A bona fide example of ’80s trash horror, Jim Wynorski’s tale of killer robots and horny teens is its own kind of therapy.
roger corman
Jonathan Demme’s sleazy but interesting feature debut tried to put a new spin on the women in prison genre.
A bona fide example of ’80s trash horror, Jim Wynorski’s tale of killer robots and horny teens is its own kind of therapy.
Jonathan Demme’s sleazy but interesting feature debut tried to put a new spin on the women in prison genre.