The latest trip to Bikini Bottom soaks the sea in garish CG animation and a creaky level of sentiment, but plenty of the show’s surreal delights remain.
Disney’s high-fantasy adventure is spirited and dynamic, even as it flattens a host of Southeast Asian cultural signifiers into a homogenous whole.
Comedian turned actress Awkwafina is stoned, horny, & transnational in a new series on Comedy Central.
Jake Kasdan’s followup to the surprisingly fun 2017 sequel loses some of the original’s luster.
Emma Roberts fights the patriarchy in this trippy feminist fairy tale.
The Jim Henson Company makes a stellar return to form in Netflix’s epic, ten-episode prequel to the classic 1982 film.
It may be prefaced by a brilliant, heartfelt short, but Sony Pictures Animation’s latest, like its adaptation, is a huge waste of time.
Culture clash and end-of-life issues collide in Lulu Wang’s scintillatingly heartfelt drama “based on an actual lie.”
The seventh annual Chicago Critics Film Festival includes a 35mm print of Alien, as well as festival faves like The Nightinggale and Yesterday.
Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to […]