32 Best Releases Network Prime Video on Amazon Prime Video (Page 2)

North Carolina, 2032. Flynne Fisher (Chloë Grace Moretz) is a skilled gamer. Pro gaming (usually helping some rich schmucks win victories they couldn't on their own) is a viable way for her and her cyborg'd-former-Marine brother Burton (Jack Reynor) to earn extra cash. They live with their ailing mother Ella (Melinda Page Hamilton) a half-step ahead of financial ruin in a town more or less run by spiritual-cousin-to-Road-House-villain-Brad-Wesley Corbell Pickett (Louis Herthum, Westworld). Continue Reading →

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While there are a lot of autistic characters in pop culture, there’s very little variety to be found. The eclectic personalities, genders, ambitions, and every other trait imaginable that exists in actual clusters of autistic individuals is absent in general pop culture. Instead, we’re either super-geniuses who function more like X-Men or childlike figures who need a neurotypical person to rescue them. If you were to go by mainstream media, autistic people were like M&Ms circa 1964: we only come in two flavors.  Continue Reading →

There’s a song that was popular in the aughts with the lyric “Every new beginning comes from some other beginning’s end,” and it feels like the most fitting description of The Expanse. It’s a show that has changed identities more times than Sidney Bristow and managed to retain a strong, cohesive narrative, with this season bringing its final arc full circle. Not to the proto-molecule, but to the struggle of the Belters to get their fair shake from Earth and Mars, something Joe Miller (Thomas Jane) dreamed of in the very first episode, something Fred Johnson (Chad Coleman) lived and died for.  Continue Reading →

Amazon Prime’s new high fantasy series, The Wheel of Time has arrived, and already a major part of the critical conversation seems to be “how much like Game of Thrones is this?” The answer is “not much,” which will undoubtedly disappoint some. For others (myself included) its differences from HBO’s leviathan dragons-and-politics series are welcome. Firstly, in the six episodes that were made available to reviewers, I didn’t spot a single sexual assault and only two women were tortured, so that’s something. Here, women don’t gain power through marriage or dragon-riding because they don’t have to. If there is anything you should bear in mind heading into The Wheel of Time, it’s the knowledge that this is a world where women already hold most of the power, in every sense of the word. Continue Reading →

In 1973, Lois Duncan created the perfect premise for a thriller: a group of teens on a midnight joyride run over a pedestrian and make a pact to keep it a secret. They think they're successful in hiding the crime. Then, a year later, one of them receives an ominous note stating simply, "I Know What You Did Last Summer." While the teens try to solve the mystery of who is harassing them, they soon realize that whoever knows their secret wants them dead.   Continue Reading →

While there are many ways to adapt material to another medium, there do seem to be two prominent schools of thought. Some want adaptations of existing works to take the source material as a jumping-off point. The original text should inspire the creators of the new media, but should make their own perspective felt. On the other hand, there are those that crave pure accuracy. They want the new piece to resemble the original as closely as possible, in tone, point of view, and style. Continue Reading →

I am a great lover of camp media. I love the over-the-top, the ridiculous, the melodramatic, and the ostentatious. I love storytelling that delves so far into the extremes of the human experience that it departs from reality altogether. Unfortunately, camp can backfire, and when it doesn’t work, it can become so ridiculous that it’s hard to watch.  Continue Reading →

There are two moments in The Wilds that so succinctly summarize the show’s tone, we have just have to start with them. In the first episode, Leah Rilke (Sarah Pidgeon) barrels directly down the lens of the camera and declares the life of a teenage girl in America in the 21st Century to be literal hell as if in direct conversation with the audience. Then, later in the series, Rachel Reid (Reign Edwards) searches for the word melodrama, applying it to the actions of her fellow island isolated survivors. And that’s The Wilds for you. Tremendously unsubtle and one-hundred percent aware of it. It also happens to be very good. Continue Reading →