Amazon’s star-studded anthology series is so gentle, pleasant and inoffensive it ceases to resemble actual relationships.
From Bound to Sideways to Romy and Michelle, this year’s Ebertfest was a celebration of the weird, eclectic, and fantastic films Roger Ebert loved.
Tim Burton’s recent films are dismissed as confused (dark) shadows of his career heights, but they contain brief glimmers of the filmmaker’s return to form.
In the wake of Serenity’s balls-out weirdness, we look at how it fits into the oeuvre of “oddball post-Oscar films” for McConaughey and Hathaway.
Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to […]