35 Best TV Shows Similar to The Lost World (Page 2)
All the Light We Cannot See
If Shawn Levy, director of Netflix’s new miniseries All the Light We Cannot See, seems like an unnatural fit to direct All the Light We Cannot See, a limited series set in World War II’s Nazi-occupied France, it’s because he is. From Night at the Museum to Cheaper by the Dozen and, more recently, Free Guy, the director-producer is best known for lighthearted, family-friendly films. Unfortunately, this series does not prove to be a case of the unexpected choice yielding surprisingly excellent results. Continue Reading →
Lessons in Chemistry
Despite the lead character’s penchant for brutal honesty and empirical truths, Lessons in Chemistry is not a series viewers should turn to for a gritty look at early 60s gender relations, race relations, or workers’ rights. That’s not to say the word of the Lee Eisenberg-created series—adapted from a Bonnie Garmus novel of the same name—exists in a conflict-free world. It’s there’s a bittersweet gentleness that underpins and surrounds the proceedings, conflicts and all. Continue Reading →
Wilderness
Some find entertainment without characters to like a difficult slog. Those individuals would do well to avoid Wilderness, a series almost entirely devoid of likable major characters. The one possible exception of note, the lead couple’s neighbor Ash (Morgana Van Peebles), will ultimately depend on how individuals feel about the morality of blatantly hitting on a married woman who isn’t exactly in the best headspace. Continue Reading →
The Wheel of Time
Big-budget fantasy lovers have reason to celebrate this week with Amazon Studio’s The Wheel of Time Season 2's debut. With some careful tweaking by Showrunner Rafe Judkins, Robert Jordan’s epic fantasy of feminine magic and quests of destiny came to life in an impressive if uneven first season. Now, the stakes are higher, the dangers subtler, and the ever-expanding cast of characters more compelling. Continue Reading →
Justified: City Primeval
How does anyone justify a revival? The original Justified gave viewers a conclusion in the first 30 minutes and an epilogue with the last 16. It gave Raylan Givens (Timothy Olyphant) a fitting third act, living in Miami as a part-time dad to his daughter and finally enjoying freedom from the town he worked so hard to escape. So how does a creative team go from “we dug coal together?” to that nearly happy ending to a brand-new Givens tale? The simple answer is to head north. Continue Reading →
Good Omens
The 2019 adaptation of Neil Gaiman and Terry Pratchett’s 1990 novel Good Omens was a charming show that succeeded in translating the book’s strengths and weaknesses to the small screen. It was clever like the book, with an ingenious plot (what if there had been a mix-up at the hospital and the Antichrist went home with the wrong family) that parodied The Omen while conjuring an apocalyptic tale all its about an angel and demon whose millennials-long rivalry grew from mutual antagonism, to grudging respect, and finally admiration and even a kind of love. But it also carried over the book’s weaker elements, its wonky pacing, plurality of uninteresting characters, and the fact that the first two thirds of the story is essentially table setting for the final third. Continue Reading →
Survival of the Thickest
In 1995, way back last century, I went shopping for a dress to wear to my cousin’s wedding. Accompanied by my mother, it soon became apparent to us both that I, both a big and tall girl, wouldn’t be able to buy a dress in the Juniors section. My options eventually whittled down to one adult black velvet dress that, while the saleswoman assured us was totally chic for weddings, nevertheless showcased to the world that I could not fit into a fun or stylish dress for someone my age and that’s rough. It’s very rough. Continue Reading →
Marvel's Moon Girl and Devil Dinosaur
Lunella Lafayette, aka Moon Girl (Diamond White), is a middle schooler with an intellect off the charts. Devil Dinosaur (Fred Tatasciore) is an interdimensional red T. Rex with a deep, abiding love for dirty water dogs. As odd couples go, they seem shoo-ins for the Hall of Fame. Continue Reading →
Station Eleven
When Station Eleven by Emily St. John Mandel hit shelves in 2014, it was a standout in science-fiction. HBO’s adaptation can’t help but hit differently in 2021. It’s a post-apocalyptic tale about what’s left of the world after a deadly flu ravages the populace. The parallels to current events are glaringly obvious. Continue Reading →
Dexter
It is difficult to imagine the people who, after Dexter’s largely despised series finale, felt that more Dexter would solve the problem. When you recall the last season of Dexter was also largely despised, it becomes even more challenging. Add in that, for many, the writing on the wall started even earlier, and it becomes damn near impossible. And yet, here is Dexter: New Blood. Continue Reading →
I Know What You Did Last Summer
In 1973, Lois Duncan created the perfect premise for a thriller: a group of teens on a midnight joyride run over a pedestrian and make a pact to keep it a secret. They think they're successful in hiding the crime. Then, a year later, one of them receives an ominous note stating simply, "I Know What You Did Last Summer." While the teens try to solve the mystery of who is harassing them, they soon realize that whoever knows their secret wants them dead. Continue Reading →
You
The ultimate representation both of making it, and of giving up, the soul-crushing blandness and hidden darkness of suburbia is a well drawn from many, many times. HOAs and smiling politely through block parties and feigning interest in rose bushes, moving to the suburbs is frequently painted as the end of adventure and creativity. What happens when the couple that moves to their shiny new house to start shiny new lives aren’t just leaving the city but also a trail of bodies behind? Can a relationship work when you’re not just newlyweds and new parents but are also trying your darndest not to murder any more people or each other? Continue Reading →
The Mysterious Benedict Society
If nothing else, the new Disney+ program The Mysterious Benedict Society reaffirms that the hallmarks of Wes Anderson’s works have gone fully mainstream. As its first episode opens with a needle drop of Electric Light Orchestra’s "Livin’ Thing" plays over a montage of various adolescents living in perfectly arranged dollhouse environments, you’d be forgiven for wondering why Tony Hale is providing the opening narration instead of Bob Balaban. Like that Series of Unfortunate Events TV show, Benedict Society shows that Anderson’s style is something even kids are supposed to be aware of nowadays. Continue Reading →