Jeffrey A. Brown’s feature debut is an unsettling combination of eco-terror and body horror, with an ending that you will leave you shaken.
Shudder’s latest offering from South Korea is a limp, wooden retread of every exorcism and possession movie you’ve ever seen.
Without its own texture or style, Lars Damoiseaux’s camp-adjacent feature debut exists in a vacuum divorced from its inspirations.
Shudder’s new anthology film pokes fun at horror cliches, but can’t quite overcome a dreary final segment.
Shudder’s latest is a slick but familiar K-horror exercise too thin to land its big narrative twists.
The Shudder original about college students forced to admit their deepest darkest secrets is a tedious, absurd bore.
Shudder’s latest is a synthwave sci-fi opera is thinly plotted and unapologetically lurid, but packed with gorgeous grindhouse visuals.
Shudder brings us a gory, goofy mix of Crouching Tiger, Hidden Dragon and Tremors.
Shudder’s chilling supernatural horror about a child’s murderous imaginary friend goes to unexpected places.
Jeff Barnaby’s Indigenous zombie flick is packed with blood, guts, and a machete to the face of colonialism.
Unless you’re a K-Pop fan, Shudder’s latest paranormal horror film offers not a single thing new or interesting.
Shudder’s 5 part docuseries is a brief but fascinating look at the urban legends and true life tragedies of classic horror films.
A comprehensive guide to the streaming films you should watch as you quarantine from the coronavirus.
Joe Begos’ wild, gore-soaked drug trip of a vampire flick is not for the faint of heart.
Flesh-eating creatures and farcical meta-comedy meet in this refreshing, delightful riff on the zombie genre.
Working with some of the top names in horror, Shudder’s take on the classic 80s film is a fun & spooky ride.
Issa López captures the horror of growing up in a warzone with a gritty fairy tale that would make Guillermo Del Toro proud.
C2E2 2019 kicks off in earnest with panels on black horror, graphic novels and SF, as well as a glimmering, Vegas-style showcase from John Barrowman.