The Jim Henson Company makes a stellar return to form in Netflix’s epic, ten-episode prequel to the classic 1982 film.
It may be prefaced by a brilliant, heartfelt short, but Sony Pictures Animation’s latest, like its adaptation, is a huge waste of time.
Culture clash and end-of-life issues collide in Lulu Wang’s scintillatingly heartfelt drama “based on an actual lie.”
The seventh annual Chicago Critics Film Festival includes a 35mm print of Alien, as well as festival faves like The Nightinggale and Yesterday.
Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to […]