The composer for Charlie Kaufman’s latest talks to us about dream ballets, the strangeness of small towns, and the business of film composing.
Spike Lee’s longtime collaborator talks about using new instruments in his latest score, honoring Black veterans, and representation in film composing.
The Afropunk musician-turned-composer talks to us about diving into the complicated musical psyche of Shirley Jackson.
The composer of Get Out and Us discusses a return to his classical roots with Cory Finley’s Bad Education.
The veteran composer and Florence and the Machine producer collaborate on the intrigue and pop covers of Hulu’s Little Fires Everywhere.
The composer discusses crafting the delicate, otherworldly rhythms of Amazon’s sci-fi anthology series.
The Emmy-winning composer talks about carrying the torch of Star Trek’s sixty-year musical history.
The composer of M. Night Shyamalan’s Apple TV+ thriller talks about the twists and turns of his unsettling score.
Apollo 11 composer Matt Morton discusses how he used period-appropriate synthesizers to craft a tense score to mankind’s first walk on the moon.
On this week’s podcast, we speak with composer Kurt Farquhar, “the musical voice of the BET,” about his work on American Soul and Black Lightning.
The composer talks about scoring the final season of Disney’s animated adventure and crafting a theme for NBC’s […]
The composer of the upcoming SXSW-bound horror comedy talks about her rock career, the Sundance Film Music and Sound Design Lab, and scoring with her voice.
On the podcast, RIchard Dreyfuss talks about his career and love of civics, plus two exciting young composers talk about their latest entries in Sundance.