A bona fide example of ’80s trash horror, Jim Wynorski’s tale of killer robots and horny teens is its own kind of therapy.
The Friday the 13th series chugs along with a straightforward but functional slasher with a hint of metahumor.
Spike Lee’s 1986 debut is a bold, if shaggy, milestone for the history of Black cinema.
Demme’s 1986 screwball comedy is one of his most joyful and unexpectedly rebellious films.
Time, ease, and the thrill of Americana rain down on Jim Jarmusch’s most intriguing early work, about a group of three escaped convicts.