Philip Seymour Hoffman lends remarkable texture to Spike Lee’s 25th Hour, a film in mourning over New York and the fleeting nature of being.
9/11
Spike Lee’s hamfisted misfire throws everything at the kitchen sink – income inequality, Watergate, lesbian stud service – and none of it sticks.
A riveting portraint of post-9/11 New York City, Spike Lee’s scintillating crime drama is one of his most intriguing explorations.
Christian Bale transforms into Dick Cheney in Adam McKay’s deeply angry essay film.