1207 Best Film & TV Releases Translated Into Italian (Page 26)

Tuca & Bertie Season 3 finds Tuca (Tiffany Haddish) and Bertie (Ali Wong) rebuilding their lives in the season two Bird Town flooding and moss infestation aftermath. They’ve got promising leads professionally with new jobs on the horizon. Plus, they’re both in solid relations. Bertie with adorkable long-term boyfriend Speckle (Steven Yeun) and Tuca’s new beau Figgy (Matthew Rhys). The two bird besties might be leveling up in careers and personal life, but there’s always some drama waiting around the corner to pounce in and disrupt their technicolor dreams.  Continue Reading →

In Nope, just about everyone is a consumer. There are those who watch and others who watch us watching, and no amount of trauma or tragedy depicted onscreen will satiate either of our vicious, cyclical appetites for spectacle. It's no wonder Nope quickly marks the beginning of all life put to film with the moving images of a Black man riding a horse for two seconds. We really did have everything, didn't we? Continue Reading →

From the start, GKIDS' latest acquisition, The Deer King, can call itself the spiritual sequel to Princess Mononoke without fear. Like Studio Ghibli’s 1997 title, the adaptation of Nahoko Uehasi’s eponymous novel series also has world-building text about clashing factions and ancient magic unfolding over vivid forests and stirring music. One of this film’s directors, Masashi Ando, was a supervising animator for the other one. Wolves and elks are again the beasts with the most screen time. Continue Reading →

The Kung Fu Panda universe is no stranger to the small screen. Previously, Kung Fu Panda: Legends of Awesomeness and Kung Fu Panda: The Paws of Destiny ensured that audiences could watch more antics of Po the Panda in the comfort of their home. But the newest expansion of this franchise, the Netflix program Kung Fu Panda: The Dragon Knight, breaks new ground by being the first of these shows to feature Jack Black reprising the role as Po.  Continue Reading →

There’s no kind way to say this, so let’s get it out of the way at the top: Netflix’s production of Persuasion thinks you’re stupid. Despite being an adaptation of Jane Austen’s classic novel, this film has faith in neither its source material, nor its audience.  Continue Reading →

What is it about living through cataclysmic times that makes us crave apocalyptic entertainment? Are we just clinging to the hope that humanity gets plucky and figures shit out before it’s too late? AMC’s new sci-fi adventure Moonhaven, an uneven but…well, plucky creation of Peter Ocko tries to answer just that. Set some 200 years in the future, Moonhaven shows humanity at two very divergent stages. While things like climate change, war, famine, and plagues continue to rage on unchecked on the Earth, it’s forever Opposite Day on the Moon, where a small chunk of humanity has been living under the protective eye of IO, an artificial intelligence tasked with helping those people fix Earth, somehow. Continue Reading →

Following the 1966 death of Walt Disney, the people charged with running the film studio bearing his name went into an extended period of creative paralysis that came very close to running it into the ground. So obsessed with the notion of “What would Walt do?” that they wound up repeating formulas that had worked before, it resulted in a forgettable series of films involving place-kicking mules, overly hirsute political candidates and the further adventures of Herbie the Love Bug. As for their once-vaunted animation division, that had become increasingly moribund, because the style of animation that made Disney famous was now perceived as being too expensive and time-consuming to be profitable. Continue Reading →

Despite society’s conviction that love is everlasting, a relationship is, in fact, a fragile thing. With a single act, you can sever a bond that takes years to create. As such, the tenuous nature of romantic love is a constant source of inspiration for stories across all media. Continue Reading →

Things are bad, folks. They’re relentlessly bad, with no sign that it’s going to let up any time soon. All we can do to stop ourselves from spiraling into the abyss is cling to the little things in life, like an ice cream cone, petting a dog, or taking a long bath. Add to that list is What We Do in the Shadows, now in its fourth season, and still just as fresh and funny as ever, with dirty jokes that belie its gentle, loving core. Continue Reading →

It's no understatement to say that Taika Waititi's Thor: Ragnarok was a welcome shot in the arm for both the titular God of Thunder (Chris Hemsworth) and the Marvel Cinematic Universe as a whole. There's something to be said for cutting out the creaky Shakespearean grandeur of the first two Thors in favor of whiz-bang sitcom theatrics, with a dash of Guardians of the Galaxy's signature irreverence thrown in, all leather and ironic needle-drops and "well that happened"s. The result was a whiz-bang sci-fi action comedy that made a buttload of cash, extended Thor's lease on cinematic life, and catapulted Waititi into Hollywood's A-list. Continue Reading →

Apples opens with a series of thuds. With each one, we move in until we’re close-up on details. These are little seeds of a world. Such is the process through which director Christos Nikou peels back the skin of his story. He repeatedly plants tiny granular clues that one would be tempted to spit out and dismiss, but which make all the difference to the growth of the narrative. Continue Reading →

The one thing that no one can deny is Stranger Things Season 4 remains aggressively itself right up to the end. Its final two episodes, feature-length films onto themselves, serve everything that one could enjoy about the first seven episodes with a side of everything that frustrates and annoys. The good news is that the bad bits remain a side dish, not the main course. The better news is that ratio tips even further in favor of what’s enjoyable. Continue Reading →

She is no damsel, and she will be out of distress. It will take the unnamed Princess (Joey King, also an executive producer) of the straight-to-Hulu fantasy adventure The Princess under five minutes to prove it to you. Continue Reading →

v Katia Conrad and Maurice Krafft grew up in Alsace, France and fell in love at nearly the exact same time, twice over. First, they fell in love with volcanoes, and then they fell in love with each other. Sara Dosa’s new documentary about the power couple volcanologists, Fire of Love uses Dosa’s exquisite prose, the Kraffts' own footage, and Miranda July’s narration to bring their love to life on screen.  Continue Reading →

When Black Bird opens with its Mogwai-penned and performed score and its series of voyeuristic but vague imagery, one will likely have an idea what kind of show they’re in for. And they will probably be correct. Continue Reading →

With the first season of Only Murders in the Building, creators Steve Martin and John Hoffman found success through a tricky balance -- between young and old, between thriller and comedy, between murder and levity. With Selena Gomez and Martin Short returning to join Martin as the unlikely podcasting trio, the Hulu series leans on the chemistry of its three stars. The resulting second season overachieves, brimming with confidence, comedy, scares, and a balanced tone. Continue Reading →

As comic premises go, the notion of portraying people in the movie industry as pretentious vain, shallow, sex-crazed glory-hungry goofballs is about as close to shooting fish in a barrel as one can possibly get. Therefore, the trick to pulling off something along these lines is not by pretending that one is making some bold artistic statement, but by striving to make sure that it is actually funny. Continue Reading →

Alexandre O. Phillippe's latest essay film shows the links between the Hollywood classic and Hollywood's greatest weirdo. (This review is part of our coverage of the 2022 Tribeca Film Festival.) When David Lynch’s twisted road movie Wild at Heart was released in 1990, many observers commented on the number of references to The Wizard of Oz that he worked throughout the picture, right down to a last-minute appearance by none other than Glinda the Good Witch herself. At the time, this was written off by many as just one more peculiarity in a film filled with them. Continue Reading →

This review is part of our coverage of the 2022 Tribeca Film Festival. Continue Reading →

In the opening seconds of Baz Luhrmann’s Elvis, viewers are blasted with the sight of the Warner Bros. logo – a variant glowing in gold and crimson, practically exploding with flair and moving parts – accompanied on the soundtrack by a remix of “Suspicious Minds.” Within the first few minutes, sweeping shots of Las Vegas clash with Ocean’s 11-style split screens, and the editing juggles between slowmo and cranked-up fast motion, in classic Luhrmann fashion. Continue Reading →

Gather around, children, and let Auntie Gena tell you a story about days gone by. Long ago, up till around 1984, kids used to run free in the streets from dawn till dusk, with virtually no adult supervision. Was it a better time? Not really, just different, and it all came to an end with the collective belief that bad things happen to children who aren’t carefully watched at all times. Now it’s swung so far in the other direction that allowing your children to walk themselves to school may result in a visit from child protective services. Scott Derrickson’s The Black Phone takes place in the time before, when parents didn’t worry about monsters until they were almost under their noses. Continue Reading →