The composer breaks down the sprawling score for Netflix’s latest big-budget fantasy series.
interview
The composer returns to talk about returning to the Marvel Universe and expanding on his themes for the latest Disney+ series.
The avant-garde composing duo discuss their collaboration and building the unsettling soundscape of the Shudder original The Power.
The composer talks about the complexities of thriller scoring and the elusive, ’70s-tinged score for Netflix’s latest true crime docudrama.
The veteran composer talks to us about his continuing the legacy of John Williams’ scores for Star Wars for The Clone Wars’ final season.
The Coming 2 America composer talks about finding the sound of Zamunda and the need for opportunities for Black composers.
The avant-garde musician talks about his first foray into the world of feature film scoring, and the experimental, yearning score that followed.
The blockbuster composer talks to us about his freewheeling experimentations for the Russo brothers’ latest film.
The composer discusses the film’s long road to release, and the airiness of his score to Lee Isaac Chung’s mesmerizing drama.
The Judas and the Black Messiah director talks about balancing revolutionary energy with his own personal need to grow as a filmmaker.
The Parquet Courts musician talks about the sparse, but effective score for Ben Hozie’s camgirl drama.
The director of MLK/FBI talks about assembling a doc in a pandemic and what the ’60s can teach us about the movements of today.
The composer of the latest David Attenborough nature documentary talks about building the sounds of planet Earth.
The filmmaker talks to us about the brogues and narrative choices that have dominated the discourse around his filmed adaptation of his Broadway play.
The Grammy-winning jazz legend talks about capturing the 1920s blues of Netflix’s latest awards contender.
The composer duo talks about their years-long collaboration and the sparse, airy score to Francis Lee’s queer romance.
The composer returns to the podcast to discuss his third collaboration with Errol Morris and the challenges of recording scores during a pandemic.
The director and composer of the Jude Law-Carrie Coon drama The Nest sit down to talk about their collaboration.