Annie Silverstein’s delicate, uncompromising drama uses the subculture of Black rodeo to paint an aching picture of loss, time and poverty.
Sam de Jong’s vibrant, raw indie offers an effortlessly dynamic showcase for its model-turned-actress star.
Following up I, Daniel Blake with another grim drama about English poverty, Ken Loach spits venom about the dark side of capitalism to mixed results.
Tessa Thompson and Lily James are two sisters struggling with rural poverty and difficult choices in this gripping, but uneven drama.
Clint sits down with the documentary filmmaker to talk about his observations of post-war Bosnia and the fascinating subjects of his story.