows foretell the reality of “to death do us part.” It’s an inevitability rarely explored in cinema, and even then, only in schmaltzy melodramatic weepers. Fortunately, Michael Showalter’s Spoiler Alert is free of schmaltz. Instead, the film deftly explores the process of a couple dealing with a terminal illness amid all the usual messiness of a real relationship. Continue Reading →
The Guardians of the Galaxy Holiday Special
Watch afterBlack Adam (2022), Black Panther: Wakanda Forever (2022),
One thing you can say about Christmas and the Guardians of the Galaxy is that both tend to go a bit over the top. One’s affection for either depends greatly on how you feel about a good thing taken to excess. For this critic, The Guardians of the Galaxy Holiday Special hits that delicious “too much, but I can’t help but like it” sweet spot like seconds on the pecan pie. Continue Reading →
The Fabelmans
SimilarAlex Strangelove (2018), Ali: Fear Eats the Soul (1974), Dead Poets Society (1989), The Outsiders (1983), The Party (1980), The Party 2 (1982),
A little over 24 hours after seeing it, there are two sequences in Steven Spielberg's The Fabelmans that I've run on repeat back and forth. One dramatic, the other comedic—both illustrate the strengths of Spielberg's semi-autobiography. Continue Reading →
Spirited
Watch afterBlack Panther: Wakanda Forever (2022),
StudioApple Studios,
It’s rare to watch a film adaptation of Charles Dickens’ classic A Christmas Carol that turns you into a Scrooge by the end of it. Apple TV+ pulls it off with their modern, social media-age take on the holiday standard with a bloated musical comedy that features zero memorable musical numbers or laugh-out-loud moments. Continue Reading →
Black Panther: Wakanda Forever
Watch afterAvatar: The Way of Water (2022), Black Adam (2022),
How do we move on from a devastating loss? A close friend, a family member, a spouse -- or, in the case of Wakanda Forever, the twin losses of both Chadwick Boseman (who died unexpectedly in 2020 of colon cancer) and the character of T'Challa, King of Wakanda and the reigning Black Panther. But rather than recast T'Challa for the sequel (a movement that has itself garnered quite a lot of attention leading up to this), writer/director Ryan Coogler chose the harder, more innately interesting path: Follow a world, a people, a family without the nucleus around which they orbited. See what the world of Black Panther does without its central figure, and watch the mighty ensemble of Black women around him scramble to pick up the pieces of their lives and figure out what to do next. Continue Reading →
Glass Onion: A Knives Out Mystery
Watch after1917 (2019), Avatar: The Way of Water (2022), Black Panther: Wakanda Forever (2022),
(This review is part of our coverage of the 2022 Chicago International Film Festival) Continue Reading →
Black Adam
SimilarBack to the Future Part II (1989), From Russia with Love (1963), Goldfinger (1964), Shrek the Third (2007), Sin City (2005), The Dark Knight (2008),
Watch afterAvatar: The Way of Water (2022), Black Panther: Wakanda Forever (2022),
StudioDC Films, New Line Cinema,
We’re officially in the third decade of Dwayne “The Rock” Johnson being a movie star. The former WWE legend made his cinema debut in the forgettable sequel to The Mummy, where he’s introduced as the dreaded Scorpion King, one of the most infamous early CGI debacles. Special effects have since improved, along with Johnson’s abilities as an actor and charismatic leading man. However, it feels like now we’ve come full circle with DC’s Black Adam. Continue Reading →
Wendell & Wild
I didn’t realize watching Wendell and Wild how much I’d missed Keegan Michael-Key and Jordan Peele bouncing off one another. Though restricted to just voice-over performances here, their incredible chemistry remains intact. The moment their demonic characters started exchanging dialogue, I felt like I was right back in 2014, watching sketches like “Gremlins 2 brainstorm” or “Fronthand Backhand” on YouTube, in awe of the witty rapport these performers shared. Continue Reading →
Werewolf by Night
SimilarDr. No (1962), From Russia with Love (1963), Goldfinger (1964), On Her Majesty's Secret Service (1969), Sin City (2005), The Dark Knight (2008), You Only Live Twice (1967),
For the brave trick-or-treaters who venture to the front door of the old abandoned MCU Manor, a spooky treat awaits. All courtesy of one of Marvel’s more obscure characters—Werewolf by Night. Continue Reading →
Mr. Harrigan's Phone
SimilarEdward Scissorhands (1990),
StudioBlumhouse Productions,
Stephen King is best known for his massive novels that require weight training just to hold. Entire forest ecosystems have been destroyed so we can have The Stand on our bookshelves. These epic tales are his bread and butter, but if you want to get a pure distillation of what makes King a gifted horror writer and storyteller, check out his short story collections. They provide the strong, grounded characters facing terrifying circumstances that he’s famous for in his longer novels, but in a digestible format. He can be hit or miss (even the best writers may have stinkers when they write an astonishing ten pages a day like King) but if one short story is garbage, chances are the next one will be a fun time. Continue Reading →
Sidney
Sidney Poitier lived an incredible life. He was undeniable in every sense of the word. Even a quick glance at his biography reveals the depths of his star power, his acting prowess in films throughout the 1960s and 1970s (A Raisin in the Sun, In the Heat of the Night, etc.), and his impact, with an Oscar, a Grammy, a BAFTA, and knighthood to his name. Sidney, a new documentary from Reginald Hudlin, is a down-the-middle biography of the late actor. Poitier’s gravity makes it watchable, but its filmmaking leaves much to be desired. Continue Reading →
Singles
Most of Generation X has received our AARP memberships in the mail, as our lurching journey down the road towards irrelevance comes to an end. Both the smallest generation in numbers, and the first generation to not do better than our parents financially, we’ve long been caught in the middle of the endless battle for dominance between Boomers and Millennials, and now with Gen Z steamrolling over them both, we’re fading out of the cultural picture altogether, like Marty McFly’s brother and sister. Continue Reading →
The Woman King
SimilarBoys Don't Cry (1999) From Russia with Love (1963), Goldfinger (1964), Lost in Translation (2003),
Watch afterBlack Adam (2022),
Gina Prince-Bythewood is indisputably one of the most interesting directors working in Hollywood today. Since breaking out with the hit sports romance Love & Basketball, her work has ranged from intimate family dramas and love stories (The Secret Life of Bees, Beyond the Lights) to action-packed superhero movies (The Old Guard). It took Prince-Bythewood seven years to bring her new film, The Woman King, to the screen. Epic, thrilling, and jam-packed with delightful character beats, The Woman King understandably feels like the culmination of Prince-Bythewood’s work so far. As masterful at shooting stunning fight sequences as she is wringing emotions from intimate dialogue scenes, Prince-Bythewood delivers a crowd-pleaser for the ages. Continue Reading →
Moonage Daydream
SimilarCléo from 5 to 7 (1962),
In the unforgettable Looney Tunes cartoon Duck Amuck, director Chuck Jones posits a question to the viewer. What is Daffy Duck? Are his qualities recognizable even if he was in a different body? Entirely invisible? The various visual manifestations of this fowl, complete with a consistent personality emanating from the character’s voicework and body language, make it clear that Daffy Duck is more than just one physical vessel. He transcends form. Continue Reading →
See How They Run
StudioSearchlight Pictures, TSG Entertainment,
“You’ve seen one you seen them all," says the dastardly movie director from beyond the grave. It’s the recently murdered Leo Köpernick (Adrien Brody), telling us early in the film about how stale the murder mystery genre was even by the 1950s, when See How They Run takes place. It’s also a warning to the audience that this movie will not be adding anything new, revelatory, or exciting to whodunnit cinema. Everything here has been done before, and better. Continue Reading →
Casa Susanna
StudioARTE France Cinéma,
Sébastien Lifshitz directs a tender but incomplete documentary about a New York State sanctuary for trans people seeking safety & understanding.
(This review is part of our coverage of the 2022 Toronto International Film Festival)
Nestled in the arbors of the Catskills sits an ordinary house. Next to it is a brown box barn. Dilapidated cabins dot the rest of the land. Driving by, you’d never know that over 60 years ago, this mundane property was a sanctuary for ‘trans-’ folks. Continue Reading →
Honeymoon in Vegas
When James Caan passed away back in July, most of the celebrations of his life and career focused on the tough guy persona that he developed via such classic films as The Godfather (1972), The Gambler (1974), and Thief (1981), to name just a few. All of those are undeniably worthy of tribute, of course. However, many remembrances failed to note his adeptness in comedies, especially those that allowed him to have fun with his macho screen image. Continue Reading →
らんま½ 劇場版 決戦桃幻郷!花嫁を奪りもどせ!!
SimilarKill Bill: Vol. 1 (2003), Resident Evil: Apocalypse (2004),
Watch afterBlack Adam (2022), Everything Everywhere All at Once (2022), Spider-Man: No Way Home (2021), The Equalizer 3 (2023),
StarringMegumi Hayashibara,
StudioStudio Deen,
The new horror film The Invitation opts to take a cue from Smash Mouth’s “All-Star” and hit the ground running. The very first scene of Jessica M. Thompson’s latest directorial effort depicts a woman deciding to escape a lavish home by way of suicide. With the help of a piano string and a medium-sized statue, she’s soon a corpse dangling in the living room of this mansion. Accompanied by pronounced cues on Dara Taylor’s score and claps of thunder, this demise is a striking way to kick off a movie. It’s also, unfortunately, emblematic of a critical narrative misstep from which The Invitation never quite recovers. Continue Reading →
ドラゴンボール超 スーパーヒーロー
SimilarAlien (1979), Back to the Future Part II (1989), Back to the Future Part III (1990), Kill Bill: Vol. 2 (2004),
Live and Let Die (1973) Snakes on a Plane (2006), Star Trek: Generations (1994),
Watch afterThor: Love and Thunder (2022),
StudioToei Animation, Toei Company,
Alright, there's only one way to start this off, so best to do it well. Continue Reading →
Mack & Rita
Many of us have been called “old souls.” We are the people who feel out of step with our times. Director Katie Aselton’s Mack & Rita is a charming new comedy for us old gals that provides a refreshing update to the magical comedies of yesteryear. Continue Reading →