Tina Fey’s latest is a well-intentioned, but only occasionally diverting, COVID-set political sitcom with more good intentions than good jokes.
From HBO (Chernobyl, Watchmen, Succession) to Netflix (Russian Doll, The Crown, Stranger Things) and beyond, we break down the best TV of the year.
Stephen King and George Romero’s ode to creepy comic anthologies is a schlocky, joyous riot.
Between its bevy of Trek alumni and effortless mixture of space spectacle and moral complications, this week’s Orville shines as one of the season’s best.
D’arcy Carden’s Janet continues to be one of The Good Place’s best characters, but her status as unlikely nonbinary icon brings up a few narrative wrinkles.
The Orville crew butt heads with a world that shuns people based on their Zodiac sign, in a premise straight out of Star Trek: The Next Generation.