Andrew Ahn’s sophomore film is one of the year’s most understated masterworks, with a beautiful sendoff for Brian Dennehy.
The director of Driveways talks about crafting his second film, finding grace in human connection, and working with the late, great Brian Dennehy.
BoJack finally stops running from his demons in an uneven but mostly satisfying conclusion to TV’s best show about depression & addiction.
Damon Lindelof’s series comes to a conclusion that is as evocative and satisfying as it is rushed.
Six episodes in, the show does its deepest, most formally daring look at historical prejudice, policing and American mythology.
Legacy and memory rise to the forefront of an intriguing Watchmen concerned even more directly with the shadows of the past.
The first half of the final season takes the viewer on a quietly optimistic path, before punching them in the gut in the last episode.