Aquaman and the Lost Kingdom
SimilarBack to the Future Part II (1989), Back to the Future Part III (1990), Batman Begins (2005), Batman Forever (1995), Batman Returns (1992), Ben-Hur (1959), Beverly Hills Cop II (1987), Blown Away (1994), Catwoman (2004), Constantine (2005), Die Hard 2 (1990), Die Hard: With a Vengeance (1995), Face/Off (1997), Fantastic Four: Rise of the Silver Surfer (2007), Hitman (2007), Home Alone 2: Lost in New York (1992), Just Cause (1995), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Léon: The Professional (1994), Live Free or Die Hard (2007), Oldboy (2003),
Shaft (2000) Shrek 2 (2004), Shrek the Third (2007), Spider-Man 2 (2004), Spider-Man 3 (2007), The Dark Knight (2008), The Legend of Zorro (2005), Zatoichi (2003),
Watch afterNapoleon (2023), Rebel Moon - Part One: A Child of Fire (2023), The Hunger Games: The Ballad of Songbirds & Snakes (2023), The Marvels (2023), Wonka (2023),
StarringTemuera Morrison,
A decade's worth of superhero movies goes out with a big, stupid grin on its face.
One would hope that a film franchise with as much money poured into it as the DC Cinematic Universe would rage, rage against the dying of the light. Yet here we are, limping towards the end of a slate of superhero flicks marred by terrible reviews (Shazam! 2), controversy (The Flash), or sheer too-little-too-late-ness (Blue Beetle). As the superhero genre continues to flag in a year of duds, DC's set for a reinvention, a clean slate courtesy of former Marvel it-boy James Gunn and co-head Peter Safran. Before they can wipe the board and start all over with the label's slate of classic capes, though, there's a few rounds left in the last guy's chamber to fire off. That's what Aquaman and the Lost Kingdom feels like, easily the least objectionable of the DC films to come out in 2023. Problem is, that's not saying much.
A sequel to Aquaman should have been a slam dunk: Director James Wan's 2018 take on the King of Atlantis was a welcome breath of neon-soaked pop art in a franchise studded with Snyderesque dourness, leaning into the innate silliness of an underwater take on Flash Gordon. Jason Momoa is as effortless a casting as you could imagine for DC's hardest-to-pin-down superhero, brimming with giddy frat-boy energy. At its best moments, Aquaman and the Lost Kingdom leans into its star's goofiness and even lets it infect some of the rest of the cast. But there's no escaping the feeling of weariness, both for a cast and crew who are just repeating the novel beats of the first and an audience that's just plain starved for something new. Continue Reading →
M3GAN
SimilarA Clockwork Orange (1971), A.I. Artificial Intelligence (2001),
In many ways, M3GAN is as much about its marketing as it is about the movie being marketed. That's hardly a revelatory statement, especially when it comes to horror films: Studios and producers have breathlessly promised thrills and chills with ever more outrageous gimmicks ever since the days of William Castle offering life insurance policies for audiences who "die of fright." With Blumhouse's M3GAN, the secret lies in its titular robo-tot, a cutesy android with snatched wig, Union Jack dickie bow, and murderous dance moves primed for TikTok virality, all of which have been over the film's marketing for months now. So it's a relief to learn that M3GAN has bite to go with its meme-ready bark, a horror-comedy as much about the ways we use technology to fulfill every human need as it is a sassy robot tween popping and locking with a paper cutter in its hand. Continue Reading →
I Know What You Did Last Summer
In 1973, Lois Duncan created the perfect premise for a thriller: a group of teens on a midnight joyride run over a pedestrian and make a pact to keep it a secret. They think they're successful in hiding the crime. Then, a year later, one of them receives an ominous note stating simply, "I Know What You Did Last Summer." While the teens try to solve the mystery of who is harassing them, they soon realize that whoever knows their secret wants them dead. Continue Reading →
Malignant
While we spent a lot of time debating whether or not “elevated horror” is a real thing or just something film snobs made up so they didn’t have to be embarrassed about liking a scary movie, gore fell to the wayside. There was a period when we weren’t getting an acceptable amount of blood and guts, in favor of understated chills and psychological trauma. Not that there’s anything wrong with that, of course, but it’s left something lacking in the genre. With Nia DaCosta’s take on Candyman and the upcoming Halloween Kills, however, it looks like old-fashioned look-between-the-fingers horror is back in all its splattery glory. Add to that list James Wan’s Malignant, often very silly, but always with a self-aware wink at the audience, with a body count that will satisfy even the most jaded horror fans. Continue Reading →
The Conjuring: The Devil Made Me Do It
SimilarA Nightmare on Elm Street (1984), Carrie (1976), Happy Death Day 2U (2019), Ocean's Twelve (2004), The Rage: Carrie 2 (1999),
StudioNew Line Cinema,
Several movies into the Conjuring universe, we’ve mostly separated the real life grifters Ed and Lorraine Warren from the America’s Mom and Dad version of them on screen. If the movies work, it’s because stars Patrick Wilson and Vera Farmiga bring warmth and gravitas to them. They sell the hell out of the bullshit their characters are peddling, whereas the real-life Warrens often came off as prickly and defensive in interviews, offended that anyone would dare to question their dubious authority. Wilson and Farmiga can only do so much, however, and it’s not enough to save The Conjuring: the Devil Made Me Do It, a by-the-numbers snooze that trades in haunted house horror for a supernatural police procedural. Continue Reading →