7 Best Releases Network Nbc on Peacock Premium

Sometimes, there’s nothing wrong with a television show or film from a creativity or execution standpoint. Sometimes, it just has bad timing. It’s still unclear which--or how much of each--is true of St. Denis Medical after screening the six episodes (1-5, 7) provided to critics. Certainly, the series’ choice of the mockumentary with interspersed talking heads format does suffer for timing. There’s little to no freshness left in the approach made storytelling structure du jour back when the American incarnation of The Office entered its imperial era in 2006. While by no means ubiquitous, the subsequent critical and/or ratings successes of shows like Modern Family, Parks and Recreation, What We Do in the Shadows, and Abbott Elementary have made the subgenre’s pleasures familiar. That doesn’t mean it can’t work. After all, both Shadows and Abbott continue to be two of the more consistent pleasures on TV. But it does give a new show playing in that sandbox a bit tougher time. That acknowledged, the format still can give great performers an excellent stage. So St. Denis Medical’s sweet and pleasant but not hilarious vibes suggest that the familiar—perhaps tired—subgenre isn’t the only issue here. Of course, there might be a gulf between what appeals to this critic and what the show wants to do. At this juncture, it seems to be looking for a slower, gentler pace. A show that’s less a joke machine and more a “love and learn with laughs” style throwback. Lead nurse Alex’s (Allison Tolman) stymied efforts to get to her daughter’s musical in the pilot, capped by a milkshake and pep talk from veteran doctor Ron (David Alan Grier) supports this. Continue Reading →

The difficult thing about reviewing a reboot/reimagining/update/sequel of an older property with plenty of accumulated goodwill is taking the new series on its own merits. It may be tempting to simply declare, “it isn’t as good as the original!” and call it a day. However, that isn’t exactly playing it fair. And yet, the temptation is there. Continue Reading →

The network sitcom, much like the American auto industry, is a dying breed in fields looking to modernize and capitalize on newer, flashier models. NBC’s new American Auto sadly won’t revitalize either one. It's a two-dimensional sitcom that follows an inept CEO (Ana Gasteyer) as she attempts to shake up a Detriot auto manufacturer Payne motors. Continue Reading →

The Law & Order: SVU and Law & Order: Organized Crime crossover event on April 1st  will mark not only the premiere of a new Law & Order spinoff, but also the return of one Elliot Stabler (Christopher Meloni). For the first 12 seasons of SVU Stabler and Olivia Benson (Mariska Hargitay) were the SVU team, the perfect partners. Continue Reading →

Peacock's attempt at reviving the classic 80s sitcom with some vague modern touches is as meaningless as it is harmless. Existing in a cotton candy-tinged alternate 2021 (the year is specifically noted, but there’s nary a mask or online class in sight), Peacock’s new reboot of ‘80s touchstone Punky Brewster exemplifies the question asked of all reboots. Who is this for? The adults who grew up with Punky are likely to ignore this entirely and it’s hard to imagine any child or teenager clamoring to watch it either. It’s a wispy throwback with vague trappings of “the messages of today." And a laugh track. In this economy?  Punky (Soleil Moon Frye), a professional photographer, still lives in the Chicago apartment where she lived with adoptive father Henry, but now with her own three children. Said children are Hannah (Lauren Lindsey Donzis) a teenager’s teenager, who loves TikTok and Timothee Chalamet as the teens do; Diego (Noah Cottrell); and Daniel (Oliver De Los Santos). These three are shortly joined by Izzy (Quinn Copeland) AKA Punky 2.0, a sprightly foster child whom Punky’s lifelong BFF Cherie (Cherie Johnson), now a social worker, encourages her to take in. Izzy appears to have wandered in from a casting call for The Great Gilly Hopkins, all adorable wisecracks and beanies. Also in the mix is Punky’s ex-husband Travis (Freddie Prinze, Jr), from whom she is recently divorced, although neither of them seems to remember that regularly.  Continue Reading →

Like any human being, I am predisposed to like Dwayne Johnson, aka The Rock. The man is charisma incarnate, a shockingly charming person who has proven to have not just skill, but that ineffable something that true stars possess. So know I don’t take lightly what I am about to say. Continue Reading →

Six weeks after her father Mitch’s (Peter Gallagher) death and funeral, Zoey (Jane Levy) emerges from her self-imposed exile, spurred on by Mo (Alex Newell). In her disconnect from the world, things have changed. Joan (Lauren Graham) is on her way to greener pastures. Leif (Michael Thomas Grant) has done his best to run the fourth floor in her absence, resulting in a fraternity-like atmosphere with Tobin (Kapil Talwalkar) as the unofficial lead “brogrammer.” Her dueling love interests Simon (John Clarence Stewart) and Max (Skylar Astin) have become friends. Life moved on while she sat out and recovered. Or tried to recover, anyway. Continue Reading →