1344 Best Film & TV Releases Translated Into Korean (Page 34)
Jackass Forever (In Korean: 잭애스 포에버)
As the old adage goes, "With age comes wisdom." But as Johnny Knoxville, Steve-O, and the rest of the Jackass gang have refreshingly proven, sometimes the best way to stay forever young is to just stick close to your childhood buddies and keep doing the same dumb shit to each other over and over again. And since Jackass aired its first episode on MTV in 2000, that's exactly what they've been doing, finding ever more creative ways to kick themselves (and each other) in the balls, sic wild animals and insects on them, and generally flaunting the rules of polite society and personal safety. With Jackass Forever, the fourth anthology movie in the series, Johnny and the rest are a little older, but no more wiser, and we're all the more thankful for it. Continue Reading →
Home Team (In Korean: 홈 팀)
SimilarAnnie Hall (1977), JFK (1991), The Big Blue (1988),
The 2012 Bountygate scandal pushed New Orleans Saints coach Sean Payton toward his son, as he spent the season he was suspended from the NFL on the sidelines of a sixth-grade football team. Briefly: “Bountygate” sprung out of a system that Payton, his assistant Head Coach, the Saints’ former defensive coordinator, and the team’s General Manager put into practice that paid players bonuses for injuring key members of opposing teams on the field. Unfortunately, this is the true story at the heart of Home Team, a trite Kevin James vehicle depicting the public suspension of Payton just two years after the Saints victory at Super Bowl XLIV. This isn’t a rise and fall story. It’s a continuous landslide, 95 minutes that reaffirm Payton as an unsupportive father, a way-too-intense football coach, and an all-around negative person to be around. Continue Reading →
The Ice Age Adventures of Buck Wild (In Korean: 아이스 에이지: 벅의 대모험)
SimilarA.I. Artificial Intelligence (2001), Wonder Boys (2000),
StudioWalt Disney Pictures,
Ice Age’s creativity melted away so long ago that it may as well have vanished at the end of the actual Pleistocene. The series’ diminishing returns culminated in 2016’s disastrous Ice Age: Collision Course, a picture that made the name Ice Age synonymous with “empty cash grab.” And yet, as paleontologists do, Disney’s gone to dig it up. But rather than, say, exciting discoveries about the lives and times of woolly mammoths, all that the excavation of Ice Age has resulted in is another crummy movie: The Ice Age Adventures of Buck Wild. Continue Reading →
Resurrection (In Korean: 레저렉션)
(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →
Call Jane (In Korean: 콜 제인)
(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →
The Afterparty
Reunions can be murder. You’ve got to fool yourself into thinking you look as good or better than you did at 18. Then you have to draw to make that delusion reality. Clothes. A new haircut. Makeup. Perhaps a fun new accessory you can pretend has always been your thing. Then you get there. You see exes, people you hated who have the nerve to look great and be successful, and former classmates who remind you that you were kind of terrible as a teenager, too. Continue Reading →
Am I Ok?
SimilarA Real Young Girl (1976), Copying Beethoven (2006), Fried Green Tomatoes (1991), The Holiday (2006),
(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →
The Woman in the House Across the Street from the Girl in the Window
At this point, the wine-soaked citizen detective has become its own genre. Adaptations of boilerplate mysteries like The Girl on the Train and The Woman in the Window give plenty of fodder for Netflix’s newest series: The Woman In The House Across The Street From The Girl In The Window starring Kristen Bell as the titular Woman. Of course, spoofs and parodies are all well and good. Considering that Netflix also produced Woman in the Window, though, this newest feels a bit like having your cake and eating it too. Continue Reading →
Tytöt tytöt tytöt (In Korean: 걸스 걸스 걸스)
(This review is part of our coverage of the 2022 Sundance Festival. Continue Reading →
When You Finish Saving the World (In Korean: 웬 유 피니시 세이빙 더 월드)
With When You Finish Saving the World, Jesse Eisenberg directs Julianne Moore and Finn Wolfhard to strong turns as a mother-son duo united by self-obsession.
(This review is part of our coverage of the 2022 Sundance Film Festival.)
Jesse Eisenberg’s directorial debut When You Finish Saving the World reminds me of Alex Ross Perry and Noah Baumbach’s early work. Its dialogue is witty and often cringe-inducing. Its characters are deeply flawed, unlikable people out to hurt each other. Given that Eisenberg worked with Baumbach on The Squid and the Whale, the similarities make sense. Continue Reading →
Pahanhautoja (In Korean: 부화)
(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →
Good Luck to You, Leo Grande (In Korean: 굿 럭 투 유, 리오 그랜드)
Emma Thompson and Daryl McCormack weave effortlessly through a sizzling, intimate two-hander about the therapeutic nature of sex work.
(This review is part of our coverage of the 2022 Sundance Film Festival.)
There’s a moment early on in Sophie Hyde’s Good Luck to You, Leo Grande in which one of its leads says to the other, “Desires are never mundane.” It’s a simple line, but one that defines the film and the relationship at its core well; Nancy Stokes (Emma Thompson) desires a new experience and Leo Grande (Daryl McCormack) exists to fulfill that desire. Their interactions are awkward at first, as with any arrangement between a customer and someone providing a new service, but gradually shift with time and further interaction. Continue Reading →
Breaking (In Korean: 벼랑 끝에서)
A game cast can't save Abi Damaris Corbin's misguided, manipulative account of a real-life tragedy.
(This review is part of our coverage of the 2022 Sundance Film Festival.)
In a long line of recent movies that are desperate to say something important about our society today, 892 takes an ideologically muddled approach to racial and social politics. Abi Damaris Corbin's film functions similarly in its structure and tone to a few other past Sundance offerings like Fran Kranz’s Mass and Gustav Möller’s The Guilty, a lot of it stemming from the use of a single location for the majority of the action. Unfortunately, 892 is the weakest of these movies, a limp social-issue thriller that suffers from an uncontrolled eagerness to say everything all at once. Continue Reading →
After Yang (In Korean: 애프터 양)
SimilarAs It Is in Heaven (2004), Garden State (2004), La Dolce Vita (1960), Poseidon (2006), The Green Mile (1999),
Kogonada's sci-fi followup to Columbus is just as mournful and architecturally-minded as its predecessor.
(This review is part of our coverage of the 2022 Sundance Film Festival.)
Science fiction is a genre that, when handled with care, can wield the ability to explore intimate parts of life through narratives that explore the unknown. Kogonada’s sophomore effort, After Yang, seamlessly blends common sci-fi components with a narrative deeply rooted in humanism, while looking beyond the typical action-packed tropes that make up much of the genre, to paint a poignant portrait of the complexity of human nature. Continue Reading →
Dual (In Korean: 듀얼: 나를 죽여라)
SimilarAustin Powers in Goldmember (2002), Austin Powers: The Spy Who Shagged Me (1999), Moulin Rouge! (2001), The Island (2005),
Watch afterDoctor Strange in the Multiverse of Madness (2022),
The latest from oddball extraordinaire Riley Stearns is a sci-fi curio about scrambling to find your will to live.
(This review is part of our coverage of the 2022 Sundance Film Festival.)
Writer/director Riley Stearns introduces the viewer to the offbeat world of Dual through something of a Hunger Games or Twilight Zone knock-off, with a bloody duel between two men who look exactly the same as an audience watches. It’s a smart and captivating start, one flooded with Sterns’ usual dark sense of humor, and one that introduces the core premise succinctly: in a world where you and your double both want to live, how willing and able are you to survive a duel to the death? Continue Reading →
Getting Curious with Jonathan Van Ness
Did you know that the earliest hair extensions on record are over five thousand years old? Doesn’t that just snatch your wig? That’s just one of the many facts you’ll learn by tuning into the latest arm of the Jonathan Van Ness empire, their new Netflix series Getting Curious. And it’s produced by World of Wonder – aka the company that makes the juggernaut that is RuPaul’s Drag Race. Continue Reading →
As We See It
While there are a lot of autistic characters in pop culture, there’s very little variety to be found. The eclectic personalities, genders, ambitions, and every other trait imaginable that exists in actual clusters of autistic individuals is absent in general pop culture. Instead, we’re either super-geniuses who function more like X-Men or childlike figures who need a neurotypical person to rescue them. If you were to go by mainstream media, autistic people were like M&Ms circa 1964: we only come in two flavors. Continue Reading →
Speak No Evil (In Korean: 스픽 노 이블)
(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →
Nothing Compares (In Korean: 나씽 컴페얼즈)
(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →
Emergency (In Korean: 이머전시)
(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →
Fresh (In Korean: 프레시)
Watch afterBarbarian (2022),
StarringSebastian Stan,
StudioHyperobject Industries,
(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →