Ciro Guerra’s adaptation of the J.M. Coetzee novel tries to critique the aesthetics of imperialism but falls short.
Jim Jarmusch’s black and white punk Western is both his most beautiful & most baffling film.
Every artist has their muse, but sometimes that relationship grows toxic and strains – with Tim Burton and Johnny Depp, that moment appears long passed.
By channeling Burton’s outsized whimsy into something darker, consistent, and more constrained, Sweeney Todd succeeds in ways his other adaptations fail.
Burton’s dark, misguided adaptation of Roald Dahl’s classic children’s novel ages particularly poorly among the rest of his works.
Tim Burton’s recent films are dismissed as confused (dark) shadows of his career heights, but they contain brief glimmers of the filmmaker’s return to form.
Situated halfway between Tim Burton’s Gothic beginnings and contemporary epics, Sleepy Hollow is a forgotten, thoroughly enjoyable Hammer Horror homage.
Burton’s most deeply personal film is his humanistic, black-and-white celebration of the Worst Filmmaker of All Time.