David Fincher’s Facebook drama remains a bright spot in Aaron Sorkin’s filmography in how it skewers male entitlement.
10 years later, Edgar Wright’s comic adaptation lingers for its bevy of influences as much as its originality.
Now 10 years old, Adam McKay’s screwball screed against Wall Street is hindered by being a cop-centric affair.
Jon Favreau’s 2010 followup to the first film in the Marvel Cinematic Universe also shows the weaknesses of worldbuilding over structure.
Martin Scorsese followed up The Departed with Shutter Island, a claustrophobic psychological thriller about the madness of loss.