13 Best Releases Studio Universal Television on Peacock Premium

The suburbs may seem like bright, safe places, but there’s rot under those perfectly manicured lawns. I know, I know, this probably will come as a shock, but it’s true! And Based on a True Story Season 2 is daring to drag it all into the light. I am, of course, having a bit of fun here. Filmmakers, authors, poets, playwrights, and TV showrunners have been taking shots at the suburbs since the beginning. Maybe your first encounter was the worms in the soil shot in Blue Velvet. Perhaps it was the original Stepford Wives that clued you in. The when of it may be in question, but you’ve been treated to the thesis of darkness behind those bright white picket fences, guaranteed. So, Based on a True Story Season 2’s vision of the upper middle class American suburban life isn’t exactly groundbreaking. What’s to the series’ credit is that it knows that. Its heart doesn’t lie in pulling back the curtain on middle age (or just before) married with kids and a four-bedroom, two-bath life. Instead, it just uses that oft-played trope to have a blast. That’s not to say it is empty of message or meaning. It still has plenty to say about “life these days”. It just does it without the air of self-congratulatory “Can you believe how transgressive we are!” that one can often detect in similar tales of suburban decay. Continue Reading →

Sometimes, there’s nothing wrong with a television show or film from a creativity or execution standpoint. Sometimes, it just has bad timing. It’s still unclear which--or how much of each--is true of St. Denis Medical after screening the six episodes (1-5, 7) provided to critics. Certainly, the series’ choice of the mockumentary with interspersed talking heads format does suffer for timing. There’s little to no freshness left in the approach made storytelling structure du jour back when the American incarnation of The Office entered its imperial era in 2006. While by no means ubiquitous, the subsequent critical and/or ratings successes of shows like Modern Family, Parks and Recreation, What We Do in the Shadows, and Abbott Elementary have made the subgenre’s pleasures familiar. That doesn’t mean it can’t work. After all, both Shadows and Abbott continue to be two of the more consistent pleasures on TV. But it does give a new show playing in that sandbox a bit tougher time. That acknowledged, the format still can give great performers an excellent stage. So St. Denis Medical’s sweet and pleasant but not hilarious vibes suggest that the familiar—perhaps tired—subgenre isn’t the only issue here. Of course, there might be a gulf between what appeals to this critic and what the show wants to do. At this juncture, it seems to be looking for a slower, gentler pace. A show that’s less a joke machine and more a “love and learn with laughs” style throwback. Lead nurse Alex’s (Allison Tolman) stymied efforts to get to her daughter’s musical in the pilot, capped by a milkshake and pep talk from veteran doctor Ron (David Alan Grier) supports this. Continue Reading →

As a fan of the gone too show—and mistreated while it was here—Happy Endings, the primary cast has so much goodwill built up it’s difficult not to be reflexively excited when one of the actors gets another chance. That’s why I could not resist reviewing Mr. Throwback, a mockumentary about Danny (Adam Pally), a low-grade memorabilia pusher who has never outgrown the central trauma of his childhood. It also stars perennial All-Star basketball star Stephen Curry. A tired format with an athlete in a prominent role doesn’t exactly make one’s heart racing. But the Pally factor could not be ignored. Thank goodness for that. Mr. Throwback isn’t anyone’s idea of a superstar sitcom, but it proves a sneaky addition to Peacock’s lineup. Danny and Stephen (Curry plays himself) grew up together, along with the third member of their trinity, Kimberly (Ego Nwodim). Somehow, Danny, not Steph, dominated all comers on the courts of their middle school years. That is until the authorities figure out Danny’s father and coach Mitch (a very welcome Tracy Letts) lied about Danny’s age. Turns out he’s 14 and a half, not 12, hence why he towers over his teammates. Continue Reading →

Through the haze of nostalgia, someone might find themselves thinking, “I remember Twisted Metal being a fun video game. I don’t remember there being a story to it though.” If that’s you, good news: your brain is not playing tricks on you. While the series gained complexity over time and each character took on backstory and better-defined goals, the on-screen experience essentially boiled down to a demolition derby in which the victor received an ironic fulfillment of their biggest wish. Continue Reading →

The difficult thing about reviewing a reboot/reimagining/update/sequel of an older property with plenty of accumulated goodwill is taking the new series on its own merits. It may be tempting to simply declare, “it isn’t as good as the original!” and call it a day. However, that isn’t exactly playing it fair. And yet, the temptation is there. Continue Reading →

Over the course of the first three episodes of Bel-Air—Peacock's downbeat reimagining of The Fresh Prince of Bel-Air as a modern, self-serious prestige-adjacent drama flipping the script on the original comedy's inherently sulky premise—new kid on the block Will Smith (played with smooth-as-ever charm by Jabari Banks) plays basketball, dodges a gang hit, and contends with an obnoxious cousin who is seemingly his complete opposite. So is this dramatization really all that different from the culturally-defining '90s sitcom? The answer, like the show itself, is complicated. Continue Reading →

The network sitcom, much like the American auto industry, is a dying breed in fields looking to modernize and capitalize on newer, flashier models. NBC’s new American Auto sadly won’t revitalize either one. It's a two-dimensional sitcom that follows an inept CEO (Ana Gasteyer) as she attempts to shake up a Detriot auto manufacturer Payne motors. Continue Reading →

NBC’s streaming app Peacock plays a strong hand in the nostalgia game. It’s the streaming home of The Office. It’s rebooted sitcom classics like Saved by the Bell and Punky Brewster. Adding to the nostalgia trip is its new original comedy Girls5eva. Created by Meredith Scardino and executive produced by Tina Fey and Robert Carlock, Girls5eva might first look like pure bubblegum pop fluff, but it digs deeper as a comedic exploration of pop music’s problematic past. Continue Reading →

Michael Schur’s no stranger to centering television sitcoms around complex topics. There’s the inner workings of local government in Parks and Recreation, the chaos and philosophy of the afterlife in The Good Place, and now America’s problematic past in the Peacock original Rutherford Falls. Co-created by Schur, Ed Helms, and Sierra Teller Ornelas, Rutherford Falls is the funny wake-up call we need. Continue Reading →

The Law & Order: SVU and Law & Order: Organized Crime crossover event on April 1st  will mark not only the premiere of a new Law & Order spinoff, but also the return of one Elliot Stabler (Christopher Meloni). For the first 12 seasons of SVU Stabler and Olivia Benson (Mariska Hargitay) were the SVU team, the perfect partners. Continue Reading →

Like any human being, I am predisposed to like Dwayne Johnson, aka The Rock. The man is charisma incarnate, a shockingly charming person who has proven to have not just skill, but that ineffable something that true stars possess. So know I don’t take lightly what I am about to say. Continue Reading →

On March 17, 1985, Maria Hernandez was shot by an intruder. Fortunately, the bullet ricocheted off of her keys as she used them to shield her face. Her roommate, Dayle Okazaki, was not as lucky, and the intruder shot her in the face as she cowered behind the kitchen counter. Afterward, the killer pulled Tsai-Lian "Veronica" Yu out of her car and shot her as well. Continue Reading →

Six weeks after her father Mitch’s (Peter Gallagher) death and funeral, Zoey (Jane Levy) emerges from her self-imposed exile, spurred on by Mo (Alex Newell). In her disconnect from the world, things have changed. Joan (Lauren Graham) is on her way to greener pastures. Leif (Michael Thomas Grant) has done his best to run the fourth floor in her absence, resulting in a fraternity-like atmosphere with Tobin (Kapil Talwalkar) as the unofficial lead “brogrammer.” Her dueling love interests Simon (John Clarence Stewart) and Max (Skylar Astin) have become friends. Life moved on while she sat out and recovered. Or tried to recover, anyway. Continue Reading →