NYFF 57: “Pain & Glory” Is Sumptuous, Autobiographic Almodóvar
Pedro Almodóvar graces us with a shaggy but rewarding portrait of a middle-aged director wrestling with his demons, with an arresting turn by Banderas.
NYFF 57: “The Irishman” Is Scorsese’s Most Ambitious, Indulgent Film Yet
Martin Scorsese returns with another long, sumptuous opus, whose crackling performances and scintillating script are held up by some wonky de-aging tech and a leaden runtime.