1344 Best Film & TV Releases Translated Into Korean (Page 22)
The Getaway (In Korean: 겟어웨이)
When people sit down to analyze the career of maverick filmmaker Sam Peckinpah, his 1972 thriller The Getaway is usually found wanting, and remembered mainly for the scandalous affair that developed between co-stars Steve McQueen and Ali MacGraw. Coming smack in the middle of a filmmaking stretch that was preceded by the highly controversial The Wild Bunch (1969) and Straw Dogs (1971), and followed by the wildly idiosyncratic Pat Garrett and Billy the Kid (1973) and Bring Me the Head of Alfredo Garcia (1974), it feels like an exercise in playing it safe from a director not exactly famous for doing such things. Despite that, it still works as a solid crime thriller that demonstrated that Peckinpah could play by Hollywood’s rules if he wanted to do so. Continue Reading →
Avatar: The Deep Dive - A Special Edition of 20/20 (In Korean: 아바타: 딥 다이브)
"Avatar has no cultural relevance." "It's just Dances With Wolves with blue cat people." We've all heard the digs ever since James Cameron's 2009 opus hit theaters more than a dozen years ago, made all the money, and gobsmacked the Academy into giving it a Best Picture nomination. But even though it didn't immediately launch a franchise and give people (apart from a select few who took Pandora way too seriously) Avatar Fever, its impact was more subtle and quiet. Sure, it launched a mini-3D boom that leaked out into the early 2010s, but its most noticeable ripples came in its normalizing of a new suite of CG technology, radical motion capture and worldbuilding, and fully-formed digital environments that could genuinely transport viewers to another place. Continue Reading →
Puss in Boots: The Last Wish (In Korean: 장화신은 고양이: 끝내주는 모험)
Watch afterBlack Panther: Wakanda Forever (2022),
As Puss in Boots: The Last Wish begins, it’s evident that this movie is aiming for a different vibe compared to not only the first Puss in Boots but the greater Shrek series as a whole. A visual aesthetic that evokes hand-drawn animation and rapid-fire editing summons memories of Spider-Man: Into the Spider-Verse or fellow 2022 DreamWorks Animation project The Bad Guys rather than Shrek the Third. Even the handful of pop culture references are more specific and idiosyncratic—Nicolas Cage’s take on The Wicker Man, for instance—than the very broad references the original Shrek movies became famous for. Continue Reading →
The Last Kingdom
Lars Von Trier is a complicated figure. The Danish director has ardent fans, fervent critics, and a whole host of international film watchers in-between. After 25 years of varying other projects, he returns to his favorite hospital in The Kingdom Exodus, the five-episode third and final season of his acclaimed supernatural series. The sepia-toned world hasn’t changed much, though, as Von Trier has gone through several scandals, health concerns, and personal challenges over the last two-and-a-half decades. His vision remains undeterred. Continue Reading →
To End All War: Oppenheimer & the Atomic Bomb (In Korean: 전쟁의 종식자: 오펜하이머와 원자 폭탄)
SimilarSissi: The Fateful Years of an Empress (1957),
To The End opens with activist Varshini Prakash, leader of The Sunrise Movement, as she tours the destruction left in a wildfire’s wake. A bleak landscape meets her. There are houses burned and left in ruin. A car drives into the area, flames licking at the road as smoke covers the terrain. It’s a hell of a stirring beginning to Rachel Lears’ timely and extensive climate change documentary To The End. Continue Reading →
Christmas Bloody Christmas (In Korean: 크리스마스 블러디 크리스마스)
SimilarA Nightmare on Elm Street (1984), Happy Death Day 2U (2019), There's Someone Inside Your House (2021),
Shudder’s Christmas Bloody Christmas, about a killer Robo-Santa that wreaks havoc in a small town, is that present that catches your eye under the tree. The wrapping paper is beautiful, and the object hidden within looks big and expensive. You finally get to open it. Alas, the magnificent gift in your head turns out to be nothing more than an Amazon box with an ugly sweater inside. Continue Reading →
Searching (In Korean: 서치)
No recent film has understood the Internet quite like Searching. Aneesh Chaganty’s 2018 thriller follows John Cho as David, a father desperately searching for his missing daughter. The film is formatted entirely on screens, a new form of visual storytelling called Screenlife. We see David’s investigation through video calls, websites, and digital files. But at the heart of the story is a deep understanding of the way people, especially young people, can take on new lives through technology. Continue Reading →
Spoiler Alert (In Korean: 스포일러 경고)
While they say that love is eternal, eventually, even the greatest of love stories come to an end. Marriage vows foretell the reality of “to death do us part.” It’s an inevitability rarely explored in cinema, and even then, only in schmaltzy melodramatic weepers. Fortunately, Michael Showalter’s Spoiler Alert is free of schmaltz. Instead, the film deftly explores the process of a couple dealing with a terminal illness amid all the usual messiness of a real relationship. Continue Reading →
Doom Patrol
NetworkHBO Max, Max,
SimilarBatman Beyond, Birds of Prey, HAPPY!,
Justice League Marvel Disk Wars: The Avengers, Spider-Man: The New Animated Series, Static Shock,
At the risk of sounding a bit hyperbolic, there’s been something kind of magical about Doom Patrol. That trend continues into the fourth season's first six episodes, this writer is delighted to note. Continue Reading →
Pinocchio (In Korean: 피노키오)
MPAA RatingG,
StudioWalt Disney Productions,
Disney released a “live-action” remake of Pinocchio earlier in the fall, which was greeted with the same indifferent to negative critical response their “live-action” remakes always receive. I put “live-action” in quotes because referring to them as such is a bit generous. They’re predominantly CGI, with barely enough human actors appearing to qualify as a regular feature rather than animation. As with the remakes of The Lion King and Aladdin, beyond the fact that there was simply no reason for it to exist, Pinocchio smacked of cynicism, and sent a clear message to audiences: we can keep making the same thing over and over, and you rubes will pay to see it. Continue Reading →
Slow Horses
SimilarCigarette Girl, Millennium, Nightmares & Dreamscapes: From the Stories of Stephen King,
Roswell Soul Land 2: The Peerless Tang Clan, The Equalizer,
The danger in revisiting anything surprising in its quality the first time around is the loss of that surprise. Once you know a book, movie, or TV series can tell compelling stories, crack great jokes, or create multi-dimensional characters, one can’t help but expect that from its follow-ups and sequels. When the shock is gone, can the work still deliver? If so, how? Continue Reading →
Willow
SimilarBlack Scorpion, Honey, I Shrunk the Kids: The TV Show, The Young Indiana Jones Chronicles,
Willow didn’t catch on as a pop culture phenomenon like fellow Lucasfilm properties Star Wars and Indiana Jones upon its release. Still, it did ultimately achieve cult status. In these IP-obsessed times, that made a return to its fantasy realm all but inevitable. After all, Disney is giving every nostalgic property it owns a streaming sequel. Continue Reading →
Violent Night (In Korean: 바이올런트 나잇)
Watch afterBlack Panther: Wakanda Forever (2022), Puss in Boots: The Last Wish (2022),
It’s Christmas time, and a man at the breaking point finds himself at the wrong place at the wrong time. But he isn’t retired cop John McClane this time. Instead, it’s Saint Nick with a sledgehammer he’d like to swing into your bowl full of jelly. The premise of Violent Night is simple (Die Hard but with Santa), and the filmmakers mostly pull off the kill-fest thanks to some game performers and one inspired sequence. Continue Reading →
Irreverent
NetworkPeacock,
SimilarLupin,
Paolo (Colin Donnell), a mob fixer, is used to being the smartest person in the room. However, sometimes even the most intelligent guy makes dumb decisions. For Paolo, that begins with killing a mob boss’s son to save his own life. Then he makes that worse by going on the run with the boss’s money. But he's not done yet. Next up, he gets robbed by, of all people, a depressed Reverend, Mackenzie Boyd (P.J. Byrne), who decides to live it up on Paolo’s dime. Finally, he completes the progression of bad ideas by taking Boyd’s new job in the small town of oceanside town of Clump. There, he reasons, he can finally regain control of his life's wreckage. Continue Reading →
The Guardians of the Galaxy Holiday Special (In Korean: 가디언즈 오브 갤럭시 홀리데이 스페셜)
Watch afterBlack Adam (2022), Black Panther: Wakanda Forever (2022),
StarringDave Bautista,
One thing you can say about Christmas and the Guardians of the Galaxy is that both tend to go a bit over the top. One’s affection for either depends greatly on how you feel about a good thing taken to excess. For this critic, The Guardians of the Galaxy Holiday Special hits that delicious “too much, but I can’t help but like it” sweet spot like seconds on the pecan pie. Continue Reading →
Nanny (In Korean: 내니)
SimilarA Real Young Girl (1976), Copying Beethoven (2006),
Nikyatu Jusu’s debut feature, Nanny is a story about the American Dream turned gothic nightmare. It’s a film whose horror lies in a deep-rooted sense of unease. It’s the feeling in your gut that something is wrong, even when you can’t name exactly what. Worse yet, knowing this creeping dread has nothing to do with everything so obviously wrong around you. It’s something else, something you can only assume (or fear) is so much worse than you imagine. Continue Reading →
Echo 3
There’s nothing wrong with adaptations finding their own path. In fact, it should be encouraged. Slavish devotion to the source material leads to dramatically inert material. That said, there are far better ways to adapt existing works than this. Echo 3’s team, led by series creator Mark Boal, has missed the mark in interpreting Amir Gutfreund’s novel When Heroes Fly and the first television adaption from Omri Givon. Continue Reading →
The Fabelmans (In Korean: 파벨만스)
A little over 24 hours after seeing it, there are two sequences in Steven Spielberg's The Fabelmans that I've run on repeat back and forth. One dramatic, the other comedic—both illustrate the strengths of Spielberg's semi-autobiography. Continue Reading →
Wednesday
SimilarKomi Can't Communicate, Stand Up!!, The Hitchhiker's Guide to the Galaxy,
Jenna Ortega is having quite the year. Between the success of Ti West’s brilliant slasher X and leading the new Scream franchise, she’s poised to become our next reigning Queen of Creepy. This looks even more likely now as she brings the definitive goth teen to life in Netflix’s Wednesday, helmed by Tim Burton. Continue Reading →
Disenchanted (In Korean: 마법에 걸린 사랑 2)
Watch afterBlack Adam (2022), Black Panther: Wakanda Forever (2022),
StudioWalt Disney Pictures,
“Not great, not terrible.” Continue Reading →
Slumberland (In Korean: 슬럼버랜드)
SimilarAlice Through the Looking Glass (2016), Dragonball Evolution (2009), Speed Racer (2008),
Little Nemo is a property rife for play. The dream world of Slumberland is vast, its rules deliberately obtuse — it’s a wonderland full of slippery dream logic where its only limit is a child’s imagination. That Netflix’s spin on the 100-year-old tale should feel so dull and bloated is only the beginning of its problems. Continue Reading →