Meg 2: The Trench
Ever since James Cameron boldly wrote “S” after ALIEN on a chalkboard and then changed it to a dollar sign, the quickest way to sequel-ize your killer extraterrestrial/reptile/mammal/whatever has been to add more of it. You scored a hit with people fighting one giant mosquito? Great, here’s a sequel with six of them. Continue Reading →
Cobweb
SimilarA Nightmare on Elm Street (1984), Constantine (2005), Jacob's Ladder (1990), Silent Hill (2006), The Omen (2006), The Ring Two (2005),
Watch afterBarbie (2023) Meg 2: The Trench (2023), Spider-Man: Across the Spider-Verse (2023), Talk to Me (2023), The Nun II (2023),
StudioLionsgate, Point Grey Pictures,
As horror movies fans, we (and I’m very much including myself here) talk a good game about wanting to see something new and different in the genre, but there are plenty of old reliable tropes that still work with us. Zombies, kaiju, masked killers, all of those have a better than good chance of drawing in audiences, without trying too hard to bring a fresh new angle to anything. We also love child in peril and creepy kid movies, and Samuel Bodin’s Cobweb manages to incorporate both, to mixed results. Continue Reading →
Ruby Gillman, Teenage Kraken
SimilarAlex Strangelove (2018), Billy Elliot (2000), Bring It On (2000), Dazed and Confused (1993), Enchanted (2007), Ferris Bueller's Day Off (1986), Grease (1978), Harry Potter and the Goblet of Fire (2005), Nowhere (1997), Pirates of the Caribbean: Dead Man's Chest (2006), Twilight (2008),
StarringColman Domingo, Sam Richardson,
Studiodentsu,
It’s not easy being a teenager. It’s especially not easy being a teenager like the titular protagonist of Ruby Gillman: Teenage Kraken. As that title would suggest, Ruby Gillman (Lana Condor) is a Kraken living in a seaside town with her family. Her parents and younger brother seem to have no trouble assimilating to the broader world, while Ruby struggles. All she wants is to blend in as a normal human-- albeit one with blue skin and no spine. However, to be an average teen, she’ll likely have to break some of her mom’s strict rules, namely, never going near the ocean. Continue Reading →
Elemental
SimilarBorat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Ocean's Eleven (1960), Poseidon (2006), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), Volver (2006),
Watch afterBarbie (2023) Meg 2: The Trench (2023), Past Lives (2023), Spider-Man: Across the Spider-Verse (2023), The Flash (2023),
StudioWalt Disney Pictures,
Over the years, Pixar has enlisted a variety of creatures to populate their wholesome stories of love and acceptance. There have been toys, monsters, cars, disembodied souls, and even the occasional human. In their new film Elemental, the characters are personifications of the four elements. It’s a choice that may leave you asking, “Have they run out of ideas at this point?” Continue Reading →
Past Lives
SimilarA Bronx Tale (1993), A Real Young Girl (1976), Copying Beethoven (2006), The Holiday (2006),
Watch afterBlue Beetle (2023), Elemental (2023), Meg 2: The Trench (2023), Mission: Impossible - Dead Reckoning Part One (2023),
Oppenheimer (2023) The Flash (2023), tick tick... BOOM! (2021),
It doesn’t take much for someone who once meant a whole lot to you to creep into your thoughts every now and then. It’s not an everyday obsessive thing, where they’re a shadow lingering over you. It’s softer, more subtle: a snippet of a song, or something that reminds you of a private joke once shared. Even if the fire has long burned out, an ember or two will glow for an instant. Then it’s gone, and the life you’ve lived without them goes on. Continue Reading →
The Inspection
SimilarRope (1948),
Watch afterElemental (2023),
The Inspection, the narrative feature debut of writer-director Elegance Bratton, aims to be a fictionalized treatment of Bratton’s own real-life experiences as a young gay Black man attempting to turn his life around by, of all things, joining the Marines. As dramatic hooks go, that’s a compelling one, but the finished film seems strangely unwilling to grapple with it in any meaningful way. Instead, what could have been a unique, deeply personal narrative is eventually reduced to a well-meaning but largely undistinguished military melodrama that is ultimately too familiar for its own good. Continue Reading →