5 Best Movies To Watch After The Father (2020)

I never feel the need to apologize for loving a movie. I might be more inclined to defend that love, but not apologize for it. When I see a movie so beloved and come out the other side largely unaffected, though, I feel bad. Is it my fault? Is it just that I’m a cold person? I shouldn’t feel bad for being in the minority, but maybe I should feel bad that I didn’t feel a ton else. I kind of do, to be honest. Of course everyone’s tastes are different. Of course I’m far from likely to always agree with the majority. Continue Reading →

(This review is part of our coverage of the 2021 Sundance Film Festival.) Continue Reading →

Shirley Jackson's story is brought to sumptuous Gothic life thanks to Josephine Decker and a typically-great Elisabeth Moss performance. If you caught Elisabeth Moss in Her Smell last year, you saw an unhinged performance, one bursting with rage, drug-induced confusion, and lots of screaming. Her role as a rockstar in flux should have garnered her more awards attention, but the film underperformed at the box office regardless of (mostly) critical acclaim. Director Josephine Decker’s new film should give Moss another chance at an Oscar nomination, portraying horror writer Shirley Jackson in Shirley.  Though the logline and summary indicate a biopic, Shirley ends up being much closer to a drama with tinges of horror laced throughout its 107-minute runtime. Based on a novel by Susan Scarf Merrell with a screenplay by Sarah Gubbins, Shirley follows the writer and her husband Stanley Hyman (Michael Stuhlbarg) as they take a young couple into their uncleanly home, professor-in-training Fred (Logan Lerman) and pregnant Rose (Odessa Young). With the men spending the majority of their time at the local university, Shirley and Rose begin growing closer, as the former struggles to write her next novel.  As much about writing as it is about marriage, Decker’s film explores these interconnecting relationships with ease, creating tension when there is none, and pointing out frustration when it’s plain as day to see. Shirley rarely leaves the house, and enlists Rose as housekeeper-turned-apprentice, as the author starts writing a novel about a local, missing college girl.  Continue Reading →

Dominic Cooke's well-crafted spy thriller doesn't try anything new, but boasts winning performances & a zippy plot. In 2019, the buddy-car film Ford v Ferrari became the clear cut favorite of dads across American and Britain. Using well-matched leads in Christian Bale and Matt Damon, James Mangold’s film became a critical and commercial hit, showing that fathers still have the power to put a movie into the green. It looks like there’s a new dad film of 2020 though, with Dominic Cooke’s Ironbark taking its rightful spot upon the beer-bellied throne.  Ironbark tells the story of Greville Wynne (Benedict Cumberbatch), a British businessman recruited by the government to become a spy-like courier in the Soviet Union during the Cold War. Wynne agrees to keep this entire operation a secret from everyone, including his wife Sheila (Jessie Buckley), growing more invested and involved and spy-ish.  Flanked by one British operative Dickie Franks (Angus Wright) and one American operative Emily Donovan (Rachel Brosnahan), Wynne begins meeting with a Russian source named Oleg Penkovsky (Merab Ninidze). Together, they smuggle nuclear information back into Britain and the U.S. in hopes of avoiding nuclear war, and eventually dealing with the Cuban Missile Crisis.  Continue Reading →

(This review is part of our coverage of the 2020 Sundance Film Festival.) Continue Reading →