Robert Zemeckis’ new Roald Dahl adaptation is too grim for kids and too tame for parents, despite some solid performances.
With its lo-fi aesthetics and quietly chaotic presentation, Jonathan Demme’s 2008 drama never goes for the easy conflicts at hand.
Todd Haynes steps outside of his wheelhouse with a well-intentioned, but messy piece of narrative journalism.
Amazon’s star-studded anthology series is so gentle, pleasant and inoffensive it ceases to resemble actual relationships.
From Bound to Sideways to Romy and Michelle, this year’s Ebertfest was a celebration of the weird, eclectic, and fantastic films Roger Ebert loved.
Tim Burton’s recent films are dismissed as confused (dark) shadows of his career heights, but they contain brief glimmers of the filmmaker’s return to form.
In the wake of Serenity’s balls-out weirdness, we look at how it fits into the oeuvre of “oddball post-Oscar films” for McConaughey and Hathaway.
Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to […]