The longtime composer talks about his tenure on the long-running horror franchise, and how its latest entry changes the game.
The electronic group redefined the sound of ’80s cinema, pioneering an iconic electronic soundscape that reverberates into modern film scoring.
The composer returns to talk about returning to the Marvel Universe and expanding on his themes for the latest Disney+ series.
The avant-garde composing duo discuss their collaboration and building the unsettling soundscape of the Shudder original The Power.
The composer talks about the complexities of thriller scoring and the elusive, ’70s-tinged score for Netflix’s latest true crime docudrama.
The veteran composer talks to us about his continuing the legacy of John Williams’ scores for Star Wars for The Clone Wars’ final season.
The Coming 2 America composer talks about finding the sound of Zamunda and the need for opportunities for Black composers.
The avant-garde musician talks about his first foray into the world of feature film scoring, and the experimental, yearning score that followed.
The blockbuster composer talks to us about his freewheeling experimentations for the Russo brothers’ latest film.
The composer discusses the film’s long road to release, and the airiness of his score to Lee Isaac Chung’s mesmerizing drama.
The Parquet Courts musician talks about the sparse, but effective score for Ben Hozie’s camgirl drama.
The composer of the latest David Attenborough nature documentary talks about building the sounds of planet Earth.
The Grammy-winning jazz legend talks about capturing the 1920s blues of Netflix’s latest awards contender.
The director and composer of the Jude Law-Carrie Coon drama The Nest sit down to talk about their collaboration.
The LA-based musician reminisces on his work on the idiosyncratic AMC dramedy, and how its psychedelic sounds reflect on his new solo work.
The composer for Charlie Kaufman’s latest talks to us about dream ballets, the strangeness of small towns, and the business of film composing.
Spike Lee’s longtime collaborator talks about using new instruments in his latest score, honoring Black veterans, and representation in film composing.
The Afropunk musician-turned-composer talks to us about diving into the complicated musical psyche of Shirley Jackson.