21 Best TV Shows Similar to Obi-Wan Kenobi
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Mr. Throwback
As a fan of the gone too show—and mistreated while it was here—Happy Endings, the primary cast has so much goodwill built up it’s difficult not to be reflexively excited when one of the actors gets another chance. That’s why I could not resist reviewing Mr. Throwback, a mockumentary about Danny (Adam Pally), a low-grade memorabilia pusher who has never outgrown the central trauma of his childhood. It also stars perennial All-Star basketball star Stephen Curry. A tired format with an athlete in a prominent role doesn’t exactly make one’s heart racing. But the Pally factor could not be ignored. Thank goodness for that. Mr. Throwback isn’t anyone’s idea of a superstar sitcom, but it proves a sneaky addition to Peacock’s lineup. Danny and Stephen (Curry plays himself) grew up together, along with the third member of their trinity, Kimberly (Ego Nwodim). Somehow, Danny, not Steph, dominated all comers on the courts of their middle school years. That is until the authorities figure out Danny’s father and coach Mitch (a very welcome Tracy Letts) lied about Danny’s age. Turns out he’s 14 and a half, not 12, hence why he towers over his teammates. Continue Reading →
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Hard Knocks: Offseason with the New York Giants
Confession time. I’m a New York Giants fan. And a third-generation one at that. So when I heard that they’d be the team featured in Hard Knocks: Offseason, I did not find myself especially enthusiastic. Even casual fans of the now 23-year-old series can tell you that many, if not most, teams don’t exactly cover themselves in glory. And for an organization like the Giants, traditionally one of the most buttoned-up of the NFL franchises, it seemed an especially odd fit. However, I’m a lifelong Giants fan, so as they go, so do I. What’s immediately apparent in the two episodes screened for critics is the addendum of Offseason at the end of the series title is not merely cosmetic. While the show has traditionally focused its lens on the sidelines and field during preseason, Hard Knocks: Offseason posts itself in the hallways and at the desks of the front office. Yes, viewers glimpse the occasional player or prospect. Indeed, the coach, in this case Brian Daboll, remains an important part of the story. However, the “star” of the proceedings is General Manager Joe Schoen as he and his team attempt to build a squad that will erase the sting of going 6 and 11 in the 2023-24 season. As a central figure, Schoen is a fairly laid-back focal point. His stories do reveal an intense dedication to work and frugality. A tale of driving for hours after accepting the Giants job with nothing but two peanut butter sandwiches for sustenance is particularly informative. However, at least so far, all external signs of excess seem sublimated beneath a loose, laconic management style. There’s no mutiny visible or afoot, so he seems to command respect. He just doesn’t do it by bloviating about the building or thundering in the face of his staff. Continue Reading →
The Boys
If you’ve watched any previous season, you should have a good idea of what The Boys Season 4 offers. More to the point, it is almost certainly clear to you if it’s something you enjoy or despise. If you have formed an opinion, that should inform your decision to tune in. Because, five years after its debut, one thing you can absolutely count on is The Boys remains completely, unapologetically, itself. That isn’t to say there isn’t anything to discuss. In fact, there’s almost too much as the series continues to offer some of the most boldfaced political commentary on streaming. Not bad for a show that also boldly illustrated how that whole “Ant-Man should shrink down and enter Thanos” thing might look if the MCU took the bait. Following that memory, the gore seems as good a place as any to engage with this new season. There has perhaps never been a show as impressive in its ability to wield its considerable blood and guts touch on a wide range of emotional beats. The Boys Season 4 does not fall off in this department. If anything, it has an even more impressive level of control this time out. One moment, it proves itself intensely capable of pulling out sick laughs as a Vought event rehearsal unravels into an ever-escalating series of mishaps. Imagine it as a sort of a Rube Goldberg machine of carnage. And yet, later, when a confrontation forces a character to kill someone, the camera captures both the arterial spray and the guilt play across the protagonist’s face. Both moments play, and neither feels out of step with the series. It’s quite the magic trick. Continue Reading →
The final season of the Star Wars side adventure goes to some unexpectedly moving places. Into a television landscape suddenly devoid of Star Wars content, The Bad Batch swoops in with its third and final season, a darker yet not grittier adventure that loops its way into the greater Universe’s timeline while still managing to surprise an audience who knows how much of this story ends. Picking up some time after the end of Season 2 (though there are several short time skips throughout the initial eight episodes), Omega (Michelle Ang) remains imprisoned in the Imperial scientific testing facility in Mount Tantiss. Ostensibly there to assist cloning expert Nala Se and fellow female clone Emerie (Keisha Castle-Hughes), it’s clear to both Omega and the audience that she’s there for more nefarious purposes, including mysterious bloodwork that Emerie has been conducting on all of the clones and of which Nala Se is insistent that Omega not be a part. Omega is the shining star of this season from the first episode; determined, loyal, and brave (not to mention generally smarter than all of her brothers), Omega is the sort of female character on which Star Wars (and internet controversy) thrives. Decried from her very introduction, Omega has cemented her place as the heart of the Bad Batch, both the series and its namesake group. Continue Reading →
Het Hoge Noorden
The New Zealand crime dramedy can’t wrangle its disparate tones into a satisfying whole. In some ways, Far North offers viewers three shows in one. There’s the harrowing tale of a quartet of Chinese women, Bi (Xana Tang), Jin (Xiao Hu), Hui (Nikita Tu-Bryant), and Ling (Louise Jiang), trapped in a boat off the coast of New Zealand. They’re under the thumb of Cai (Fei Li), a capricious crime middle manager whose corner-cutting and incompetence have left them stranded and facing death by dehydration and starvation. Unfortunately, rescue is almost as unpleasant a prospect as dying. To be saved, Cai demands they either “pay” for the rescue by sinking themselves deeper into debt and servitude or killing one of their own. On the mainland, a different kind of crime story is unfolding. A group of less-than-competent criminals working for Blaze (Fay Tofilau) believe they’re about to get the score of their lives. Employed by her to take in the meth the Chinese women are transporting, they think it’ll be as easy as loading up a camper and driving it a few towns away. Alas, between the delays and their lack of skills, complications rapidly arise. Continue Reading →
Slow Horses
The AppleTV+ spy series retains its humor but gives viewers its most tightly plotted effort yet. Slow Horses Season 3 reiterates how the series differs from so many other TV shows. While critics frequently discuss film as a director’s medium, television tends to be more showrunner—and thus writer—driven. While Horses indeed derives many of its pleasures from the writers—the returning trio of Will Smith, Jonny Stockwood, and Mark Denton once again man the pens—each season’s unique tone owes to its single director. James Hawes made the series’ debut season a workplace comedy where the occasional gun battle might break out. Season 2 darkened or ditched much of the comedy for a bleaker, higher action affair under the direction of Jeremy Lovering. In Slow Horses Season 3, Saul Metzstein doesn’t push the team back into the offices. If anything, Slough House appears even less than in Season 2. However, he does re-up some of the mismatched colleagues’ humor, particularly when it comes to the team’s most recent additions, gambling addict Marcus (Kadiff Kirwan) and drug addict Shirley (Aimee-Ffion Edwards). He also further deepens the emotional stakes with a light touch, adding depth to ever-growing complications. Continue Reading →
What We Do in the Shadows
Season 5 of What We Do in the Shadows premieres tomorrow, and you might have some difficulty parsing that it’s already there. Many sitcoms tend to run out of steam by season 5 (you’ll note that exactly when Fonzie jumped the shark), resorting to dropping plot arcs without explanation, swapping out established characters for newer, less interesting characters, setting up tiresome romances, and relying on gimmick episodes, like flashbacks, clip shows, and musicals. Despite its supernatural premise, What We Do in the Shadows still follows much of the standard sitcom structure, so it’s a minor miracle that it’s still the freshest, funniest half-hour show on television right now, without anyone having to put on a fat suit or get stuck in an elevator. Continue Reading →
Star Wars: The Bad Batch
Welcome to 2023, Star Wars fans, and welcome to another season of The Bad Batch. Our band of unruly brothers (and sister) is back again, still running less-than-legal missions for Cid (Rhea Perlman) and finding themselves in every possible scrape as they do so. The first season of The Bad Batch was an adventure-filled romp through the aftermath of the Clone Wars and Order 66 (though not without its issues, as we’ll discuss later) and Season 2 is off to a strong start with its two-episode premiere: “Spoils of War” and “Ruins of War”. Continue Reading →
Star Wars: Tales of the Jedi
Part of the joy of Star Wars: The Clone Wars was that it could go anywhere. One week, you could watch physical manifestations of the light and dark sides of the Force duke it out with Anakin Skywalker and Obi-Wan Kenobi. The next, a multi-episode arc about a tiny frog alien leading a bunch of misfit droids on a wacky mission. The quality wildly varied from episode to episode, not really hitting its stride until season 2. However, big swings in tone and creative influence ensured even the weakest installments demonstrated admirable ambition. Continue Reading →
Wedding Season
Everyone’s had that “wedding season” experience. You meet a stranger at the start of the summer and have a great time flirting—perhaps more—with them by the bar and on the dance floor. It feels like a fun one-time thing, but then you keep running into each other at every other reception over the next few months. Before you know it, you’re having a full-fledged affair and running from the police because you’re both suspected of murdering an entire wedding party. You know, standard mid-20s wedding season fun. Continue Reading →
The Essex Serpent
Welcome to Right on Cue, the podcast where we interview film, TV, and video game composers about the origins and nuances of their latest works. https://open.spotify.com/episode/4o5jRlzLYUWWtUrjCObEN9?si=63ce4a3efcae4a89 While Apple TV+ is home to some of the biggest shows on TV -- your Teds Lasso, your Severances -- some of its best, most beguiling shows and miniseries don't get talked about nearly as often. Among those hidden gems is The Essex Serpent, the six-part adaptation of the novel by Sarah Perry, starring Claire Danes and Tom Hiddleston. Set in turn-of-the-century England, The Essex Serpent follows Cora Seaborne (Danes), a recently widowed Londoner, who sees her newfound freedom as the perfect excuse to pursue her love of science. That pursuit takes her to the Essex countryside, where a small town has been besieged by what's been reported to be a massive serpent. Some, including the town pastor (played by Hiddleston), doubt its veracity, but the town itself is convinced, and Cora's arrival just puts more fuel on the fire. Continue Reading →
The Flight Attendant
It’s been over a year since we saw Cassie Bowden (Kaley Cuoco) at the beginning of her sobriety, coming to terms with how the trauma and legacies of her childhood shaped her. As season two begins, we get the rundown on how that’s been going via her AA sharing. Now based in Los Angeles, Cassie is healthy, in a relationship with smoking hot photographer Marco (Santiago Cabrera). She's also still working as an international first-class flight attendant with an unspecified side hustle that definitely isn’t working with the CIA, wink. Continue Reading →
Moon Knight
Much of the pre-release publicity about Moon Knight focused on the heightened brutality of the new MCU on Disney+ series. In doing so, all involved failed to mention how much stranger it would be than the average MCU streamer. Continue Reading →
Halo
Halo is a big deal. It's the game series that made the Xbox, the game series that drew the blueprint and set the standard for first-person shooters in the 21st century. Its most recent installment, Halo Infinite, drew rave reviews and was a major financial hit. In addition to the stories told in the games themselves, Halo also boasts an extensive transmedia presence—novels, audio dramas, and animated anthologies, amongst other mediums—that's beloved by the lore-digging side of fandom. That passion, and the infamously spotty history of video-game-to-other-medium adaptations, means that Paramount Plus' Halo: The Series faces an uphill battle. Continue Reading →
Getting Curious with Jonathan Van Ness
Did you know that the earliest hair extensions on record are over five thousand years old? Doesn’t that just snatch your wig? That’s just one of the many facts you’ll learn by tuning into the latest arm of the Jonathan Van Ness empire, their new Netflix series Getting Curious. And it’s produced by World of Wonder – aka the company that makes the juggernaut that is RuPaul’s Drag Race. Continue Reading →
The Shrink Next Door
If I were to tell you that Will Ferrell and Paul Rudd were starring in a comedic miniseries about a hapless, neurotic man whose entire life is taken over by his overbearing psychiatrist, you’d be forgiven for assuming that (a) Ferrell plays the psychiatrist and Rudd his patient, and (b) it’d be a pretty funny movie. In fact, the opposite is true: Rudd, in a rare villainous role, is the doctor, and the series, Apple TV+’s The Shrink Next Door, isn’t particularly funny. Oh, there are some amusing moments, but they’re more likely to elicit laughs of the uncomfortable kind, as the viewer is torn between sympathizing with its protagonist and wanting desperately to shake some sense into him Continue Reading →