Gus Van Sant’s 1991 queer classic is a mournful tone poem about lost youth, and the intersection between class and queerness.
Netflix’s sequel to To All the Boys I’ve Loved Before keeps the charm but loses some of its edge.
Céline Sciamma’s queer period romance is an intimate visual feast, filled with uncanny empathy and admirable aesthetics.
Mati Diop’s expansion of her documentary short is a scifi-tinged genre experiment that admirably swings for the fences, even if it doesn’t land with complete success.
Dominic Cooke’s sumptuous adaptation of the Ian McEwan novel tells the tale of a marriage doomed from the […]