Gillian Flynn’s new Prime series is an ambitious saga that offers loads to chew on, assuming you can handle the bleakness of it all.
jessica rothe
Rachel Lee Goldenberg’s remake of the 1983 rom-com is a light, airy work of kitsch that’s easy to fall into.
Switching from slasher to sci-fi comedy, the sequel to the first Happy Death Day is a light, breezy delight.