From Bound to Sideways to Romy and Michelle, this year’s Ebertfest was a celebration of the weird, eclectic, and fantastic films Roger Ebert loved.
anne hathaway
In the wake of Serenity’s balls-out weirdness, we look at how it fits into the oeuvre of “oddball post-Oscar films” for McConaughey and Hathaway.
Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to […]