1344 Best Film & TV Releases Translated Into Korean (Page 32)

(This review is part of our coverage of the 2022 South by Southwest Festival) Continue Reading →

(This review is part of our coverage of the 2022 South by Southwest Festival) Continue Reading →

(This review is part of our coverage of the 2022 South by Southwest festival) Continue Reading →

There’s no good time in history to make war into entertainment. This is possibly one of the worst times to try to do so. Now clearly, the creators of DMZ, HBO Max‘s newest miniseries, had no idea what was going to happen in history when they were creating the show, but there’s a faint bad taste in watching a woman search for her son in a war zone in a time when actual women are doing that actual thing.  Continue Reading →

It may seem strange to label a show all about making pornography in the 70s “charming.” And yet, charming is precisely the correct term for Minx. Continue Reading →

As much of Hollywood’s current and immediate future output remains dedicated to comic book movies and Disney fare, the need for straightforward adult entertainment remains frustratingly unfulfilled. Hope blossomed anew at the announcement that Adrian Lyne, the king of classy erotic thrillers, was making a comeback with Deep Water, some two decades since the release of 2002’s Unfaithful. Everything that was revealed about the plot of Deep Water suggested that it was dipping from the same well as Unfaithful, in which infidelity in an otherwise stable marriage leads to raging jealousy, and ultimately murder. Upping the stakes is the fact that it stars hot couple for a second Ben Affleck and Ana de Armas, who met on set and presumably exhibited that sizzling chemistry in front of the camera. Surely this would be a triumphant return to form for Lyne, and a much-needed respite from trying to keep up with what phase Marvel is in at the moment. Continue Reading →

Jujutsu Kaisen 0 is a darn-good adaptation of manga artist and author Gege Akutami's equally-darn-good dark fantasy shonen battle manga. Its protagonist is compelling, his peers likable, the villain hateful but not without shading. The action is excellent. Alisa Okezahama, Yoshimasa Terui, and Hiroaki Tsutsumi's score rules. The storytelling is overstretched in places, and narrative jumping during the climax gets frustrating, but 0 works far more than it doesn't. Continue Reading →

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The story of Sarma Melngailis seems tailor-made for tabloid headlines. The former queen of New York’s vegan scene went on the run after embezzling millions of dollars and stiffing employees and investors. A year later she was captured after the police traced an order she made to the emphatically un-vegan Domino’s pizza.  Continue Reading →

Amy Schumer made a name for herself in the comedy scene as a stand-up for whom sex and booze were cornerstones of her act. She was a refreshing performer, helping to break down barriers for women in comedy, and showing the world that female comedians can be just as raunchy as their male counterparts. Her newest venture is an evolution of the party girl in Hulu’s Life & Beth, with Schumer portraying titular character Beth, a woman “barreling towards 40,” amid an identity crisis. The series, like Beth, is also in an identity crisis, as structurally it struggles in its episodic format. However, there are some strong performances by Schumer and a supporting cast of comedic heavy-hitters that make the series an entertaining watch.  Continue Reading →

The thing about The Thing About Pam is that there’s no thing there. Tonally run amuck, the limited series is a whimsical take on a deadly serious story that can’t come to grips with its darkness. There are moments to enjoy, but overall the series does little to prove itself necessary. There’s a lot of play happening, but little of it is constructive. Continue Reading →

We don’t step foot on an NBA court until the final minutes of the first episode of HBO’s new docu-series, Winning Time: The Rise of the Lakers Dynasty. This isn’t an accident; it’s a show with more on its mind than the x’s and o’s of a regular-season game. It’s not a series about the game of basketball but about the business of basketball - specifically, the moment the NBA goes from a poorly attended, barely-regarded sports league to the global entertainment juggernaut it is today.  Continue Reading →

There shouldn’t be anything more to say about the New York City art scene circa 1965 to 1985. True, it’s an exciting subject, depicting an era that was a unique combination of glamorous and trashy, inclusive and deeply snobby, and something we’ll never see again. Nevertheless, it’s been exhausted, a tragic, oft-told tale of excess decimated by drug use and AIDS. And we certainly seem to know all we could ever know about Andy Warhol, the father of that scene, who made superficiality and detachment seem fashionable. The Andy Warhol Diaries, however, is a rare, moving look at the person behind the carefully cultivated persona, who craved traditional domesticity while being drawn to the frenetic downtown party circuit at the same time. Continue Reading →

Of all David Lynch’s films, Lost Highway has confounded me since I first saw it 25 years ago. There are movies of Lynch’s that I like less, and movies of his that I’ve shifted my opinions on with time. But in those cases, I always emerged—sometimes dazed—with a grasp on what Lynch was attempting to do with the picture and a good idea of whether he’d successfully done it. Continue Reading →

The opening shot of Matt Reeves' The Batman evokes, if nothing else, the opening shot of Francis Ford Coppola's The Conversation: we peer, ominously, through the binoculars of an unseen voyeur, looking at a young boy in a red ninja outfit playing with his father in a Gotham penthouse. While this isn't a flashback to young Bruce Wayne -- rather, we see Gotham's tough-on-crime Mayor Mitchell and his soon-to-be-orphaned boy -- the evocation is undeniable. By the time The Batman's three hours whiz past you, we'll have a similarly probing look into Bruce Wayne himself: what he prioritizes, what drives him, what he thinks he's doing for the city as Batman and what he realizes he should be doing. And it's that texture, that sense of interiority, that makes The Batman one of the best films of the year thus far, and one of the most fascinating cinematic adventures the character has to offer. Continue Reading →

Although this Shudder Original from Hmong filmmaking duo the Vang Brothers—Burlee and Abel—is part supernatural thriller and part domestic drama, it actually aims to be a character-driven paranormal picture above all else. The character in question is Child Protective Services worker Claire Yang (Michelle Krusiec), who is noted by her boss as an efficient case-closer until this latest one neck-deep in bizarreness. In the Langs’ household, everything is tense as the young Sopviuhie (Madelyn Grace) is hurt and scarred; all the logical deductions will point to her parents Audrey (Ellen Wroe) and Giles (J.R. Cacia) as the culprits. Continue Reading →

Is Satanic panic even a thing anymore? When’s the last time we’ve heard anything about backmasking, or songs somehow influencing impressionable teenagers to kill themselves? It’s entirely possible that this is all still a thing, and I’m simply too old and out of touch to know anything about it. B.J. McDonnell’s Studio 666, the feature film debut of Foo Fighters, is a lovingly hokey homage to a time when “the Devil’s music” was such a grave concern for parents (and Tipper Gore) that Congressional hearings were held about it, and lawsuits were filed against heavy metal bands in an attempt to hold them responsible for what was more likely caused by untreated mental illness and drug abuse. Continue Reading →

Do you hate your work life infringing on your home life? Can you not stand having to deal with outside issues while at your desk? The Severance program just might be for you. Continue Reading →

For about five years, beginning in the late aughts and ending in the early teens, a favorite plot component emerged. Increasingly, the bad guy was getting captured about halfway through, and then it turning out it was. His. Plan. All. Along! Some, like The Dark Knight and Skyfall, used it to great effect. Others…less so. Continue Reading →

Although his name and efforts are often diminished or ignored by many histories of 1970s American cinema, Ralph Bakshi was one of the most audacious filmmakers of the era. Not only did his films tackle issues regarding race, sex, and class in graphic and sometimes profane ways, he did so within the framework of feature animation—a format that many, particularly in the U.S., equated almost entirely with family entertainment.   Continue Reading →

Known for blending horror and comedy to varying success, writer/director Richard Bates, Jr. looks to find wit and wisdom through a coven of witches in King Knight, his latest collaboration with actor Matthew Gray Gubler. As the head of the coven, Thorn (Gubler), along with his high priestess partner Willow (Angela Sarafyan), give three couples advice, organize Beltane and other holidays, and collectively recognize the power of French star Juliette Binoche. Following the coven after Thorn’s secretive lacrosse-laden past is revealed, Bates’s film meanders along a path of hallucinations, low stakes interactions, and a high school reunion that neither satisfies nor energizes a project that outstays its initial, quirky welcome. Continue Reading →