A good TV show is like a good book: you're both excited to get to the end, and nervous about getting to the end. If gave you that feeling, here are other titles that our writers have covered that you might want to check out.
Most films don’t come with homework. The same cannot be said of the Marvel Cinematic Universe’s new movie, The Marvels. Unless you’re a devoted MCU fan with an encyclopedic knowledge of both the movies and the Disney+ TV originals, it’s difficult to understand the mechanics of this disastrously convoluted entry in the floundering franchise. It feels like being dropped headfirst into a crossover episode based on three shows you’ve never seen -- mostly because it is. The Marvels kicks off with a bit of genuine visual interest (that never appears again) in the form of hand-drawn comics created by teenage superhero-slash-Captain Marvel fangirl Kamala Khan (Iman Vellani), aka Ms. Marvel. Vellani, who previously appeared as Kamala on the little-seen Disney+ series Ms. Marvel, is a spunky, hilarious teenage heroine whose impressive comedic timing buoys the leaden, disjointed script. She so thoroughly steals the show that it’s disappointing this movie wasn’t just about her; instead, it's a confused mix of storylines involving Kamala, Captain Marvel (Brie Larson), and astronaut Monica Rambeau (Teyonah Parris, Candyman). It feels like the powers that be made a huge mistake in consigning her story to a poorly publicized streaming original, instead of letting her headline a film on her own. Continue Reading →
Five Nights at Freddy's
I have never played Five Nights at Freddy’s. I need to make that abundantly clear before proceeding with this review. Continue Reading →
Whenever a crowd pleasing movie hits theaters or streaming, people lament, “They don’t make ‘em like they used to.” Often, these people refer to middle-of-the-road movies from the 80s and 90s, the type of film that would play on cable television in the middle of a Sunday afternoon, something that people watch over and over again, simply because it makes them feel lighter. The Burial, the new courtroom drama from writer/director Maggie Betts, falls firmly into this category. It’s dad-fare, set in 1995 when it also likely would’ve had mainstream success in popular culture. Continue Reading →
Talk to Me
Things have been very bad for much of the world for a very long time, and they won’t improve any time soon. I don’t mean to start things off on a bummer note, but to point out that from such dire circumstances comes one benefit: the horror movie renaissance that started in the late 2010s only seems to be getting better. Just this year we’ve gotten the low-fi nightmares Skinamarink and The Outwaters, horror comedy with M3GAN and Cocaine Bear, another mostly solid entry in the Scream franchise, too many indie horror films to list here (Bad Girl Boogey and Brooklyn 45 are but a couple), and the roaring return of the Evil Dead series. Even if there weren’t another release for the rest of the year, it’d still be a great year for horror. Continue Reading →
It doesn’t take much for someone who once meant a whole lot to you to creep into your thoughts every now and then. It’s not an everyday obsessive thing, where they’re a shadow lingering over you. It’s softer, more subtle: a snippet of a song, or something that reminds you of a private joke once shared. Even if the fire has long burned out, an ember or two will glow for an instant. Then it’s gone, and the life you’ve lived without them goes on. Continue Reading →