Annie Silverstein’s delicate, uncompromising drama uses the subculture of Black rodeo to paint an aching picture of loss, time and poverty.
Terrence Malick’s three-hour opus examines the links between the theological, the empirical, and the absurdist in his best film in almost a decade.
There’s a lot more nuance to be found in the discourse surrounding Marvel movies and arthouse cinema.
Culture clash and end-of-life issues collide in Lulu Wang’s scintillatingly heartfelt drama “based on an actual lie.”
Nietzchka Keene’s adaptation of the Grimm fairy tale is a haunting black-and-white showcase for Björk.
Chinese auteur Jia Zhangke returns to long-form storytelling with this feature-length tale of the twisted romance between a gangster and his moll.
Gaspar Noe’s kaleidoscopic Cannes favorite gets a new trailer and poster promising all the Satanic dance mayhem the […]
The Academy’s board of governors approves new changes for next year’s Oscars, including a three-hour telecast and the […]
Lynne Ramsay follows We Need to Talk About Kevin with another masterwork on the cyclical traumas of violence, […]