The blockbuster composer talks to us about his freewheeling experimentations for the Russo brothers’ latest film.
The composer discusses the film’s long road to release, and the airiness of his score to Lee Isaac Chung’s mesmerizing drama.
The Judas and the Black Messiah director talks about balancing revolutionary energy with his own personal need to grow as a filmmaker.
The Parquet Courts musician talks about the sparse, but effective score for Ben Hozie’s camgirl drama.
The director of MLK/FBI talks about assembling a doc in a pandemic and what the ’60s can teach us about the movements of today.
The composer of the latest David Attenborough nature documentary talks about building the sounds of planet Earth.
The filmmaker talks to us about the brogues and narrative choices that have dominated the discourse around his filmed adaptation of his Broadway play.
The Grammy-winning jazz legend talks about capturing the 1920s blues of Netflix’s latest awards contender.
The composer duo talks about their years-long collaboration and the sparse, airy score to Francis Lee’s queer romance.
The composer returns to the podcast to discuss his third collaboration with Errol Morris and the challenges of recording scores during a pandemic.
The director and composer of the Jude Law-Carrie Coon drama The Nest sit down to talk about their collaboration.
Rebekka Karijord and Jon Ekstrand talk about the complex process behind scoring Hulu’s Greta Thunberg documentary.
The LA-based musician reminisces on his work on the idiosyncratic AMC dramedy, and how its psychedelic sounds reflect on his new solo work.
We talk to a rising filmmaker about bringing rawness and reality into her work.
Spike Lee’s longtime collaborator talks about using new instruments in his latest score, honoring Black veterans, and representation in film composing.
The director of Shirley talks about Elisabeth Moss, structuring scenes, and taking creative license with a real-life figure.
Director Jeffrey McHale talks about his latest documentary and his experiences with Paul Verhoeven’s cult classic Showgirls.
The Afropunk musician-turned-composer talks to us about diving into the complicated musical psyche of Shirley Jackson.