176 Best Releases Translations Finnish on Netflix (Page 4)

While Anna Winger’s new series Transatlantic is visually and textually lush, it opens a stark portrayal of the refugee experience. It’s painful, watching as they struggle with the terrain, carrying everything they have in their arms. You hear every labored breath, see every sweat stain. This long opening sequence sets the tone for the rest of the seven-part series–it isn’t glamorous or glossy, just beautifully filtered misery, fear, and hope. Continue Reading →

Unstable appears to be a deeply personal show for lead actor and co-creator Rob Lowe. After all, it revolves around a father/son duo played by Lowe and his real-life son, John Owen Lowe. Rob Lowe’s headlined worse stuff than this, for sure. Nonetheless, you’d think a series that seems rooted in something this personal would be more engaging to watch. At least, it might take some bold swings. Tragically, Unstable is a mostly just average comedy that leaves little in the way of an impression for good or ill.  Continue Reading →

If only there were a word I could scream that would turn me into a superhero. I wouldn’t fight crime or fly in the heavens above. Instead, I would run really fast until time went backward. Then I would sprint into the DC Film offices circa 2020 and yell, “Please do not make Shazam! Fury of the Gods. Nobody needs this!” Alas, I have no such power. So, here we are.  Continue Reading →

If nothing else, 65 proves that Adam Driver plays a marvelous survival hero. After his ship crash-lands on an uncharted world, his Mills is dazed and wounded—but not to the point that he does not remember what to do in an emergency. He's got a checklist memorized, and he can follow it until he's back together. As Mills treats his wound, catalogs the damage to his ship, and ultimately dons an environment suit to survey his crash site, Driver's body language shifts. Wooziness gives way to groundedness, and halting movements become smooth. Driver makes it clear that even when despairing and terrified, Mills knows what he's doing. Continue Reading →

We’ve all been there. You turn on the radio and an incredible song is playing you’ve never heard before in your life. It’s a soaring rock anthem that chills you with goosebumps and makes you feel alive. Is this an Unforgettable Fire-era U2 song? Is this my new favorite band? The music ends, and the DJ jumps in with something like, “Praise be to God. That was Soul Eternal, with their hit single “Let the Spirit Thrive” only on your Christian Rock station 104.7!”  Continue Reading →

A household name (and one of the most in-demand creators of color) in network TV and Hollywood over the last decade, Kenya Barris has shepherded tv sitcom universes like Black-ish/Grown-ish/Mixed-ish, collaborated on box office smashes like Girls Trip, and developed franchise revival attempts like Shaft and Coming 2 America. Within these projects, his central preoccupation has been negotiating authenticity in relation to race, class, family, and the self. Continue Reading →

That ‘70s Show That ’70s Show first aired on Fox in 1998. Throughout the seasons, viewers watched Eric Forman (Topher Grace) and his motley crew of friends as they got into hijinks in ’70s Wisconsin. The friends often met in Eric’s basement, forging bonds through pot-fueled smoky clouds. There were highs, both metaphorically and literally, culminating in a finale in 2006. It’s only fitting that the nostalgia trip continues with the spinoff That ’90s Show. It’sa fun sequel series that plays with elements of the original series while establishing its own path.  Continue Reading →

Episode one begins with a chorus of pig screams. The camera pans through endless cages with the poor little oinkers cramped inside. Then we cut to a woman being strangled. We can’t see her face or who’s attached to the hands squeezing the life out of her. The victim cries out, but we can’t hear anything over the pigs.  Continue Reading →

Gordon Bennett just wanted to have some stability for the future. So after selling his chain of grocery stores in the 1990s, Bennett turned to the stock market. Looking around for the right people to work with, he chose Bernie Madoff. Over a decade later, Bennett would become one of the countless lives rocked by the reveal that Madoff had been orchestrating the biggest Ponzi scheme America has ever seen. The emotional trauma experienced by Bennett and other victims of Madoff’s wickedness deserved a more consistently engaging docuseries than Madoff: The Monster of Wall Street.  Continue Reading →

There is a Tom Hanks factor that ends up elevating whatever material he takes on. As has often been observed, he’s the closest thing to a modern-era Jimmy Stewart. Like Stewart, Hanks has made an effort to complicate his nice guy persona in this third act of his career. A Man Called Otto is the latest comparison point. While not especially risky, this remake of the 2015 Danish film A Man Called Ove still has an edge. That the film survives its journey to the States with that sharpness intact is something audiences can chalk up to the Hanks Factor. Continue Reading →

No doubt Netflix’s goal in releasing the Witcher spinoff The Witcher: Blood Origin was to tide audiences over. They wanted to give the fans a little something while waiting for Henry Cavill’s final season as Geralt. Conveniently framed as a tale told to Jaskier (Joey Batey) by Elf storyteller Seanchaí (an always welcome Minnie Driver), Blood Origin finally digs into the Conjunction of the Spheres, which created the world of men and monsters we’ve already seen.   Continue Reading →

What makes a novel “unfilmable”? Often, it’s because it’s simply too large in scope and scale, like Gabriel Garcia Marquez’s One Hundred Years of Solitude, which depicts the lives of seven generations of the same family. Or, as with Mark Z. Danielewski’s House of Leaves, it’s too dense and labyrinthian. The more successful attempts, such as Denis Villeneuve’s Dune and Netflix’s adaptation of The Sandman, have been filmed in multiple parts, while failures like 2017’s The Dark Tower condense the story down to its most basic components, checking off the most salient points (“there was a tower, it was dark”) and nothing more. Continue Reading →

Scott Cooper’s sense of place and his sense of dread go hand in hand. He was born in Abingdon, Virginia, a city with a population under 10,000, and the place’s melancholy struck him like lightning. Every one of his films is concerned with the impossibility of calling somewhere home, and he shows that even places meant to hold promise are forbidding and corrupt. From the dying factory town of Out of the Furnace to the blood-soaked frontier in Hostiles to the addiction-ravaged backwoods of Antlers, nothing can make Cooper’s America feel anything but haunted. And that's the case in his latest, The Pale Blue Eye. Continue Reading →

Look, I grew up a lonely gay kid. Locking myself in the dark and blasting Whitney Houston is what I do best. If Kasi Lemmons set out to make a divinely mixed greatest hits experience for Whitney fans to do so collectively, then she has certainly succeeded.  Continue Reading →

From The Flight Attendant to The Rookie, there’s no shortage of comedy action series, flipping the script of formulaic procedurals and infusing a dose of relatable, if often quirky, characters as leads. Netflix looks to add to the roster with the new series The Recruit, which follows a dashing but stumbly new CIA lawyer Owen (Noah Centineo), as he falls deeper into internal espionage. While The Recruit gets muddled with an unbalanced tone, Centineo jumps in with enough charm and comedy to keep viewers coming back. Continue Reading →

As Puss in Boots: The Last Wish begins, it’s evident that this movie is aiming for a different vibe compared to not only the first Puss in Boots but the greater Shrek series as a whole.  A visual aesthetic that evokes hand-drawn animation and rapid-fire editing summons memories of Spider-Man: Into the Spider-Verse or fellow 2022 DreamWorks Animation project The Bad Guys rather than Shrek the Third. Even the handful of pop culture references are more specific and idiosyncratic—Nicolas Cage’s take on The Wicker Man, for instance—than the very broad references the original Shrek movies became famous for.  Continue Reading →

Lars Von Trier is a complicated figure. The Danish director has ardent fans, fervent critics, and a whole host of international film watchers in-between. After 25 years of varying other projects, he returns to his favorite hospital in The Kingdom Exodus, the five-episode third and final season of his acclaimed supernatural series. The sepia-toned world hasn’t changed much, though, as Von Trier has gone through several scandals, health concerns, and personal challenges over the last two-and-a-half decades. His vision remains undeterred.   Continue Reading →

Jenna Ortega is having quite the year. Between the success of Ti West’s brilliant slasher X and leading the new Scream franchise, she’s poised to become our next reigning Queen of Creepy. This looks even more likely now as she brings the definitive goth teen to life in Netflix’s Wednesday, helmed by Tim Burton. Continue Reading →

There is something delightfully ghastly about Netflix fictionalizing the existence of that last Blockbuster location on Earth. It’s the streaming equivalent of you or I parading the carcasses of our slain enemies through the town square. Alas, this “really rubbing salt in the wound” touchdown dance of a move is about the only thing unique about the sitcom. Continue Reading →

Can you have Starfleet without Starfleet? That’s the essential question Star Trek: Prodigy asks in the back half of its first season. As the villainous Diviner (John Noble) told his daughter last time, the advanced vessel ferrying the series’ young heroes contains a weapon that could decimate the Federation. If that weren’t enough, the flesh-and-blood Vice Admiral Janeway (Kate Mulgrew) has reason to think whoever’s piloting the Protostar stole the ship and marooned her dear friend, Chakotay. So despite how badly the show’s main characters want to join Starfleet, there’s a plethora of reasons to stay far, far away for the time being.  Continue Reading →