3 Best TV Shows Similar to The Night Manager

Confession time. I’m a New York Giants fan. And a third-generation one at that. So when I heard that they’d be the team featured in Hard Knocks: Offseason, I did not find myself especially enthusiastic. Even casual fans of the now 23-year-old series can tell you that many, if not most, teams don’t exactly cover themselves in glory. And for an organization like the Giants, traditionally one of the most buttoned-up of the NFL franchises, it seemed an especially odd fit. However, I’m a lifelong Giants fan, so as they go, so do I. What’s immediately apparent in the two episodes screened for critics is the addendum of Offseason at the end of the series title is not merely cosmetic. While the show has traditionally focused its lens on the sidelines and field during preseason, Hard Knocks: Offseason posts itself in the hallways and at the desks of the front office. Yes, viewers glimpse the occasional player or prospect. Indeed, the coach, in this case Brian Daboll, remains an important part of the story. However, the “star” of the proceedings is General Manager Joe Schoen as he and his team attempt to build a squad that will erase the sting of going 6 and 11 in the 2023-24 season. As a central figure, Schoen is a fairly laid-back focal point. His stories do reveal an intense dedication to work and frugality. A tale of driving for hours after accepting the Giants job with nothing but two peanut butter sandwiches for sustenance is particularly informative. However, at least so far, all external signs of excess seem sublimated beneath a loose, laconic management style. There’s no mutiny visible or afoot, so he seems to command respect. He just doesn’t do it by bloviating about the building or thundering in the face of his staff. Continue Reading →

If you’re going to do a TV reboot of any James Cameron movie, it might as well be True Lies, his weakest directorial effort that doesn’t involve flying piranhas. The 1994 Arnold Schwarzenegger/Jamie Lee Curtis action-comedy was undercut by the same fidelity to traditionalism that makes other Cameron features enjoyable. His Avatar films feel like riveting fables, for instance, while Titanic had a sweeping nature to its old-school romanticism. Tragically, True Lies was traditional in that it regurgitated stale observations on domestic married life. Then there were the uncomfortable gender and racial stereotypes that were already long outdated before the movie ever hit theaters. Continue Reading →

When Christoph Waltz is at his best playing a villain in films like Inglorious Basterds, he presents as gentle and almost naively sweet before revealing an endless capacity for cruelty. At his worst, as with his Blofeld, he presents as all menace and violence and ends up with the effectiveness of a kitten. The former is delightful to behold; the latter can crash an entire film. Unfortunately, The Consultant forces Waltz to be the menacing kitten. Continue Reading →