1393 Best Film & TV Releases Translated Into French (Page 37)

Say what you will about the Scream movies – while they’re almost as absurd as the movies they’re satirizing, they’re also each trying to say something. While the first movie was about slasher movies in general, Scream 2 explored the nature (and necessity) of sequels, while Scream 3 attempted (to less than successful results) a pre-#MeToo spotlight on sexual harassment, and, as an answer to the rise of Facebook and Twitter, Scream 4 focused on social media culture. Wes Craven set out to not just entertain and scare audiences, but to get them to think about what they were watching, exactly, and why. Continue Reading →

In 1996, a peaceful time of American prosperity between the Cold War and Twitter, music’s biggest things were imports. One was Canadian Queen Celine Dion, with her classic “It’s All Coming Back To Me Now” playing from car radios on constant rotation. The other was Irishman Michael Flatley who came to our shores with the step dancing phenomenon Riverdance.  Continue Reading →

It seems like every TV show is set in Manhattan. Be it Friends, Sex & the City, or Seinfeld, Manhattan is the de facto environs for our favorite television. Somebody Somewhere, HBO’s latest series from Hannah Bos (High Maintenance) and Paul Thureen, keeps the Manhattan setting, but swaps out the Hudson and East Rivers for the Kansas and Big Blue Rivers.  And just like the Little Apple seems like an inverse of the Big, this new show is a slice of lives drastically different from the hip and connected characters of Girls or And Just Like That....  Continue Reading →

The Pink Cloud opens with a disclaimer: “This film was written in 2017 and shot in 2019. Any resemblance to actual events is purely coincidental.” It doesn’t take more than a few minutes to realize just how necessary this disclaimer is because its parallels to the pandemic are frighteningly accurate. Only instead of a deadly disease keeping all the globe locked inside their homes, it’s a mysterious pink cloud that kills those that step outside almost instantly. Asking audiences to imagine a world where their lives are upended by a sudden quarantine that seems to stretch on indefinitely doesn’t actually require any imagination in 2022. Continue Reading →

The Hotel Transylvania series is a surprising juggernaut amongst contemporary family entertainment. Who would have guessed that a movie about a hotel for monsters would create a franchise where every sequel grows in both box office and critical success? With no signs of slowing down, it made sense for Sony to greenlight a fourth film. How could another sequel not be a hit at the box office? Well, I think we know how.   Continue Reading →

30 years after the series’ creator passed, what remains of his message as Star Trek is bigger than ever. For Star Trek fans, there are two very important dates decades before the very first episode of the original series ever aired. On August 2, 1943, the B-17 “Yankee Doodle” overshot its runway in the Pacific nation of Vanuatu and crashed, killing two crewmen. The pilot went on to be a crash investigator, serving stateside through the end of World War II, but it wouldn’t be the last time he narrowly escaped death in plane crash. On June 19, 1947, a Pan Am flight crashed in the Syrian desert after a catastrophic engine failure, killing most of the crew and passengers. One of the few survivors was the flight’s third officer, the very same man, a then-35-year-old Texan named Gene Roddenberry. The world knows Roddenberry as the man who invented Star Trek and gave the world decades of deep space adventures. When you look at all of that in context with the early morning when he narrowly avoided death, there’s the obvious takeaway that Kirk and Spock and Picard and Data and all the stories and faraway worlds that spun off from them are a kind of miracle. For me though, it’s impossible not to think of that biographical detail every time the Enterprise-D (or the Defiant, or the Protostar) is being dragged into a singularity or scrambling to restore shields in a fight with the Borg, klaxons blaring and crew members gritting their teeth as stuff combusts around them. The miracle, I think, is that Roddenberry survived something like that and then went on to create a story like Star Trek, a story with plenty of ships on the brink of disaster that isn’t really about disaster, but rather overcoming it. Continue Reading →

This review was originally written as part of our coverage of the 2021 Tribeca Film Festival; we're reposting it now that the film is available in theaters and VOD. Continue Reading →

Search Party, the TBS-turned-HBO Max comedy from co-creators Sarah-Violet Bliss, Charles Rogers, and Michael Showalter, has never been afraid of reinventing itself. While it started off as a satire of New York millennials trying (and failing) to find their own identities, the show kept evolving and playing with so many genres — from whodunit to legal drama to abduction thriller — throughout its run. The fifth and final season is no different, except this time, the story has higher stakes and doubles down even more on what makes the show so fearless and wildly entertaining in the first place. Continue Reading →

I'll say this for Simon Kinberg: he's got to be just about the nicest man in show business. After all, how do you get a second chance at the director's chair after the unmitigated disaster that was X-Men: Dark Phoenix? According to interviews, he only got that gig at the insistence of Jennifer Lawrence, who would only do the film with him in charge (he was reportedly very easy to work with when Bryan Singer went AWOL on X-Men Apocalypse, forcing Kinberg to pick up the baton). While working on Dark Phoenix, Jessica Chastain approached Kinberg with the idea of starring in and producing a female-led spy franchise a la Mission: Impossible; and so we have The 355, a film seemingly tailor-made to be the kind of mid-budget dross we get every January. Look out, Liam Neeson, you've got competition! Continue Reading →

In Asghar Farhadi’s A Hero, moral ambiguity runs rampant through the life of imprisoned Rahim Soltani (Amir Jadidi). Locked away for a debt he could not repay, Soltani has two days of leave to get his creditor, a family friend, to drop the charges. He owes the man a large sum, given as a pseudo-loan for a failing small business. A father to a young boy with a speech impediment, Rahim is understandably anxious to negotiate his freedom. When his girlfriend finds a lost bag filled with 17 gold coins, the moral conundrums begin, multiplying throughout the film with “nice” deeds and public interference.  Continue Reading →

The Tender Bar, streaming on Amazon January 7th, is based on J. R. Moehringer’s memoir of the same name. In practice though, it could be anyone’s story, and not because there’s a universality to the tale it tells. George Clooney’s film is so generic that the film's Moehringer might as well be a human-shaped blank space. Boasting the archly-drawn relatives of the film version of August: Osage County, the subtle needle drops of a Robert Zemeckis film, and the emotional insight of a Snapple lid fun fact, the picture leaves one thirsty for something of substance.   Continue Reading →

Much to the Republican Party’s dismay, the birth rate in the United States has been gradually on the decline, hitting an all-time low in 2020. Couples are not only waiting longer to have children, they’re having less of them, with an average of 1.6 per family. While climate change and cost of living expenses are the primary factors in the decision to have fewer children (or none at all), a small part of it can also be attributed to more people accepting a difficult truth: that raising children can be an incredibly hard and thankless task. Maggie Gyllenhaal makes an assured debut as a writer and director in her adaptation of Elena Ferrante’s The Lost Daughter, a complicated and strangely moving psychological drama/thriller about two women who bond over this truth. Continue Reading →

The modern era of musicals moves fits and spurts. Over this young century, the form has repeatedly fallen in and out of fashion. 2021 was an on year—one pulsing full of musicals, which ranged from towering works like Steven Spielberg’s West Side Story remake to the dreaded and thoroughly mocked Dear Evan Hansen. Many of them were quite experimental too, like Leos Carax and Sparks’ Annette and Lin-Manuel Miranda’s tick, tick…BOOM!. But even against that august competition, Joe Wright’s Cyrano carves out a place as one of the most imaginative musicals of this modern era. Although The National’s newly-composed songs don’t immediately gel with the iconic story being told, Cyrano makes its way towards a moving, complex finale, thanks to a stellar set of performances.  Continue Reading →

When Cobra Kai first premiered on YouTube Red, it seemed just like a fun tribute to The Karate Kid, but it soon revealed itself to be impressively complex. In its first two seasons, Cobra Kai reflected on the dichotomy of good vs. evil. Then, in season three, it became a story about how nostalgia can curdle into something toxic. While Cobra Kai’s fourth season continues to explore these topics while remaining funny and badass, the show’s seams are beginning to show, and its scripts are starting to run out of new ideas. Continue Reading →

Full disclosure: I was going to start this review with a Peloton joke given show creator Darren Star’s recent track record. Then out of nowhere, there was an actual Peloton knock-off storyline in this season of Emily in Paris. So my joke told itself. Points to you, Emily in Paris. Continue Reading →

How Marvel's latest cuts through the MCU trappings to deliver one of Spidey's most personal stories yet. Please note that this article contains MAJOR SPOILERS for Spider-Man: No Way Home. If you consume enough Spider-Man stories, you start to notice the malleability of the character. The assorted movies, shows, video games, and comic books all have their different takes on the wall-crawler and can plausibly plop him into different settings and moods. But you’ll also witness the two central aspects of Peter Parker that unite the various versions of the character across eras and mediums: (1) he chooses to do good, even when it’s hard, because he knows it’s the right thing to do, and (2) he suffers mightily for it. Continue Reading →

It's hard to overstate just how seismic The Matrix was when it was first released in 1999. Looking back on it now, in an age of focus-tested corporate franchises, extended universes, and an even more top-heavy IP landscape than we had back then, it feels positively revolutionary. Even in its imperfect but-radically-reappraised 2003 sequels, Reloaded and Revolutions, filmmakers Lana and Lilly Wachowski manage to build a world that's at once evocative of so many of its influences (cyberpunk, bullet opera, kung fu film, Star Wars) but feels highly original. And what's more, is unafraid to tackle challenging, often heady psychological questions while still revolutionizing the way action movies were made. Continue Reading →

KinoKultur is a thematic exploration of the queer, camp, weird, and radical releases Kino Lorber has to offer. Beneath the great Kino Lorber distribution partner family tree, there are a few classic presents worth opening this holiday season. Below is a brief guide to four films that offer interesting things to contemplate during this time of year, films that—in the spirit of the season, invite the audience to consider charity, capital, and country as they were when these pictures were new and today. Kino Lorber Pocketful of Miracles Continue Reading →

In the age of streaming, any movie, short of maybe Sky Captain and the World of Tomorrow, can become a TV show. It doesn’t matter if your original film was a box office turkey, these channels just want “content” and any previously established brand name will do. Through this phenomenon comes MacGruber, a continuation of a Saturday Night Live character and the star of a 2010 movie that crashed and burned financially. But when Peacock desperately needed something, anything, to release over the holidays, MacGruber rose from the aches like a conceited phoenix. Continue Reading →