Harley Quinn
NetworkHBO Max, Max,
SimilarGARO, Loonatics Unleashed, Madan Senki Ryukendo, Mirai Sentai Timeranger, The Batman,
The Harley Quinn animated TV series has always been about subverting expectations. The basic DNA of the show initially seemed so formulaic (a raunchy take on DC Comics superheroes, scandalous!) before morphing into something much more fun and emotionally resonant. Potentially one-joke characters like Bane have become so delightfully nuanced and messy. Continue Reading →
Velma
NetworkHBO Max,
SimilarFamily Guy, Hina Logic: From Luck & Logic, Raven's Home,
StarringSam Richardson,
Studio3 Arts Entertainment,
The character of Velma Dinkley inhabits a strange place in the Scooby-Doo franchise. In the context of the shows, she is arguably the most integral member of Mystery Inc, as her intelligence and skepticism make her most likely to solve the mystery first. However, as a supporting character in a franchise that focuses on Scooby and Shaggy’s antics, she is pushed to the sidelines and most viewers remember her catchphrase of “Jinkies” more than they remember her. Continue Reading →
Jellystone!
NetworkHBO Max, Max,
Similar'Allo 'Allo!, Fawlty Towers, Gekisou Sentai Carranger, Shougeki Gouraigan, The Wallflower,
The small, fictional town of Jellystone is like other close-knit communities across America. It’s quaint, charming, and filled with jittery citizens on the edge of a nervous breakdown. HBO Max brings back the beloved characters of Hanna-Barbera (the first since their deaths in the 2000s) for a newer, more anxious generation with, an animated show that’s as hilarious as it is self-aware. Continue Reading →
Mortal Kombat Legends: Scorpion's Revenge
SimilarBatman Returns (1992), Blown Away (1994), Kill Bill: Vol. 2 (2004), Mary Poppins (1964),
Shaft (2000) The Science of Sleep (2006), Zatoichi (2003),
I'm hardly the first person to observe that the history of video-game adaptations has been replete with messy failures; the challenges of adapting stories that are, by necessity, flat and formulaic to allow players to project themselves onto the kharacters seem virtually insurmountable. Paul W.S. Anderson's 1995 take on Mortal Kombat was one of the few to break that mold, mostly because the charming kast, simple story, and kickin' techno soundtrack were so alchemically appealing that it coalesced into good schlock this time, rather than bad. Continue Reading →