In 2005, Disney showed us what a superhero high school would look like — the results are fun, but they fall short of their deconstructive potential.
The DCEU embraces its inner Bugs Bunny, and is all the better for it.
Ang Lee’s ambitious young-vs-old futuristic thriller is a misfire of cranked-up frame rates and muddled plotting.
Quentin Tarantino’s half of the nostalgia throwback Grindhouse is as problematic as it is strangely empowering.
Mary Elizabeth Winstead lashes back at the stiflingly male-dominated world of standup comedy in Eva Vives’ acerbic, stunning […]