766 Best Releases From the Genre Drama (Page 7)
The Witcher
Similar2Moons: The Series, Animated Classics of Japanese Literature, Des, Dexter, Game of Thrones, Gossip Girl, He-Man and the Masters of the Universe, Lupin, Masters of the Universe: Revelation, Ninja Sentai Kakuranger, Out of This World,
Planet of the Apes Pride and Prejudice Sám vojak v poli,
Sherlock Holmes Tales from the Neverending Story, The Buccaneers, The Dawn of the Witch, The Slime Diaries: That Time I Got Reincarnated as a Slime,
The Witcher returns for its third season, Henry Cavill’s final run as Geralt of Rivera, Witcher, before Liam Hemsworth steps into the White Wolf’s big boots. Showrunner Lauren Schmidt Hissrich introduces yet another tonal shift to the series, which has suffered a bit of an identity crisis since its bombastic first season. After the uneven season two and the head-scratching prequel spinoff Blood Origins, Season three takes a step back from intricate political intrigue to deliver a more straightforward narrative. Continue Reading →
The Horror of Dolores Roach
SimilarAmerican Horror Story, Are You Afraid of the Dark?, Florida Man, From, Garth Marenghi's Darkplace, Lupin, Tales from the Crypt, The Strain, The Twilight Zone,
Watch afterFoundation, Invincible,
On a fundamental level, The Horror of Dolores Roach confirms that old chestnut, “You can never go home again.” The titular Dolores Roach (Justina Machado) tries it twice over the course of the limited series—adapted from a Gimlet podcast which, itself, was adapted from an off-Broadway play—and each time finds an increasingly hostile environment has overtaken the “home” she knew. Continue Reading →
The League of Extraordinary Gentlemen
SimilarBatman Forever (1995), Constantine (2005), Sin City (2005), Spider-Man 2 (2004), Spider-Man 3 (2007), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), The Dark Knight (2008),
Studio20th Century Fox, Walt Disney Productions,
One of the things I enjoy most about the moviegoing experience is coming out of a film feeling as if I've actually learned something that I didn't know before, or had not even occurred to me in the first place. That's exactly the feeling that I got while watching Sam Pollard’s The League, a documentary about the history of Negro baseball leagues in America. Going in, I suppose I knew the basics about the subject and could name such key figures as Josh Gibson and Satchel Paige, but Pollard, who previously directed MLK/FBI, and executive producer Questlove delve much deeper, and the results are indeed fascinating. Continue Reading →
Bad Girl Boogey
SimilarA Nightmare on Elm Street (1984),
Bend It Like Beckham (2002) Desert Hearts (1985), Happy Death Day 2U (2019), I Am Not a Serial Killer (2016),
Despite interminable “why is horror so popular?” articles written by people who have little knowledge about or interest in horror, the reason why it thrives as a genre is because of its flexibility. You can approach virtually any subject – sexuality, xenophobia, illness – through the lens of horror and make it effectively nightmarish. Certain all-too-vocal horror fans don’t like when things get too topical (presumably because it forces them to think), and point to slasher movies as “real” horror, because they focus predominantly on violence and mayhem, rather than bringing any real-world elements into it. Watch most slasher movies from the 80s through the 00s and you’ll notice that, other than maybe the hair and clothes, nothing sets them in any specific time period. They exist in bubbles, with characters seemingly untouched by anything until a masked killer shows up to ruin the party. Continue Reading →
Kaboom
There’s something to be said for a ramshackle film that delights in itself and doesn’t take anything especially seriously. Unfortunately, what a filmmaker and their fans find fun may read as piffle or drudgery to less dialed-in audiences. Case in point: Kaboom. Continue Reading →
Tom Clancy's Jack Ryan
SimilarChuck, Condor, Des, Dexter, Game of Thrones, Gossip Girl, Lupin,
Pride and Prejudice Tales from the Neverending Story,
Generally speaking, we avoid personalizing our reviews at The Spool. This isn’t the early 2000s. No one needs to know about my journey to my couch to watch Tom Clancy’s Jack Ryan Season 4. That said, please allow me a brief personal indulgence that I promise will prove illustrious. In an effort to get ahead of deadlines, I watched the season’s six episodes in a day with a plan to write the review the next day. However, by the time I sat down to write that review about 26 hours later, I realized I had to watch the whole thing again. In a day’s time, I had forgotten too much to write a review in good faith. Continue Reading →
Tango en París: recuerdos de Astor Piazzolla
Alice Winocour’s Revoir Paris begins in a café. Mia (Virginie Efira), avoiding the rain, sits and drinks a glass of wine by herself, surrounded by other patrons. A birthday party for a middle-aged man, a few tourists, a couple having an argument, all of the classic situations are present. After spilling ink onto her hand, she heads to the bathroom, cleans up, grabs her belongings, and gets up to leave, when the two people in front of her are shot and killed. Continue Reading →
Mysterious Skin
In 2011, just after I turned seventeen, I ordered a copy of Mysterious Skin. Being online during that era, particularly on blog sites like Tumblr, meant images from Gregg Araki’s 2004 film permeated my timelines. I saw Joseph Gordon-Levitt, as gay sex worker Neil, kissing his male friend in the front seat of a pickup truck to enrage a small-town homophobe or sitting, bruised and bloodied, on the New York subway. Black and white GIF-sets of the film’s final heartbreaking scene came up regularly, the poetic closing lines quoted beneath them in italics. Continue Reading →
Totally Fucked Up
It’s been interesting to follow the reception of teen movies from the 1980s and 1990s has changed in the decades since. Some, like Clueless and The Breakfast Club have endured as classics. Others are better left forgotten. Of these, many are victims of a sameness of perspective. In other words, many of them are built on cis, straight, and usually white protagonists, and have little to offer people from different demographics. Continue Reading →
Hijack
SimilarBrides of Christ, More than Blue: The Series, Queen Cleopatra, Scully, Star and Sky: Star in My Mind,
Hijack, like 24 before it, is billed as a thriller television series told in real-time. In execution, however, it feels similar to a carrier full of other TV actioners. While it may, in fact, be seven hours from Dubai to London, there’s nothing about this show that makes the real-time gimmick sing. Instead of intense immediacy, it feels like a run-of-the-mill suspense series stakes. Continue Reading →
The Doom Generation
“A heterosexual movie by Gregg Araki,” The Doom Generation’s opening credits read. It’s the first of many jokes for Araki’s first film with a crew, shot for $1 million in January of 1994. None of the humor is apathetic, though. It’s like its characters in that way: caustic, yes, even to a fault at points. But the kids at the center of The Doom Generation aren’t apathetic, at least not at the beginning. They’re a conceptual trio of id, ego, and superego filtered through Araki’s lens to serve the narrative, an anti-American mind due to their identities and personal lives. But as they realize their selves individually and as a whole, their heterosexual, monogamous environment relegates them to sameness. Continue Reading →
Blue Jean
SimilarMaria Full of Grace (2004),
Watch afterBarbie (2023) John Wick: Chapter 4 (2023), Spider-Man: Across the Spider-Verse (2023), The Whale (2022),
StudioBBC Film, BFI,
A portrait of a closeted lesbian woman living in England during Margaret Thatcher’s oppressively homophobic 1980s reign, Georgia Oakley’s Blue Jean illustrates a unique paradox for a critic. How does one navigate criticizing a film’s self-imposed binaries while also accounting for the realities of a restrictive period, the gravity of the subject matter (and parallel current circumstances), and the differentiation of what is intended as cinematic affect and what constitutes clumsy filmmaking? Continue Reading →
Past Lives
SimilarA Real Young Girl (1976), Copying Beethoven (2006), The Holiday (2006),
Watch afterBlue Beetle (2023), Elemental (2023), Meg 2: The Trench (2023), Mission: Impossible - Dead Reckoning Part One (2023),
Oppenheimer (2023) The Flash (2023), tick tick... BOOM! (2021),
StudioA24,
It doesn’t take much for someone who once meant a whole lot to you to creep into your thoughts every now and then. It’s not an everyday obsessive thing, where they’re a shadow lingering over you. It’s softer, more subtle: a snippet of a song, or something that reminds you of a private joke once shared. Even if the fire has long burned out, an ember or two will glow for an instant. Then it’s gone, and the life you’ve lived without them goes on. Continue Reading →
Cruel Summer
SimilarBaywatch Nights,
HIStory Nine: Nine Time Travels, The Twilight Zone,
In its first season, Cruel Summer was a roller coaster of a television show. It offered a new twist, loop, or drop around every corner. Cruel Summer Season 2, by contrast, feels more like the Slingshot. For one, the journey is much easier to understand and anticipate. Of course, there are still thrills to be hand. Still, it lacks a certain gonzo quality. As a result, this season is better and more logically plotted, but also significantly less likely to leave a viewer’s head spinning. Continue Reading →
The Crowded Room
SimilarAround the World in 80 Days, Brides of Christ, Helltown, Santa Evita, The Summer I Turned Pretty, Three Days of Christmas, White House Plumbers,
Danny Sullivan (Tom Holland) sits in interrogation. He's been picked up for a seemingly random shooting on the busy streets of New York City. He insists that his friend Ariana (Sasha Lane) fired the gun, but the police can’t find her. Nor can they locate Danny’s Israeli landlord Yitzhak (Lior Raz). Worse, when they start digging, they find a pattern of people disappearing around the young man. NYPD Detective Matty Dunne (Thomas Sadoski) feels confident the department has accidentally brought in a serial killer. To prove his point—and find the victims—he brings in his ex, Professor and Psychologist Rya Goodwin (Amanda Seyfried), to conduct a series of interrogations. Continue Reading →
Based on a True Story
SimilarBates Motel, I Love Lucy,
Delia, oh, Delia, Delia all my life/If I hadn't have shot poor Delia/I'd have had her for my wife/Delia's gone, one more round, Delia's gone." Continue Reading →
Asteroid City
SimilarStalker (1979),
Watch afterIndiana Jones and the Dial of Destiny (2023),
Oppenheimer (2023) The Flash (2023),
StarringFisher Stevens, Willem Dafoe,
About twenty miles or so outside of Marfa, Texas, there’s a mural dedicated to the production of George Stevens’ Giant. Big wooden standees display James Dean with his arms draped over a rifle, framing him in the iconic Christ pose which would be the last image to represent Dean in the public consciousness before he died. Giant is about a great number of things, though, fittingly, what resonates all these years later is its ideas about the passing of time. Continue Reading →
1976
With a travel book in her hands and a cigarette in her fingers, Carmen (Aline Küppenheim) deliberates what shade of paint she’d like for her walls. She wants it like a sunset but not too pink. Maybe a bit blue. After all, it’s not like she goes outside too often. Even her commutes, now to her Las Cruces beach house, are isolated. It’s 1976 in Chile, three years into dictator Augusto Pinochet’s rule. While paint drips onto Carmen’s heels, defectors and accused communists fall in the streets. But hey, she’s got a home to renovate. Continue Reading →
Reality
SimilarA Real Young Girl (1976), Almost Famous (2000), Brubaker (1980), Copying Beethoven (2006), Freedom Writers (2007), Gandhi (1982), Mississippi Burning (1988), Sleepless in Seattle (1993),
Watch afterAnatomy of a Fall (2023),
The immediate issue with Tina Slatter’s debut feature, Reality, is how disengaging it is as a movie. A direct adaptation from Slatter’s theatrical piece Is This a Room, the conceptual background is probably the more interesting part. That show took the recorded transcript of FBI agents and former veteran and NSA translator Reality Winner (Sydney Sweeney) about Winner's leaking of classified information on Russian interference in the 2016 US Presidential election and used it as a verbatim dialogue. Everything uttered on the tape is replicated almost exactly in the play and, now, the film. The stutters, pauses, coughing, dog barking, doors opening. Everything. Recreated in minute detail. Continue Reading →
Flamin' Hot
Watch afterSaw X (2023), Thanksgiving (2023), The Flash (2023),
StudioSearchlight Pictures,
Of all the oddball trends in 2023’s multiplex movies, the strangest has to be Hollywood’s current obsession with films about the origins of familiar consumer lines and products, including Air Jordans, Tetris, and the BlackBerry PDA. The films have been okay—and Air’s genuinely quite good—but even so, when all is said and done, it is hard to shake the sense that what you have been watching is less a movie than an elaborate brand extension designed to remind viewers of the benevolence and vision of our corporate overlords. That is especially true in the case of Eva Longoria’s directorial debut Flamin’ Hot, a film whose story is almost too good to be true (more on that later) but which is, in practice, an ironically bland bit of product placement even more processed and devoid of nourishment than the snack food it celebrates. Continue Reading →
シン・仮面ライダー
SimilarBatman Begins (2005), Batman Forever (1995), Batman Returns (1992), Catwoman (2004), La Haine (1995),
StudioToei Company,
Shin Kamen Rider became my favorite movie of the year when it ripped my heart out with a one-sided conversation. Continue Reading →