23 Best Romance Releases on Hulu
Poor Things
Similar2001: A Space Odyssey (1968), 28 Days Later (2002), 28 Weeks Later (2007), 9 Songs (2004), A Clockwork Orange (1971), Aladdin (1992), Aliens (1986), Amélie (2001), Annie Hall (1977), Armageddon (1998),
Bend It Like Beckham (2002) Blade Runner (1982) Contact (1997), Contempt (1963), Cruel Intentions (1999), Desert Hearts (1985), Dirty Dancing (1987), Edward Scissorhands (1990), Eternal Sunshine of the Spotless Mind (2004), Eyes Wide Shut (1999), Fantastic Four: Rise of the Silver Surfer (2007), Forrest Gump (1994), M*A*S*H (1970), Manhattan (1979), Mars Attacks! (1996), Mary Poppins (1964), Match Point (2005), Metropolis (1927), Mystic River (2003), Once Upon a Time in America (1984),
Rebecca (1940) Shrek the Third (2007), Stalker (1979), Star Trek: First Contact (1996), The Art of Racing in the Rain (2019), The Bridges of Madison County (1995), The Elementary Particles (2006), The Handmaid's Tale (1990), The Holiday (2006), The Life Aquatic with Steve Zissou (2004), The Party (1980), The Science of Sleep (2006), True Romance (1993), Vertigo (1958), War of the Worlds (2005), What's Eating Gilbert Grape (1993), Wild at Heart (1990), Willy Wonka & the Chocolate Factory (1971),
Watch afterAnatomy of a Fall (2023), Dune: Part Two (2024), Killers of the Flower Moon (2023), Saltburn (2023), Society of the Snow (2023), The Killer (2023),
StarringWillem Dafoe,
StudioFilm4 Productions, Searchlight Pictures, TSG Entertainment,
Yorgos Lanthimos directs a sumptuous adult fairy tale featuring Emma Stone at her very best.
Here’s the thing about Yorgos Lanthimos: you’re either on board with him, or you’re not. Even in The Favourite, arguably his most accessible film, there’s a sort of joyful grotesqueness to it, leaving the audience laughing and wincing simultaneously. His latest offering, Poor Things, is his most visually dazzling film yet, with moments of stunning beauty and bittersweet insight, but still isn’t afraid to test the audience’s sensibilities. It’s a film about what it means to be alive, every little disgusting aspect of it.
Based on Alasdair Gray’s novel of the same name, Poor Things opens in dreary black and white London, where eccentric scientist Godwin Baxter (Willem Dafoe) is overseeing an experiment that’s both miraculous and horrifying. Baxter, whose face looks like it was carved into several pieces and then put back together the wrong way, has brought a woman back to life after she committed suicide. The woman, whom he’s renamed Bella (Emma Stone, with a magnificent pair of eyebrows), initially has the mind of a toddler, but she’s learning and maturing at an astonishing rate. Bella refers to Godwin as “God,” and so far knows no one and nothing else but him and their home together. Continue Reading →
She Came to Me
Watch afterBullet Train (2022), Five Nights at Freddy's (2023), The Killer (2023), The Marvels (2023),
Seven films into her career as a filmmaker and Rebecca Miller is still a perplexing study. From 1995’s Angela, her symbolic unpacking of a lost childhood (presumably her own) to 2015’s Maggie’s Plan, a symbolic study of a desire for independence (presumably her own), she's made female pain and pleasure her subject without ever settling on a formal approach. Miller is an auteur in the sense that the peculiar combination of confrontational sexuality and highly personal discursiveness seem like the province of someone who both knows exactly what kind of things she wants people to think about, even if she’s never decided the way she wants us to think about them, other than “immediately.” Continue Reading →
Master Gardener
SimilarTaxi Driver (1976),
Folks, maybe I’m wrong, but I just don’t think we’re ready for Nazi redemption stories yet. Granted, there have already been a few, but those were from a time when the threat was neutralized. Now, in our current upside down world, they’re being normalized by both the media and Republican politicians, some of whom, like Alabama Senator Tommy Tuberville, would rather pretend they don’t know what “white nationalism” is than denounce it. We really don’t need a “but what if they can change?” story right now. But Paul Schrader is doing it anyway with Master Gardener, a movie that is surely well-intentioned, but ill-timed at best, and clumsy and borderline offensive at worst. Continue Reading →
Rye Lane
StudioBBC Film, BFI, Searchlight Pictures,
There’s been no shortage of pieces lately decrying the state of the romcom—is it on life support? Dead? In danger? If you’ve been lamenting the dearth of gems like You’ve Got Mail and Bridget Jones’s Diary, then Hulu has good news for you with its release of director Raine Allen-Miller’s feature debut: Rye Lane. It’s a quick and quippy romp through London’s Peckham neighborhood as two heartbroken twentysomethings bond over breakups and, far more deliciously, how to get back at their rotten exes. It’s a return to form that doesn’t feel stuck in the past. Rather, it’s a joyful reminder of why everyone loves a rom-com to begin with. Continue Reading →
Magic Mike's Last Dance
SimilarBack to the Future Part II (1989), Back to the Future Part III (1990), Home Alone 2: Lost in New York (1992), Shaun of the Dead (2004), Shrek 2 (2004), Shrek the Third (2007),
In the climactic monologue of the original Magic Mike, Mike Lane (Channing Tatum) says, “I don’t want to be a forty-year-old stripper.” It’s an affecting scene that shows that Mike understands the dead-end nature of his current lifestyle and his desire to escape, and it makes the ending where he gives stripping up a satisfying one. Continue Reading →
Spin Me Round
SimilarBack to the Future Part III (1990), Little Miss Sunshine (2006), The Big Blue (1988),
Amber’s (Alison Brie) dead-eyed stare in the opening montage of Spin Me Round tells you everything you need to know about where she’s at in life. She’s the manager of a fast-casual “Italian” restaurant, and from what we see about how they make the alfredo sauce, the quotes are very much warranted. Her life is small and dull and she’s secretly ready and hoping for an adventure to sweep her off her feet. When Amber wins a trip to Tuscany, the film doesn’t take her or the audience on the journey you’d expect, which creates something of a mess for everyone. Continue Reading →
Sharp Stick
SimilarA Real Young Girl (1976), Copying Beethoven (2006), The Holiday (2006),
Watch afterEverything Everywhere All at Once (2022), Spider-Man: No Way Home (2021),
StudioFilmNation Entertainment,
Lena Dunham’s latest feature, Sharp Stick, combines her best and worst tendencies. It’s a coming-of-age dramedy about a young woman’s journey of sexual and self-discovery handled with refreshing tenderness and understanding. But it’s also a story that sees Dunham unwisely wading into waters out of her depth, drowning her characters in quirky affectation that distracts from her purpose. Where the film goes is somewhere surprising, affirming, and even beautiful. The issue is its route. Continue Reading →
Avec amour et acharnement
Despite society’s conviction that love is everlasting, a relationship is, in fact, a fragile thing. With a single act, you can sever a bond that takes years to create. As such, the tenuous nature of romantic love is a constant source of inspiration for stories across all media. Continue Reading →
The Valet
Eugenio Derbez has followed all the proper steps for any comedic leading man, including breaking out with a movie whose success nobody saw coming (Instructions Not Included) to side roles in long-forgotten blockbusters (Geostorm). Now he's taken a cue from many other modern stars of the genre like Adam Sandler or Melissa McCarthy and moved to 'streaming service A-lister' with Hulu's latest, The Valet. Continue Reading →
Les Olympiades
SimilarAmélie (2001), East of Eden (1955), The Dark Knight (2008), The Good German (2006), The Party (1980), The Party 2 (1982),
Jacques Audiard’s Paris, 13th District opens on a Parisian building. More specifically, on a young woman named Émilie (Lucie Zhang in her feature debut), a struggling telemarketer, singing naked in her apartment. Next to her is Camille (Makita Samba), a literary professor, her new roommate, new lover, future ex-roommate, and future ex-lover. Broken credits chop up the action, staggered throughout the first lengthy scene. There’s an ephemeral nature to all of it, the sex and romance just as fleeting as the credits only fully shown for a moment, though Audiard has no problem spending longer with the revolving bodies of this story. Continue Reading →
Good Luck to You, Leo Grande
SimilarAlmost Famous (2000), Léon: The Professional (1994), Lost in Translation (2003),
Emma Thompson and Daryl McCormack weave effortlessly through a sizzling, intimate two-hander about the therapeutic nature of sex work.
(This review is part of our coverage of the 2022 Sundance Film Festival.)
There’s a moment early on in Sophie Hyde’s Good Luck to You, Leo Grande in which one of its leads says to the other, “Desires are never mundane.” It’s a simple line, but one that defines the film and the relationship at its core well; Nancy Stokes (Emma Thompson) desires a new experience and Leo Grande (Daryl McCormack) exists to fulfill that desire. Their interactions are awkward at first, as with any arrangement between a customer and someone providing a new service, but gradually shift with time and further interaction. Continue Reading →
Bergman Island
StudioARTE France Cinéma,
Mia Hansen-Løve's latest wrestles with the creative and romantic frustrations between men and women, with Ingmar Bergman watching mindfully overhead.
(This review is part of our coverage of the 2021 New York Film Festival.)
It's an unwritten rule of film festivals that there have to be at least a few films in the program dealing with either the history of cinema or the filmmaking process. Bergman Island, the latest from Mia Hansen-Løve, covers both of those bases. It's a quietly beguiling look at a pair of filmmakers as they go about generating their latest projects, literally standing in the looming shadow of one of filmmaking's most towering figures. Continue Reading →
Benedetta
In the opening scene of Benedetta, a young girl stops along the road to pray to a shrine of the Virgin Mary. A group of bandits ambushes her and her family, nobles who are well-off but by no means excessively affluent. Benedetta curses the thieves as they snatch her mother’s gold necklace, promising that the Holy Mother will haunt them for the rest of their days. Suddenly, a small bird flies from a nearby tree and shits in the eye of the bandit leader. The men laugh and toss the jewelry back to Benedetta’s mother, preferring not to risk it. Still, we’re left wondering – was this divine intervention? Or just a case of well-timed bird poop? Continue Reading →
Crazy Rich Asians
The director-writer & star of Asia talk death, love & the immigration experience.
A mother, her rebellious teen daughter, and an illness. It’s a story that’s been done and redone so many times that it’s basically become a subgenre. But in Ruthy Pribar’s feature directorial debut Asia, a tender and devastating character study about motherhood and loss, everything about the subgenre gets rejuvenated. Not because it breathes a new life into it, but because it tells the story in an understated way, with a level of realism that recalls the works of the Dardenne brothers more than it does The Fault in Our Stars.
The titular character, Asia (Alena Yiv), is a 35-year-old single mother who immigrated herself and her daughter from Russia to Israel years ago to start a new life. By day (and sometimes night), Asia works tirelessly as a nurse. But when she’s not taking care of her patients, Asia likes to spend time at a bar, drinking alone and flirting with strangers, or having sex with her colleague in his car as if she’s still a teenager. Continue Reading →
Undine
StudioARTE France Cinéma,
Over the past decade, writer-director Christian Petzold has delivered three near-perfect features-- 2012’s Barbara, 2014’s Phoenix, and 2018’s Transit. His work isn't showy, but what he pulls off is challenging - making artfully crafted, sumptuously romantic stories focusing on lonely, easy-going characters finding connection with one another. His latest, Undine, follows in that tradition, and it’s one of his best. Continue Reading →
We Broke Up
We Broke Up wastes no time cutting to the chase of its own title. The first scene quickly and efficiently introduces the breezy, playful dynamic between longtime partners Doug (William Jackson Harper) and Lori (Aya Cash) as they banter in a restaurant while waiting for takeout. By the end of the scene, Doug pulls a proposal out of nowhere and Lori proceeds to vomit right then and there. It's one of the few times We Broke Up even tries to push the comedy into its supposed rom-com format. Continue Reading →
The World to Come
Befitting the moodiness of the presentation is a similarly idiosyncratic score courtesy of musician and visual artist Daniel Blumberg, who makes his feature-film composing debut. An alumnus of London's free-jazz and experimental venue Cafe Oto, Blumberg leverages his love for improvisation and atmosphere into a fragile soundtrack that's foreboding and romantic in equal measure. Clarinets and strings fill the foggy New York air and the loaded silences between Abigail and Tallie, aided capably by musicians like saxophonist Peter Brötzmann and vocalist Josephine Foster. Continue Reading →
Ich bin dein Mensch
Watch afterEverything Everywhere All at Once (2022),
Dan Stevens stars as a seductive but malfunctioning robot companion in Maria Schrader's refreshing, tender exploration of longing.
(This review is part of our coverage of the 2021 Berlin Film Festival.)
It’s nearly impossible to not think of Spike Jonze’s romantic drama Her while watching Unorthodox creator Maria Schrader’s third feature I’m Your Man. Granted, both movies focus on a relationship between a lonely, messy human being and an AI. But where Jonze’s film tells the story from the male gaze, Schrader flips the narrative and gives the room to a complicated female character. The result is not only refreshing but also more tender and meditative, exploring love, loneliness, and longing over the technological ethics that tend to occupy these kinds of films. Continue Reading →
Little Fish
Based on an Aja Gabel short story and directed by Chad Hartigan, Little Fish follows a married couple as they try to hold onto what they love in a world ravaged by a pandemic. In a lot of ways, there are eerie similarities with our present reality, but the main difference is that the virus in this film slowly takes away memories – functioning very similarly to Alzheimer’s. In the midst of a flurry of pandemic-themed media coming out which tries to reflect the situation which the world is presently in, Little Fish manages to distinguish itself from the crowd with its brilliant leads and emotional resonance. Continue Reading →
Ammonite
It's not the first time the two have worked together, having met to build the score for 2016's Lion and working on several projects since. Together, they've built a clear sense of collaboration which bears out in Ammonite's intimate, complicated scoring -- which echoes the growing intimacy between Winslet and Ronan as, respectively, 19th-century paleontologist Mary Anning and a young woman she's tasked to care for. Continue Reading →
Songbird
Back in mid-March, Simon Boyes called Adam Mason about an idea for a pandemic thriller. The two writing partners quickly sketched out a plot outline, it began to pick up traction, and it was only a matter of days before Michael Bay came on to the project as a producer. The name would be Songbird. It’d also begin filming that July with Mason directing and come out in December, less than nine months after its inception. All of this said, it’s hard to dissect what’s worse: the fact that people exploited a global tragedy so quickly, or the final result. Continue Reading →